Iruvar

Anandan is a very aspiring and talented stage-actor. He dreams of making it big in films and approaches various sources. Luck favors eventually and he notches up with a director and meets Tami Chelvan who happens to be a writer and an atheist. They both become the thickest of friends. Anandan meets huge success and Tami Chelvan uses his popularity to make in-roads in his political career.

Ego clashes erupt subsequently and Anandan overthrows Tami Chelvan from power. It is a beautiful drama of two friends and their ego. Photography, Score and Direction are commendable.

I really recommend this to connoiseurs of quality films

I have seen this movie about 10 times in the last 5 years. One of the most inspiring movie ever made in Indian movie history. The best part which sets this movie apart is the fact that it is in Tamil and about two of the greatest pioneers of Tamil Nadu, yet it is unbiased and brings out the psyche of two of the greatest minds of Tamil Nadu. Although the movie claims that it is not a true story (in the very first scene), it is intuitive to anybody who lived or are aware of the golden age of Tamil Nadu.

Mohanlal and Prakash Rai play Anandan and Tamizh Chelvan respectively. Impeccable performances by them portraying the real life characters. Every bit of this movie says that it is a classic and this will only be realized in years to come. The film showcases the kind of films Maniratnam is capable of making. A.R.Rahman's music will haunt the ears of the viewers.

This movie was not appreciated by the movie goers in India as it was a little too slow. There are no racy songs, unwanted characters or unrealistic scenes to woo the viewers. Suhasini Maniratnam's dialogues in Tamil takes this movie to a pedestal where only the connoisseurs can admire. A very straight forward approach by the best film-maker in India.

Arvind Swami lends his masculine voice to Vairamuthu's verses to bring out the intensity in the scenes that show Thamizh Chelvan's prowess as a poet.

On the whole, a wonderful movie to have in your DVD rack. A classic that will only reveal itself in the years to come.

Undoubtedly the best movie i have ever watched. Mani Ratnam, Mohanlal, Prakash Raj, A R Rahman & Santosh Sivan at their best. Mohanlals act in this film is a guide for all budding actors. The soundtrack of the film is amazing. Every shot of this masterpiece looks like picture postcards. Thanks to Santosh Sivan. I don't mind watching this film a hundred times. Iruvar is Aiswarya Rai's first film & its definitely her career best film. Mani Ratnam , Mohanlal & Rahman deserved national awards. Its a pity that they were not given national awards.Another thing which surprises me is that the movie was a flop, which is a wonder aspect of Tamil Cinema.

Iruvar is a kind of movie only Mani can make. It is an experimental work with almost true storyline, mellow music score and wonderful performances from the cast.

The movie might not be of interest and significance by the audience who aren't familiar with the political history of Tamilnadu. Before watching this piece, the viewer needs some knowledge about the relationships and friendships of Ex-CMs of Tamilnadu.

Mohanlal, Prakashraj and Aishwarya Rai are the main leads in this movie. Lal and Prakash have done their best. However talented actresses like Tabu and Revathi appear in few scenes and don't have much scope to show their acting skills. But this is one movie they would not have regretted acting in. The art direction, camera-work and costume design are excellent.

An outstanding experimental work though not a huge commercial success. A must see for the film institute students.

I think this is one of Mani's best films ever. Everything about it was astounding. Rehman's music - transported you to the period. Prakash Raj's acting was amazing, he's a class act in this one. Mohan Lal, needless to say was sparkling, some of his emotions, like when he says they expelled him for asking a question and in numerous other instances, were superb. Aish was great... and the accolades goes on.

Also the movie was remarkable for Mani's raw power / edge in showing a movie that so loosely piles incident upon incident, scene after scene - more like a real life documentary, and less like a feature film. Great experimenting and also great final product. Was enjoyed more by film scholars and film students, and not so much by the general public. In the end, it's just good to know that one of India's most successful commercial directors is also experimenting with new themes, new presentation styles, thereby pushing the frontiers of what can be done film-wise.