Un giovane membro dell'I.R.A. è costretto a diventare un informatore quando viene colto in un attacco a un giudice.Un giovane membro dell'I.R.A. è costretto a diventare un informatore quando viene colto in un attacco a un giudice.Un giovane membro dell'I.R.A. è costretto a diventare un informatore quando viene colto in un attacco a un giudice.
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Recensioni in evidenza
This film depicts the work of the IRA with no sentimentality or romanticism and for that I commend it.
The storyline is convincingly written. The acting is very good all round but I would give an outstanding mention to Maria Lennon whose work I had never seen before and Timothy Dalton from who this is just one more excellent performance. The one downside were a couple of the accents, including (and maybe most noticeably) Dalton's. Accents have never been his strong point! That said, he lends the role the same toughness yet humanity that he has to several other characters in his career, Bond included - all-round believability.
There is a twist that I found disappointing but I won't spoil it for those who have not seen it and may be thinking of doing so.
The storyline is convincingly written. The acting is very good all round but I would give an outstanding mention to Maria Lennon whose work I had never seen before and Timothy Dalton from who this is just one more excellent performance. The one downside were a couple of the accents, including (and maybe most noticeably) Dalton's. Accents have never been his strong point! That said, he lends the role the same toughness yet humanity that he has to several other characters in his career, Bond included - all-round believability.
There is a twist that I found disappointing but I won't spoil it for those who have not seen it and may be thinking of doing so.
we've seen this story before in different variations, however overall this isn't bad. Some good acting especially (and as usual ) by Dalton.One is able to identify easily with this version because it's the most recent, but still nothing can quite surpass the excellent 1935 film.All'n all, it's worth seeing.
Engrossing, suspenseful, honest drama: the best film on "the troubles" ever made.
Put this up against the other IRA movies of recent years, and they pale by comparison.
A visceral experience of the tortured Irish landscape; characters of great depth and complexity.
An even-handed look at both sides of the coin, Protestant and Catholic. What goes on there is, after all, a tragedy for everyone.
This is a movie all should see.
Put this up against the other IRA movies of recent years, and they pale by comparison.
A visceral experience of the tortured Irish landscape; characters of great depth and complexity.
An even-handed look at both sides of the coin, Protestant and Catholic. What goes on there is, after all, a tragedy for everyone.
This is a movie all should see.
I stumbled onto this on Showtime on a rainy night and expected little of it. To my surprise I was drawn into the plight of those trapped in the vicious stand-off of "The Troubles".
The movie conveys powerfully the oppressiveness of the weight of history that sustains the hatreds and the impossible dilemmas faced by people trying to navigate between the opposing forces.
The acting is generally excellent, particularly Maria Lennon as the wife torn between her husband and her loyalties. Anthony Brophy is superb as the trapped husband. The only weak link is Timothy Dalton who chews a bit too much of the scenery as the detective reeling in the unwilling informant.
The lengthy nude scene of Simone Bendix as Cary Elwes' lover is not "essential to the plot" but Simone is so stunning it would be churlish to complain.
Taut and effective. Give it a look.
The movie conveys powerfully the oppressiveness of the weight of history that sustains the hatreds and the impossible dilemmas faced by people trying to navigate between the opposing forces.
The acting is generally excellent, particularly Maria Lennon as the wife torn between her husband and her loyalties. Anthony Brophy is superb as the trapped husband. The only weak link is Timothy Dalton who chews a bit too much of the scenery as the detective reeling in the unwilling informant.
The lengthy nude scene of Simone Bendix as Cary Elwes' lover is not "essential to the plot" but Simone is so stunning it would be churlish to complain.
Taut and effective. Give it a look.
Well I am in the middle of doing my thesis for my masters degree in history and my subject is the IRA. Now, this film, although it is quite good, beats around the stereotype picture I sometimes read about the English government would like to project as part of the criminalisation of the IRA. Hereby not defending any of the involved parts, I just find it sad to see, how narrowminded the irish basically are portrayed while the archtype of chivalry is of course english (and notice the stupid scotsman in the end of the movie). This could be something out of an english propaganda film!
If you look away from this, the movie is wellwritten and well played. there is a lot of human expressions of love and hate, and it all fits nicely together. I enjoyed the film, but thought that it just as well could have been a mobster movie...there were so many things that were wrong but still, it was nice... 5/10
If you look away from this, the movie is wellwritten and well played. there is a lot of human expressions of love and hate, and it all fits nicely together. I enjoyed the film, but thought that it just as well could have been a mobster movie...there were so many things that were wrong but still, it was nice... 5/10
Lo sapevi?
- QuizDuring filming in Ireland, the working title "Johnny Loves Suzie" was used so as not to attract the attention of any terrorist groups. However, it hardly could obscure the fact that armored vehicles and armed police and soldiers were featured in the film.
- BlooperIn one scene, the Union Flag is upside down.
- Citazioni
Dalton: We don't like names.
Gingy McAnally: That's because you're riddled with touts. Informers. Weren't any informers in my time.
Frankie Conroy: Your time's not done, Gingy.
Gingy McAnally: I'm out. I quit. I'm not going back to prison for anyone.
Frankie Conroy: You made an oath, boy.
Dalton: An oath for life.
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- Tempo di esecuzione1 ora 45 minuti
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By what name was The Informant (1997) officially released in Canada in English?
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