I Want You

In a small coast town in England, the hairdresser Helen (Rachel Weisz) is the passion of the ex-convicted now on probation Martin (Alessandro Nivola). They were lovers in the past before Martin be sent to prison. Although having a restrain order against Martin, he decides to visit Helen and regain her lover. Meanwhile, the dumb teenager Honda (Luka Petrusic), who lives with his nymphomaniac sister, the singer Smokey (Labina Mitevska), develops a platonic love for Helen, spoiling her relationship with her boyfriend. Dark secrets are revealed in the end of this weird story.

This suffocating erotic story of love, obsession and crime is not recommended for any audience. It has many positive points, such as the performance of the whole cast, highlighting Luka Petrusic in the role of a mute boy, the beauty of Rachel Weisz, the heavy atmosphere created by Michael Winterbottom and the end of the story with no concessions. The characters are slowly disclosed and in the end they are well developed. My vote is six.

Title (Brazil): 'Desejo Você' ('Want You')

This movie, first of all, is not for amateur moviefans. The only people who will probably enjoy this movie are the ones who have seen a great many and wide range of films. It is for the open minded and analytical. Why? Because, this movie is virtually left blank for the audience to fill in. The acting is superb, Rachel Weisz and Alessandro Nivola are very talented, and are justly fit for the role. About 70% of the dialogue was improvised, so that should tell you something. Although there are sometimes too many holes in the plot and not enough information given, the movie, i believe, is pulled off wonderfully. It is a very open movie, and there are no reassurances. The audience will probably find themselves playing psychologist to the deep, rich characters that develop as the short movie progresses. The characters and the whole openness of the movie is what appealed to me. I Want You is very underrated, and people should give this movie a second try. Yeah, there is some explicit sex and voyeurism going on, but that is one of the movie's great central themes. The focus is very apparent from the beginning, and the beautiful thing that sets it off is mood. The color tones used, in mellow bluish and yellowish color, the melancholy and often creepy music... and the locale add to it. The movie is almost like The Virgin Suicides in mood, except much, much darker, with a darker, creepier story as well. It seems throughout the entire movie that the characters are sort of lost in this sort of moody limbo that Michael Winterbottom creates... and you get lost as well.

I really liked this movie. I can't quite figure out why, however. It's not quite the psychological thrill that it was perhaps intended to be (we never really get into the head of Martin, a man obsessed with his old love, which most people think is what the film is supposed to be about), and the relationship between Helen and Honda never really becomes a focal point, but like City of Lost Children, it gains a lot of points by simply being a unique viewing experience.

The relationship that Honda has with Smokey (his sister) and Helen are realistic and almost heart warming. It would have been a more enjoyable movie if it simply focused on the trio, but the movie is very intelligent and thought provoking as it is.

It is about a boy, who doesn't speak but falls in love with an older girl. As it turns out, her father was murdered. Now her former boyfriend, who is released on parole, stalks her, but nevertheless rescues her from being raped. Fair enough. She is torn between him, the boy and some others, who try to have sex with her.

It is a quite strange but due to that fancy story. The film offers more than just the story, it also uses many different ways to talk to its audience. Listen carefully to the song texts. They might not be the best, but add a sometimes funny, sometimes bitter sphere. This bitterness is more than just a stylistic device, it is one of the central themes, as it deals with guilt and the desire of being loved.

See it, but be aware that it is a relatively cheap production, so don't await to much in this term.

One of the best movies I have seen this year. Michael Winterbottom proves to be a truly versatile director with this film about love, loneliness, sorrow and obsession in an English coastal town. The use of Elvis Costello's song "I want you" as a theme throughout the film is superb. It leaves you with a strange and yearning sensation that will last for days. The cinematography is so very good, thanks to Kieslowskis photographer Zlavomir Idziak who also filmed "Gattaca" creating a similar visual style. Wonderful yellow, green and blue renders a supernatural, poetic feel to the characters as well as the town. You watch with the feeling that anything can happen, and it does.

The casting of this movie is almost perfect. Rachel Weisz is equally true as the both innocent and dangerous Helen as she was in "The Mummy" playing a librarian with vigour, looks and brains. I predict hers to be a great career. Make way, Kate Winslet and Helena Bonham-Carter! Alessandro Nivola as Martin is just as persuasive. He is scary, touching, pathetic and assertive all at the same time, consumed by an obsession with Helen fuelled by eight years in jail.

The only thing that bothers me about this movie is the way it abandons the mute boy and his sister's story to concentrate on Helen and Martin. However, this is a minor detail in a movie that often bears visual reminders of Derek Jarman at his very best. The very self-conscious references to "Romeo is bleeding" and "Red rock west" will probably ensure a similar cult-following before long.