Un giovane membro dell'I.R.A. è costretto a diventare un informatore quando viene colto in un attacco a un giudice.Un giovane membro dell'I.R.A. è costretto a diventare un informatore quando viene colto in un attacco a un giudice.Un giovane membro dell'I.R.A. è costretto a diventare un informatore quando viene colto in un attacco a un giudice.
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This film depicts the work of the IRA with no sentimentality or romanticism and for that I commend it.
The storyline is convincingly written. The acting is very good all round but I would give an outstanding mention to Maria Lennon whose work I had never seen before and Timothy Dalton from who this is just one more excellent performance. The one downside were a couple of the accents, including (and maybe most noticeably) Dalton's. Accents have never been his strong point! That said, he lends the role the same toughness yet humanity that he has to several other characters in his career, Bond included - all-round believability.
There is a twist that I found disappointing but I won't spoil it for those who have not seen it and may be thinking of doing so.
The storyline is convincingly written. The acting is very good all round but I would give an outstanding mention to Maria Lennon whose work I had never seen before and Timothy Dalton from who this is just one more excellent performance. The one downside were a couple of the accents, including (and maybe most noticeably) Dalton's. Accents have never been his strong point! That said, he lends the role the same toughness yet humanity that he has to several other characters in his career, Bond included - all-round believability.
There is a twist that I found disappointing but I won't spoil it for those who have not seen it and may be thinking of doing so.
Engrossing, suspenseful, honest drama: the best film on "the troubles" ever made.
Put this up against the other IRA movies of recent years, and they pale by comparison.
A visceral experience of the tortured Irish landscape; characters of great depth and complexity.
An even-handed look at both sides of the coin, Protestant and Catholic. What goes on there is, after all, a tragedy for everyone.
This is a movie all should see.
Put this up against the other IRA movies of recent years, and they pale by comparison.
A visceral experience of the tortured Irish landscape; characters of great depth and complexity.
An even-handed look at both sides of the coin, Protestant and Catholic. What goes on there is, after all, a tragedy for everyone.
This is a movie all should see.
This film is something of a mixed bag! As a fan of Timothys work I was eager to watch this film just to see Tim Dalton,and not so much for the "Troubles" storyline which,and lets face it,Hollywood has done an abysmal job of bringing to the big screen. Dodgy accents aside,this is a fairly accurate film which shows the IRA as the thugs they are,murdering police officers and shooting children. I thought Timothys performance was pretty good,although the accent needed a bit of work. Cary Elwes was thoroughly annoying as the army lt trying to befriend "gingy", who was equally irritating because he constantly had that "i picked the wrong day to stop sniffing glue" look on his face. If you want to see a fairly accurate portrayal of the terrorism that existed in Northern Ireland in the 1990's warts and all,watch this movie! If you want to cling to the belief that the IRA are heroes fighting for truth,justice and a pint of Guinness instead of being the murderers and drug dealers they really are, then my advice is to get real!
we've seen this story before in different variations, however overall this isn't bad. Some good acting especially (and as usual ) by Dalton.One is able to identify easily with this version because it's the most recent, but still nothing can quite surpass the excellent 1935 film.All'n all, it's worth seeing.
This is arguably the best film there is about the troubles in Northern Ireland. Unlike films like Michael Collins, or In The Name of The Father, in this movie the IRA members are not shown as the romantic quasi-heroes they are thought to have been ages ago, they are shown as what they really are now: terrorists, capable of destroying the lives of not only their enemies, but also of many irish families who try to follow the normal course of their lives. The informant of the title is an ex-IRA assassin who makes a deal with the police, and gives the name of his employers. He and his family are then considered traitors of the "irish" cause, even though his wife, being more influenced by anti-brit propaganda, was against the so-called betrayal from the start. But she fails to escape the turmoil that follows: the poor girl is even raped by an IRA ganglord, as some kind of punishment for their betrayal, in a scene that certainly does away with the romanticism that can be expected from such a theme. This is certainly a view of the subject never shown in recent films about the Northern Ireland troubles. At the end of the day, unlike other similar films, there is no "moderate" faction of the IRA to solve things up, no Daniel Day-Lewis type guy to save the day, but only the feeling that things go on unsolved...
Lo sapevi?
- QuizDuring filming in Ireland, the working title "Johnny Loves Suzie" was used so as not to attract the attention of any terrorist groups. However, it hardly could obscure the fact that armored vehicles and armed police and soldiers were featured in the film.
- BlooperIn one scene, the Union Flag is upside down.
- Citazioni
Dalton: We don't like names.
Gingy McAnally: That's because you're riddled with touts. Informers. Weren't any informers in my time.
Frankie Conroy: Your time's not done, Gingy.
Gingy McAnally: I'm out. I quit. I'm not going back to prison for anyone.
Frankie Conroy: You made an oath, boy.
Dalton: An oath for life.
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- Tempo di esecuzione1 ora 45 minuti
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By what name was The Informant (1997) officially released in Canada in English?
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