The Hunchback

This version of the Victor Hugo story was good as a whole. Quasimodo wasn't particularly ugly, and it was amazing that he had read so much. Esmeralda was sweet, and it was no wonder she rejected Frollo since he looked very old and was far from attractive. However, at the beginning he really wanted to protect Quasimodo.

I was surprised that the art of printing books was so important in the film. It was incredible that Frollo was even ready to kill the King's minister rather than to let the people have books!

The public humiliation of Quasimodo and Esmeralda was shocking. It was touching that Esmeralda tried to appeal the King for the bellringer. I was very delighted that those two became friends, and again, it deeply touched me to hear Quasimodo talk about his appearance.

I had never before seen a version in which Quasimodo addressed Frollo as his father. He wanted to get him to confess his crime, but still, he tried to save him from death. And he was even strong enough to defy his guardian when he said: "You are a freak."

At the end, it was touching to see Esmeralda ring the bells for Quasimodo - at least, he was happy at the moment of his death.

Sometimes it is difficult to judge a reproduction of an old classic film. The remake has to interpret the story to a different generation. I believe this Peter Medak movie will be better received by the younger generation for its modern visual effects and story telling. I recomend this film to high school and college students who will need to write a book report on the Hunchback of Notredame and want to enjoy a great movie at the same time. The casting and acting was great and the directing excellent.

Excluding the low-budget animated versions- the sole exception being the Burbank Films Australia one- this would be the weakest, including them it would be one of them. For the best/most faithful adaptations, look to the Anthony Quinn and Anthony Hopkins versions, for the best versions on their own terms my personal favourites are Charles Laughton's and Disney's(Chaney's is also excellent, and Hopkins'). A lot of scenes do seem under-populated(it looks like only less than 30 people inhabit Paris) and key ones like Esmeralda's rescue done competently but indifferently and with not much impact, especially after Laughton's and Disney's versions doing that scene so brilliantly. The whole thing about Frollo not wanting printed books coming to public use and killing someone over it didn't feel that well thought-out and may make one unsure about when the story is meant to take place. The adaptation is far from ugly, it's very handsomely filmed and lit, Quasimodo's makeup is fairly well-done and the landscapes, scenery and costumes are lovely, but some of the sets are too rural farm sometimes and lack authenticity. Characterisation is also thin especially in the case of Phoebus, here so abridged and underwritten that it feels like he wasn't there at all. There is an exception though and that was Frollo, a very interesting and multi-faceated character here. The music however is very stirring and has a hauntingly beautiful vibe that is capable of pathos and chills, while the dialogue is heartfelt and thoughtful and most of the story is compelling. The relationship between Esmeralda and Quasimodo is poignant and so is the ending, and the adaptation does do a fabulous job with Frollo. The sound editing is not a problem either. And the three principal performances are excellent, the acting honours going to Richard Harris as Frollo, very menacing, imposing yet tormented, the very meaning of a misguided villain and one you end up feeling somewhat pitying rather than properly hating. Mandy Patinkin's Quasimodo is often heartbreaking in how he made him wretched yet gentle, it is very easy to sympathise with him. Salma Hayek is one of the more compassionate Esmeraldas and one of the more youthful(if missing out on her innocence) ones too since Maureen O'Hara, also very sultry and beautiful. Jim Dale, Edward Atterton and Nigel Terry are very good as well, though their characters have been better realised in other adaptations(namely Anthony Quinn's). All in all, a decent version but not one of the best of The Hunchback of Notre Dame. 7/10 Bethany Cox

Nicely done rendition of the classic melodrama, with Mandy Pantinkin taking a turn as Quasimodo, the bellringer of Notre Dame. Salma Hayek is marvelous as Esmeralda, with Richard Harris quite good as the wicked Monsignor Frollo, supported by a nice score by Edward Shearmur. The film stays faithful to the Victor Hugo storyline, while adding a new subtext about the new printing press' threat to the power of the Church, which adds to the story's existing political class substory and fuels the behind-the-scenes politics between Frollo and the King, within which the story of Esmeralda, Quasimodo, and the idealist Gringoire (quite competently portrayed by Edward Atterton, although both his role and that of Phoebus - a blasé Benedick Blythe - are quite abridged in this adaptation) play out. Jim Dale (reader of the Harry Potter audiobooks) is also quite notable as Clopin, King of the Thieves, whose presence throughout gives the story quite a fine dynamic. Small budget lessens the story's epic impact - and the setting resembles more of a rural farm than the center of Paris, but like most TVMs the story centers on the characters and this focus remains effective and likable. There have been many capable versions of the classic story - none of which have come close to matching the spectacle of the original silent version with Lon Chaney as Quasimodo; however this, along with the Charles Laughton version, is a worthy successor and was very nicely helmed by Peter Medak.

A realistic and good performing cast made this a good movie. The ugly, but nice Quasimodo (whose face looked quite ridiculous, but still very misformed), the beautiful and enchanting Esmeralda and of course the mean Frollo. They were all very good, although I must say

that Mandy Patinkin, as Quasimodo, made the biggest impression on me, he really could make you cry. Richard Harris was great as the clergyman torn between his belief and Esmeralda and Salma Hayek, of course, was as stunning and beautiful as ever. As for the story, well I believe I don't have to explain that to anyone.

Great, but yet not very much acclaimed or famous film. 8/10