Prima del buio

Such a quiet and gentle film. All the action revolves around this family's domestic routines; meals served in the backyard overlooking the pond, wheelchair promenades down beautiful country roads and intimate conversations between mother and son basking in the gloaming (the last hour of daylight). It is during these moments that Close and Leonard absolutely shine. This is very much a story about a boy and his mom. All other relationships are secondary until the end of the film. Family relationships can be complicated, especially when one is dying. The stoic and reserved nature of the characters response to the gay son's health crisis is compelling.

A nice turn by Whoopi Goldberg as the live-in nurse who re-teaches the mother to physically care for and interact with her adult son.Pay special attention to the death scene (and I'm not really giving anything away here) and notice the characters breathing. It is a wonderful symbolic representation of one life ending and another being "reborn".

This is a film appropriately named. Many of the exterior shots take place in the gloaming, that lovely space between sunset and the stars coming out. The colours are extraordinary - New England has never looked more lovely drenched in the colours of the seasons in which the film takes place, with a gorgeous windowed house overlooking it all.

This is a story about a family and the shifting of its dynamics when the son comes home to die of AIDS. Whoopi Goldberg (a very small part) is employed as a nurse and the mother (Glenn Close)attempts an exploration of getting to know her son. This is basically the plot.

David Strathearn in a role made for him, plays the father, a man unreconciled to his son's sexual orientation but still very much in love with his wife, a fact which escapes her until her son points it out.

There is an absolutely riveting scene of the mother singing his baby song to her son that had me in tears. It wasn't over sentimentalized in any way, the father overlooking the scene adds to the feeling of his distance from his wife and son. Beautifully done. If I had any fault, it was with the ending. A little too pat.

I would see this again. Glenn Close was never lovelier. 7 out of 10.

My first observation was the beauty of the landscape. The New England area must be one of the most beautiful places on earth, especially in autumn when the leaves turn gold and red. The writers use this fact to their advantage when they set their story in such heavenly surroundings.

Then when I heard the music (piano only) I said to myself this is going to be a sad film, or may be overly sentimental.

As the story progressed, I sensed that here was a family whose members lived independent lives until the son comes home to die of AIDS. In this new situation the family is scarcely able to cope and they employ a nurse (Whoopi Goldberg) as a carer. There is a moving scene where the nurse virtually teaches the mother (Glenn Close) how to express her love towards her sleeping son. "Touch him" she says.

There are many scenes between the mother and son when thoughts about their respective lives are exchanged. It is as if they are getting to know each other for the first time. The dialogue in the film is mainly between mother and son. All the other characters while still important have much less to say.

The film has a gentle quality about it. All the characters repress their thoughts and feelings apart from an occasional outburst of frustration that tends to liven up the sad circumstances. We have seen films about dying AIDS victims before so there is nothing new here, except for the beauty of the setting. All those trees aflame in the sunset and an empty garden seat definitely accent the sadness suffered by the family.

I've seen this film a number of times, and time and time again, I get the same feeling and hope in my head - that not all parents (especially the father's) are quite like this family. The mother was cold up until she knew that whatever she did or said would not change the fact that her son was going to die.

The father.....I don't have the brain energy to talk about this _ _ _.

The father was not interested in the son, his life or happiness or anything about the boy for that matter - until the son was dead - then all of sudden it was all "can you please tell me what else my son wanted" - oh give me a friggin break. If he was at all interested he could of found out himself a few days before the son died.

Overall - a very good movie - but you might feel a little empty spot in your head or heart at the end of this movie.

I saw this film when it first aired on HBO and came across it recently on Logo. Logo added 28 minutes of commercials to make a 90-minute film, and what a slog those were to sit through.

So I went to Amazon to buy it, only to find out it wouldn't be available on DVD until last July, then September, and now November.

So this review is written a long time after seeing the whole thing.

Enough griping. This film is superb, though I speak with a bias toward sad movies. Christopher Reeve's direction is marvelous. He gets perfect performances from Robert Sean Leonard and Glenn Close as the son and mother. David Strathaim as the father is very good. Whoopi is good, but I thought her "love him" speech sounded forced.

The film's emotional impact is huge. There are three very sad moments: when Glenn Close sings "Danny Boy," when Danny dies, and when the mother and father embrace at the end. For me, Danny's death was the least sad of the three. Glenn Close's singing of "Danny Boy" is beyond perfect ... the way she can't sing the last word ... it rips me apart.

The scenery is so gorgeous. The pullback from the house at the end is very well done. The final credits are great with the song sung by Reeve's wife -- another teary moment -- except Logo ruined them.

Reeve was a great director.

(2014) I was going to post a review of the film, only to find I already had. I upped the rating from 9 to 10 stars. I just checked Amazon. It's still not available on DVD, only VHS. I don't get it.