Le stagioni dell'amore

I am saddened by the number of negative comments about this movie. Love! Valor! Compassion! is one of my favorite movies of all time. Not every movie has to be full of action and deep thinking to be good entertainment.

What makes this movie so enjoyable is the chance to see a gay men, who lead very different lives, interact with one another to build and maintain their friendships through good times and bad. I hope that I, too, will someday have a group of friends like that.

Jason Alexander is fantastic as the stereotypical Broadway play lover and his developing relationship with John Glover's English twin brother is precious. The characters of Perry and Arthur show a "normal", boring gay couple just going through life with each other enjoying growing old together -- a lifestyle many of us aspire to. And, Randy Becker isn't too difficult to look at, either!

Granted, there are places where the writing is uneven at best (the death of Bobby's sister, the hiding in the closet scene, for example), but viewers who enjoy a good story about friends who love and support each other without the expectation deep plot twists will enjoy this screenplay for what it is -- relaxing entertainment. Enjoy!

I would die to see the play. I didn't want to see it at first because I'm not a fan of Jason Alexander but I must admit he did surprise me, who knew he could act (although he was trying a little hard to BE Nathan Lane). I cried through most or it and I'm not much of a crier so BE WARNED! IT IS A CHICK FLICK! but a damned good one.

LOVE! VALOUR! COMPASSION!

Aspect ratio: 1.85:1

Sound format: Dolby Digital

This perceptive drama - written by Terrence McNally, adapted from his award-winning Broadway play - starts out as a warm-hearted examination of the lives and loves of eight middle-class gay men during three eventful weekends at the isolated country home of ageing dancer Stephen Bogardus and his blind, youthful boyfriend Justin Kirk (ANGELS IN America). As it progresses, however, McNally's snappy screenplay begins to expose the faults in his principal characters, as well as their virtues, leading inevitably to fireworks and revelations. Set in a beautiful lakeside house somewhere in upstate New York (filmed in Quebec, though you wouldn't know it), director Joe Mantello - also responsible for the original Broadway production - and cinematographer Alik Sakharov take full advantage of the area's natural beauty, moulding a defiantly cinematic template from the material's inherent staginess.

All but one of the fine ensemble cast was culled from the stage version, including Stephen Spinella and John Benjamin Hickey as a staid yuppie couple, and Randy Becker (LIE DOWN WITH DOGS) as the handsome young stud whose overt sex appeal creates emotional tension in a household dominated by middle-aged men. However, the film is virtually stolen by "Seinfeld"s Jason Alexander (in a role essayed by Nathan Lane on-stage) as the archetypal Broadway-loving queen who lives in fear of his HIV status and masks his anxiety with outrageous humor, and John Glover in dual roles as English twins, one of them noble and humane (and dying of an AIDS-related illness), the other a mean-tempered bitch of the highest order. McNally's script finds something deeper than mere stereotype in these disparate characters, and he examines the many ways in which they love each other, despite their differences. The full-frontal nudity which characterized the original stageplay (causing a minor stir at the time) has been toned down for the film, but not completely erased, and Becker in particular seems entirely at ease during his frequent nude scenes.

It's amazing the fate the great play by Terrence McNally suffered on its way to the movies. The fact that it's basically the same team that produced this moving theater piece at New York's Manhattan Theater Club and later transferred to Broadway with basically the same cast, and with the same director, Joe Mantello, doesn't give the film viewer any idea of what "Love, Valor, Compassion" was so effective on the theater in comparison what one watches this version on the screen.

First, and foremost, the replacement of Nathan Lane, the originator of the role of Buzz was the first mistake. In fact, Jason Alexander, a good actor otherwise, throws away the balance of the film as he portrays Buzz. Mr. Alexander is out of his element in the movie. He seems to be acting in a different film, rather on this one.

The rest of the brilliant cast is repeating the roles they originated on the play.

"Love, Valor, Compassion" deals with a lot of serious topics in a matter of fact way. AIDS is at the center of the story as this group is affected deeply in one way, or another, by the plague that is killing most of these men gathered at a summer house. There is also a subtext in the movie about relationships, friendship, and loyalty.

John Glover playing the twin brothers, John, and James, gives one of his best performances in this picture. Mr. Glover is an actor who has a long background in both theater and films and he is a welcome addition to anything he decides to grace with his presence.

Stephen Spinella and John Benjamin Hickey, are Perry and Arthur, a gay couple that has managed to stay together fourteen years, a record for this type of life where relationships tend not to last at all. Stephen Bogardus and Justin Kirk, are Gregory and Bobby, the host of the house and his sweet blind lover. Randy Becker plays Ramon, who appears to be a hustler and has been brought as a guest and ends up betraying his companion and the host.

Finally, the fact the film doesn't work rests with the direction of Joe Mantello, an excellent theater director for casting the wrong man in a key part in the movie and perhaps his unfamiliarity working in films.

I have to wholehearted disagree that this film is disappointing. I found the characters interesting and deep. Yes - the gay men approach stereotypical roles in some instances, but they are developed over the course of the summer in a manner that mimics the boys in "Stand by Me". We see the changes in the relationships between nearly every pairing of the eight men. Some are in relationships; some were. Some hate each other; but they nearly all care about one another. This is the kind of movie that makes you reflect on your own human interactions. You don't have to be HIV+, a choreographer, a yuppie, a broadway queen, or even gay to see yourself in these characters. This is a fine exhibition of love, lust, friendship, and life.