Los Angeles senza meta

LA without a map was for me, the high point of this year's Singapore Film Festival (99). This modern day fairy-tale may come across as 'clich-ed' to some - especially the last bit - but it made a nice and interestingly pure change to the 'my ship is bigger than yours' crazy budget films out there right now. It's a raw and engaging film that puts a certain warmth in your heart when you leave the cinema. It's about love, dreams, loss, the fragility of life (and love) and it can be damn funny when it wants to be... the acting ain't bad either. :) Vinessa Shaw looks set to be the next big thing.

Simple but appealing. Maybe not that original but fresh and entertaining. Actors look at ease in the script. The story is well balanced and always under control. Not ambitious but pleasant. Rated 7.

This movie is worth seeing.......Vincent Gallo is hilarious. If you don't need a lot of action, if dialogue satisfies you then this movie will suit your taste. Bizarre, quirky, if you liked Swingers, Go, Very Bad Things...L.A without a Map, will be a favorite of yours.

Although the box may have JOHNNY DEPP & VINCENT GALLO in big letters, both actors play minor parts. Some very magical Depp cameo moments. Gallo is amazing and funny as hell the whole time he's on film. Any fan of his will definately want to see this. There's also a main love story that tries desperately to be charming but just ends up boring and lame. (I already know L.A. is fake--I just wanna hear more philosophy from Vincent Gallo.) This movie is supposedly hard to find. Maybe you can get a pirated copy.

The film tends to fizzle out, like the bright lights of Hollywood for the main character, Bradford undertaker Richard (David Tennant), but the movie is still worth viewing. I enjoyed it, especially the drab lighting in Bradford turning to the neon colors of Los Angeles, Las Vegas, and actress wannabe Barbara (Vinessa Shaw), and then blending to black and white. The two don't stand a chance of working out together, but they do. The character development is shallow and much in the film is predictable enough to draw from it greatness, but the contrasting views (European and America, rich and poor, dreams and reality) give the film just enough spice to make this a good film. Vincent Gallo's character, Moss, is funny, and the cameo appearance by Johnny Depp is good--his poster eyes talk--and should have been played out along with Barbara talking with her dead father. (7/10)