Kundun

"Kundun" is Martin Scorsese's most underrated film. It's something quite fantastic to watch such an amazing film about the early years of the Dalai Lama and the plight of Tibetan Buddhists knowing that it comes from a man who has long wrestled with his own religious ghosts (witness the still hotly debated conundrum that is his "Last Temptation of Christ"). With probably only "The Age of Innocence" to compare to in Scorsese's now hallowed canon, "Kundun" is a breathtaking work of art--visually sumptuous (with beautiful work from cinematographer Roger Deakins), hauntingly transcendental, and deeply symbolic.

As an outsider looking in, Scorsese manages to create an intimate level of detail that someone who lives and breathes Buddhism might have overlooked. Many rituals and practices are presented exactly as they are with no attempts to explain their purpose or translate their meaning to Western culture. This allows them to keep their rich symbolism, which translates perfectly to Scorsese's visual palette. From the rich colors of meditative sand art to the bright red blood spilled during China's unlawful occupation of Tibet, everything takes on a deeper meaning that leaves much to the imagination and higher mind.

Wisely, Scorsese follows the same template of Richard Attenborough's equally resonating Oscar winning epic "Ghandi" by adapting a straight forward approach to his presentation of the Dalai Lama's most tumultuous years. Except for a few dreamlike vision sequences, he stays mostly out of the man's head, and instead shows his power through his actions and dedication to his people and the practice of non-violence. "Kundun" is as near perfect a biopic as one can make.

Though I see a lot of films (usually 100+ in theaters per year), I can't say that I'm much of a student of films. I go to be entertained and/or moved. And Kundun moved me in a way I don't think has ever happened before.

I saw the film in the multiplex in Phipps Plaza, probably Atlanta's most upscale shopping mall. At the end of the film, when I walked out the theater exit into the mall, I was emotionally stunned. Scorsese had hypnotized me into the world of Bhuddist simplicity and wonder. Seeing the activity and commercialism (which I normally love) of the mall was a shock.

Peter Weir once said: "The true test of it is when you come out of a picture and you can't remember whether it was day or night when you came in." I think that barely remembering what country I was in shows that for me, this film passes that "true test".

I was very pleased to discover that this film wasnt the Scorcese dud some of the user comments and critics had suggested it to be. While I am no expert on Buddhism, I know enough about it to see how brilliantly Martin Scorcese and Melissa Mathison weaved the core philosophy into this tale of the Dalai Lama's formative years. They did it without succumbing to ostentation, sentimentality, or populist good vs evil film dramatics. And yet it showed us how human the child was--laughing as the monks meditated while a rat drank the ritual offerings; being frightened in the dark monastery; taking on the very great responsibility of leading a truly wise, noble and compassionate religion while being confronted by the threats of the modern world. I appreciated how they didnt portray the Chinese as simple villians--by including the scene where he dreams the army personnel are explaining to him why they embrace Mao's communism. And they also presented enough of the Buddhist ritual and way of life to show us how alien it is to western religions(the scene where they cut up the body for the vultures comes to mind), though they dont gloss it over by excluding comments about the Lama's isolation and loss of childhood or the corruption surrounding his first Regent. It was also quite moving to observe the devotion of his monks and people.

Scorcese really demonstrates here that he is a true film artist and master storyteller. I wholeheartedly concur with the commentator that compared this film to the Last Emperor--despite similar story frames and lengths, this motion picture doesnt drag at all. If this had been say, Steven Spielberg's project you would have expected to see some manipulative melodramatics and insincerity. And how can one not be impressed by the performances he got out of mostly non actors! That alone was amazing. The film maintained its pace from the early years to the Lama as an adult. From what little of the man I have seen on tv, his humor, and wisdom was conveyed remarkably well by Mathison's script and the actors chosen for the role.

Finally, his comment to the Indian guard near the end after being asked if he was the Lord Buddha--encapsulates the wisdom and the humility of its spiritual leader perfectly.

This movie is like a breath of fresh air, for once a topic well chosen. Very nicely produced, directed and and very well acted. a very moving tale that hinges not only on the 14th Dalai Lama but of the struggle for Tibetan freedom from Chinese communist imperialist rule. This movie should be more widely shown. An interesting portrayal of the cruel,bullying, arrogant imperialist Chairman Mao enjoying the good life whilst his citizens suffered. The film portrays the issues successfully and is memorable.

We should not forget Tibet and the Tibetan peoples' desire for a restoration of independence and freedom. Marvellous just marvellous.

I live in South Korea, so I didn't think I would get some insights about buddhism from a Western movie. But this movie shocked me a lot. Very beautiful and meaningful visuals, quiet but spiritually forceful atmosphere every single moments are in the movie, I could hardly breath during playing. This movie is not just about one man, but about the pain of all mankind and the way to transcend the pain and sin of ours in a very buddhist direction. China in this movie got a bad part. Ironically they were also victims of imperialism but learned the exact way to extort, destroy the property and beliefs of others by the power of machines. It was just sad to watch. But as Kundun implied, those violence's are in the shadow of our minds which should be overcame by the power of spirit. For me, this movie tells that.