Aggiungi una trama nella tua linguaAn Interpol agent travels to India to find the terrorist who killed his partner.An Interpol agent travels to India to find the terrorist who killed his partner.An Interpol agent travels to India to find the terrorist who killed his partner.
- Regia
- Sceneggiatura
- Star
Don Wilson
- Kyle Connors
- (as Don 'The Dragon' Wilson)
Tane McClure
- Callista Sinclair
- (as Tané McClure)
Fred Olen Ray
- Interpol Chief
- (as Ed Raymond)
Kimberly A. Ray
- Bartender
- (as Kim Read)
Recensioni in evidenza
I caught this flick on tv, and thought "lets give it a chance!"
I don't know too much about Don 'The Dragon' Wilson, suffice to say that he doesn't really seem too much of a dragon to me :-)
The martial arts are non-existent; there are some high kicks, a few punches and that's all. The cinematography is pretty bad too, as all scenes are uninspiring. The fight scenes are short and badly shot.
The plot is laughable. I won't spoil anything, but it's so bad it's embarrassing. The acting is bad too - most actors overact their lines.
There are about three sex scenes thrown in like an afterthought. They are bad too (any surprises?) because there is no chemistry, no connection or mutual attraction between the characters. The sex just happens. There's a busty (but slightly aging) blonde and a rather attractive brunette that show us their bodies, but that's not enough to save this crap.
In conclusion, avoid it. At least, don't pay for it.
I don't know too much about Don 'The Dragon' Wilson, suffice to say that he doesn't really seem too much of a dragon to me :-)
The martial arts are non-existent; there are some high kicks, a few punches and that's all. The cinematography is pretty bad too, as all scenes are uninspiring. The fight scenes are short and badly shot.
The plot is laughable. I won't spoil anything, but it's so bad it's embarrassing. The acting is bad too - most actors overact their lines.
There are about three sex scenes thrown in like an afterthought. They are bad too (any surprises?) because there is no chemistry, no connection or mutual attraction between the characters. The sex just happens. There's a busty (but slightly aging) blonde and a rather attractive brunette that show us their bodies, but that's not enough to save this crap.
In conclusion, avoid it. At least, don't pay for it.
A surprisingly enjoyable combo from Don Wilson and Fred Olen Ray; a better one from both their resumes. This reminded me a lot of the mainstream Chris Hemsworth film EXTRACTION, with our hero tasked with going to India to take down some villains. Good scumbags for him to battle against and fun fights throughout, although a bit too much of the Playboy-style sex scenes.
Picture this; Don "The Dragon" Wilson, mattress, cobra, bed sheets and a gun. Can you see it, well, director Fred Olen Ray delivers on that unbelievable image. Wilson plays an Interpol agent who ends up in India tracking down his partner's killer.
I haven't watched a lot of Wilson's films, but the quickie, low-rent "INFERNO" aka (OPERATION COBRA) is one of his better efforts. However it doesn't really have much to do with him, as he simply goes through the motions (robotically) when he's not high kicking people's faces. Watching an uncomfortable looking Wilson act, is just as awkward to watch. I'm sure there's more life and charisma stemming from his eyebrows alone. Across from him is the effortless Evan Lurie as the lethal, calmly spoken henchman. The final showdown between the two (which also involves a snake) is the best the action had to offer. This can be contributed to the spotty, lackluster choreography in most of the activity in the lead up to it. I can't say the same for Tana McClure's feisty performance, as things to do liven up when she's around. She even gets a standoff with the underused Jillian Kesner. Also making themselves known are Rick Hall and Michael Cavanaugh. Being that Olen Ray is behind the camera; in between the action are the customary, steamy soft-core sex scenes (and one of those including a water fountain and white dress).
He actually does a good job presenting the Indian locations and its local color, giving it another dimension, which the material lacks. Everything about the narrative plays out like an uninspired James Bond adventure, where it obviously steals its ideas. Even the lead is a lady magnet, just going by the out-of-nowhere "special" room service. What starts basic (buddy-buddy set-up), develops into silliness (McClure dressed up as an Indian woman) and the character's intentions do become a muddle. In the end, for entertainment, it does work out for the better.
I haven't watched a lot of Wilson's films, but the quickie, low-rent "INFERNO" aka (OPERATION COBRA) is one of his better efforts. However it doesn't really have much to do with him, as he simply goes through the motions (robotically) when he's not high kicking people's faces. Watching an uncomfortable looking Wilson act, is just as awkward to watch. I'm sure there's more life and charisma stemming from his eyebrows alone. Across from him is the effortless Evan Lurie as the lethal, calmly spoken henchman. The final showdown between the two (which also involves a snake) is the best the action had to offer. This can be contributed to the spotty, lackluster choreography in most of the activity in the lead up to it. I can't say the same for Tana McClure's feisty performance, as things to do liven up when she's around. She even gets a standoff with the underused Jillian Kesner. Also making themselves known are Rick Hall and Michael Cavanaugh. Being that Olen Ray is behind the camera; in between the action are the customary, steamy soft-core sex scenes (and one of those including a water fountain and white dress).
He actually does a good job presenting the Indian locations and its local color, giving it another dimension, which the material lacks. Everything about the narrative plays out like an uninspired James Bond adventure, where it obviously steals its ideas. Even the lead is a lady magnet, just going by the out-of-nowhere "special" room service. What starts basic (buddy-buddy set-up), develops into silliness (McClure dressed up as an Indian woman) and the character's intentions do become a muddle. In the end, for entertainment, it does work out for the better.
The other comments on this film sum up fairly well the dramatics of it. Don "The Dragon" Wilson is an Interpol agent whose best buddy is killed in an opening shoot-em-up scene. Still hunting terrorists, Wilson is sent to India (helmer Fred Olen Ray sits in for a cameo as Don's boss at Interpol), where he gets into a tangle that leads to a couple of revelations.
There's not much to distinguish this from any other quickie, straight-to-video actioner, except that much of the stunt work seems a little anemic. Nonetheless, I highly recommend the DVD edition of this film (which is entitled "Operation Cobra") to all fans of low-budget movies. One might say, "War, Pestilence, Plague, and Famine -- the Four Horsemen of the Apocalypse!" but a close runner up for the fifth spot on that team might -- at first blush -- seem to be "With Director Commentary track by Fred Olen Ray." That conclusion would be a definite mistake.
The director's commentary track is the most fascinating part of the DVD package. Ray pulls relatively few punches in discussing the movie. We learn that the whole film was shot in Hyderabad, India, and Fred tells us that it was the first American movie to be filmed completely in India. (Was "Maya," in the 60s, not all shot on location?) We also learn that although Hyderabad is not among the scenic high lights of India, one of the producers owned a studio there, which made for economical filming! Ray also discusses the ins and outs of low-budget film-making, pointing out where specific locations were used for multiple purposes, and noting the Indian actors who had to be dubbed for the American release. We also learn a good bit about the crew's drinking habits and the outbreak of dysentery on the set, as well as the logistics of the big action finale sequence, which was filmed under less than ideal circumstances. (I got two words for ya -- Flies! Flies!) There is likewise a short on-set featurette, which is mostly home movie footage and not nearly as informative as the commentary track.
Fred Olen Ray makes straight to video/straight to cable movies for less money than Brad Pitt's personal assistant gets paid. Ray is not likely to win an Oscar any time soon (I always felt he should have at least been nominated for "Hollywood Chainsaw Hookers"), and he's not remotely pretentious here. You wanna know about making movies for peanuts in a difficult overseas location? Here it is.
I watched the film once for story, then ran it again with the commentary track. Cut out the middle man and go straight to the commentary. Anyway, Ray throws in enough of the plot (sometimes puzzled by it himself) that you can follow the story with no problem. You can find the DVD, if you shop around, for somewhere in the neighborhood of $5, and if you love Poverty Row movies as much as I do, you'll think it a bargain at twice the price. Forget about the plot and concentrate on America's most prolific non-porn filmmaker at work.
There's not much to distinguish this from any other quickie, straight-to-video actioner, except that much of the stunt work seems a little anemic. Nonetheless, I highly recommend the DVD edition of this film (which is entitled "Operation Cobra") to all fans of low-budget movies. One might say, "War, Pestilence, Plague, and Famine -- the Four Horsemen of the Apocalypse!" but a close runner up for the fifth spot on that team might -- at first blush -- seem to be "With Director Commentary track by Fred Olen Ray." That conclusion would be a definite mistake.
The director's commentary track is the most fascinating part of the DVD package. Ray pulls relatively few punches in discussing the movie. We learn that the whole film was shot in Hyderabad, India, and Fred tells us that it was the first American movie to be filmed completely in India. (Was "Maya," in the 60s, not all shot on location?) We also learn that although Hyderabad is not among the scenic high lights of India, one of the producers owned a studio there, which made for economical filming! Ray also discusses the ins and outs of low-budget film-making, pointing out where specific locations were used for multiple purposes, and noting the Indian actors who had to be dubbed for the American release. We also learn a good bit about the crew's drinking habits and the outbreak of dysentery on the set, as well as the logistics of the big action finale sequence, which was filmed under less than ideal circumstances. (I got two words for ya -- Flies! Flies!) There is likewise a short on-set featurette, which is mostly home movie footage and not nearly as informative as the commentary track.
Fred Olen Ray makes straight to video/straight to cable movies for less money than Brad Pitt's personal assistant gets paid. Ray is not likely to win an Oscar any time soon (I always felt he should have at least been nominated for "Hollywood Chainsaw Hookers"), and he's not remotely pretentious here. You wanna know about making movies for peanuts in a difficult overseas location? Here it is.
I watched the film once for story, then ran it again with the commentary track. Cut out the middle man and go straight to the commentary. Anyway, Ray throws in enough of the plot (sometimes puzzled by it himself) that you can follow the story with no problem. You can find the DVD, if you shop around, for somewhere in the neighborhood of $5, and if you love Poverty Row movies as much as I do, you'll think it a bargain at twice the price. Forget about the plot and concentrate on America's most prolific non-porn filmmaker at work.
The fourth of nine films bearing the title INFERNO, most of which are straight-to-video or "Z" grade flopperoos.
Before watching this alleged martial-arts but in reality actionless no-brainer, you gotta ask yourself, what DOES director Fred Olen Ray have in common with compatriots Bill Carson, Sam Newfield, Roger Collins, Freddie Valentine, Nick Medina and the incomparable Ed Raymond? Give up? well you will be underwhelmed to discover that they are ALL the same person! Not a promising start! But there again these ARE the people responsible for the timeless classics DINOSAUR GIRLS, EVIL TOONS, THE BRAIN LEECHES and who can forget BAD GIRLS FOR MARS?
So armed with this knowledge (and I was deprived of this vital information on my first viewing) you can sit back and watch Olen-Ray's INFERNO. Don "The Dragon" Wilson "stars" (I use the term loosely) as Connors - our chop-sockey hero who seems more adept with guns and wigs than anything else. Actors appear in different roles, none of which matter, they are so stupefyingly amateurish.
Why the hell am I reviewing this trash?
Before watching this alleged martial-arts but in reality actionless no-brainer, you gotta ask yourself, what DOES director Fred Olen Ray have in common with compatriots Bill Carson, Sam Newfield, Roger Collins, Freddie Valentine, Nick Medina and the incomparable Ed Raymond? Give up? well you will be underwhelmed to discover that they are ALL the same person! Not a promising start! But there again these ARE the people responsible for the timeless classics DINOSAUR GIRLS, EVIL TOONS, THE BRAIN LEECHES and who can forget BAD GIRLS FOR MARS?
So armed with this knowledge (and I was deprived of this vital information on my first viewing) you can sit back and watch Olen-Ray's INFERNO. Don "The Dragon" Wilson "stars" (I use the term loosely) as Connors - our chop-sockey hero who seems more adept with guns and wigs than anything else. Actors appear in different roles, none of which matter, they are so stupefyingly amateurish.
Why the hell am I reviewing this trash?
Lo sapevi?
- QuizThe first American film to be shot entirely on location in India.
- BlooperWhen Kyle Connors is checking into his hotel in India the boom mic is briefly visible.
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