Insomnia

Why does Hollywood re-make European films? Because they are so great. And this is no exception. I saw the Pacino version first then searched out this European original. Despite the bad press of the Pacino version, I did enjoy it very much.

However, this version is darker, raw and allows the view to see and feel more. A must see for those who have seen the American take of this film. A must see for those who love well acted European cinema.

I don't wish to recommend which version you should watch first, yes the story is known the second time around, but it is the character differences, how the films were made, and the use of dialogue (or not) that are important... surely. Enjoy.

Erik Skjoldbjaerg's 1997 film 'Insomnia' starring Stellan Skarsgard is a fine example of the rich films being offered by the foreign film market. Skarsgard plays Jonas Engstrom, a disgraced detective who, with his partner, travels to Norway to help a small town solve the murder of a 17-year-old girl. Due to the atmospheric conditions (there is 24 hour sunshine) and recent events, Engstrom is suffering from a severe bout of insomnia, which is causing problems with his work and psyche.

Not having seen Christopher Nolan's remake, I didn't know what to expect from the story, so I was pleasantly surprised by the unconventional progression of the storyline and the various twists within the script. I have only seen Skarsgard in a couple of films, but he is always fantastic, as he is in this film as well. There are few actors who can keep a straight face, yet still manage to convey complex emotion, and Skarsgard is one of them. He walked through his scenes with a somberness that is reminiscent of most M. Knight Shymalan heroes; powerful, yet weary. Skjoldbjaergs's direction is absolutely beautiful. The colors are quite sharp, and most scenes are expertly framed – most would make gorgeous still frames.

I plan to see the remake of 'Insomnia' eventually, but whether you have seen it or not, I would recommend catching the film that inspired it. 7/10.

--Shelly

An excellent psychological drama about a cooly repressed detective unable to own up to causing the accidental death of his partner, at the same time he is persuing an author suspected of killing his young girlfriend. The detective story isn't important here - the detective has no trouble locating the killer, understanding his motives, or "solving" the crime. What is interesting is the detective's inablility to deal with his problems and face life truthfully, metaphorically illustrated by his inability to block out the sunlight and sleep. Stellan Skarsgard gives a very good performance as the detective struggling to keep control of himself and the situation. As he becomes more and more tired, his life and his desires race out of control, and his need to maintain his facade causes him to make decisions that take him to the edge of catastropy.

This film is understated in a way that the 2002 Al Pacino remake missed the boat on. It takes place in Norway, and the director resisted the temptation to show us a travelog of cute Norwegian villages. Most of the action takes place in non-descript rooms, suffused with the cold grey light of the arctic sun. The acting is understated and viewers are left to understand motivations without explicit explanation. The film is engrossing from beginning to end, and I'll never understand why Hollywood feels it needs to try to do better - it rarely can.

Insomnia is a criminal thriller shot in the classic Scandinavian style, a combination we're only seeing rather recently. When a teenaged girl turns up dead in a landfill, a homicide team is sent up from Oslo to back up the local police, who are ill-equipped to handle such a murder owing to its infrequency. Above the Arctic Circle, the lead detective is like a fish out of water - the 24-hour daylight drives him crazy and he is desperate to get out.

The scenes have a cold, bare feel to them, like the shooting locations (Tromsø and environs) and the protagonist/antagonist, Jonas Engstrøm (Stellan Skarsgård). Stark is a good word - but it is effective, and also beautiful. Bjørn Floberg also turns in a solid performance as the prime suspect. I found Skarsgård's female foil (Gisken Armand) a bit cloying but that's not enough to bring the whole film down.

Skarsgård's intensity is impressive and captivating, and the dynamic between his character and the others (he is Swedish, they are Norwegian) helps keep you interested. It's interesting to see how being a murder cop hardens a person - whether that person is Norwegian, Swedish, or American doesn't matter.

I would definitely recommend this film. It's a powerful and beautiful work that deserves to be seen.

I found this film to be exceptionally entertaining. The other reviewer may have found the cinematography/appearance of this film cheap but I found it to be very hipotic. Perhaps people native to the country of the films setting have seen better depictions of their environment, but I think american audiences will enjoy the images. Stellan Skarsgard makes this film worth seeing on his own.