Bugie, baci, bambole & bastardi

Highlighted by emotional, believable performances by its cast (Sean Penn in particular is typically brilliant), Hurlyburly is not for everyone, but can be a powerful and compelling drama for those who approach it with an open mind. The film is frequently referred to as a comedy-drama, a misleading designation for what is a sometimes humorous, but ultimately emotional and sobering look at life in 1980s Hollywood. Particularly well-done are the cocaine-fuelled scenes which provide one of the most accurate depictions of the drug lifestyle and the effect it can have on interpersonal relationships. The film can seem over-the-top in parts, but the excess is necessary to convey the film's message. Emotional, witty, thought-provoking and on some levels deeply depressing, Hurlyburly is an underrated and under-appreciated character-driven drama that capitalizes on the talents of an all-star cast to deliver a top-notch product.

I remember watching Sean Penn walking up to the podium, accepting his Best Actor Academy Award for his (in my opinion) decent and somewhat accomplished role in Mystic River, and thought to myself the award was more of an achievement for his body of work rather than for the particular film. His role in Hurlyburly is far more impressive than the Jersey-speaking gangster in Great Clint's emotional waterfall of a film. I've always been a fan of Hurlyburly since seeing a heavily edited version of it for the first time on UPN years ago, mainly for its writing and acting performances. The entire ensemble is wonderful - Penn, Spacey, and Palminteri especially - and the writing is believable and clear cut, even though I've never met or been exposed to anyone even close to characters like the ones depicted in the film. The low rating on IMDb surprised me, but maybe I can see why the majority of people either don't like or are rather indifferent about the film. The film-making is not ground breaking by any means, but the content and passion exuded from the actors involved stand out amongst other films like it that heavily rely on idiosyncratic and interesting dialogue. I'd like to see Rabe's stage version to see how he nails it - because the movie is a treat for anyone who enjoys a dose of something a bit off-beat and different.

You liked "Glengarry Glen Ross"? You're gonna love THIS one. Kevin Spacey doing his patented "snide" riffs. Anna Paquin growing up and showing some range. Garry Shandling? Who knew? Meg Ryan finally playing something besides America's Sweetheart. Disturbingly funny in some sequences (particularly the Sean Penn-Chazz Palminteri duets) and laugh-out-loud vaudeville in others (the Spacey-Penn cell phone bit is an instant classic). The ensemble cast, with excellent direction, gets all the rhythms of the script. It may look a little over-the-top here and there but it seems to be a conscious choice by the director in this epic send-up of 80's Hollywood excess.

While it's readily apparent that no one is going to go home humming the tunes from this one, it's still a bit surprising that the film garnered no major nominations. Same deal as "Glengarry". Give 'em a great ensemble in a black comedy with no discernible "star", a solid script and inventive direction and be prepared for the icy shoulder at Oscar time. It's an unjust world we live in. This movie deserves a wider audience but owing to the subject matter, it probably won't get one. But I'll give it an 85, Dick. It's got a great beat and you can dance to it!

Kevin Spacey does his usual mannered priss; Meg Ryan and Chaz Palmintieri are unsubtle and poor; the direction is unexceptional. But David Rabe's play is superb (and the cut-down, however it may displease fans of the play, is adequately expressive of the play's meaning). And Sean Penn is absolutely extraordinary--it's the best performance of the year. He gives the play a reason to have been sitting around for years. He wouldn't have done it as well as a younger actor; and I honestly don't think there is an actor working today who could have played it better.

a lot of the negative reviews of this movie are a consequence of the viewers simply not enjoying this type of work. it aint a happy movie and its not for everyone. if you've never spent serious time in NYC, LA, SF or some similar city, then you probably do not 1) know and interact with people like this on a regular basis, 2) understand the true to life social context of the scenes/plot or 3) comprehend the use of drugs amongst nearly every ladder rung within certain industries and hence can't recognize that the writer/director is making a parody of it all. the writing is clearly very witty (you try writing it) and if you know people like those portrayed, then you would also see that the acting also first rate. if you don't like this because of its repetitive babble, self absorbed characters, harsh realities and use of nose candy then perhaps you just don't know that this movie is a near documentary. i recommend you visit your friends in any big city and see if you can't get to a few banker / journalist / academic / consulting / advertising / acting parties. experience, re-watch, then review.