Hercules

I'm a huge fan of Greek mythology, so even though I really liked this movie, I couldn't stop knit-picking all the little details that Disney screwed up. Here's just a short list:

1) Hercules wasn't Hera's son. In fact, she hated him!

2) Amphitryon, Hercules's foster dad, wasn't alive. Zeus came to Alcmene in the form of her dead husband's spirit.

3) Hercules wasn't a god. He was the son of a god (Zeus) and a mortal (Alcmene), making him a demigod. However, he did gain access to Mt. Olympus following his death.

4) The titans were not the monsters depicted in the movie. They were the Gods before the Greek Gods came on the scene, though it was after Zeus came along that they lost most of their power and got smaller jobs.

5) Hades was never `sentenced' to be the God of the Underworld; he asked for the job. Zeus even tried to persuade him not to do it.

6) Hercules never rode Pegasus; that's a totally different legend.

OK, I'll admit that I'm anal-retentive about the facts, but honestly, I really did like the movie. James Woods was hilarious as Hades (I couldn't stop laughing, he obviously had a lot of fun doing his lines), and Megara has got to be my favorite Disney heroine ever. This is definitely a movie for all ages; as long as you can get the Greek mythology fans to shut up for five seconds, you'll enjoy it.

"Hercules" is a cracking Disney film and for once it's not just for the kids. The animation is more like the "old-school" Disney, before the cute, big-eye syndrome and the characters are hugely entertaining. It has sly humour and in-jokes, but what sets it apart are the songs; soul, RNB, jazz and not a drippy sugar-song in sight. Quality entertainment!

First of all, there are a lot of things I like about this movie. The animation, in general, is very nice to look at, and Charlton Heston's narration is very satisfying. And it is one of the funnier Disney movies with a witty and funny script. More pluses are a genius turn from Danny DeVito as the hilarious Phil, and a wonderfully sleazy James Woods as the hot-headed villain Hades( a great villain, might I add?)Rip Torn also has fun as Zeus, especially when his statue came to life. The incidental music is lovely as well. However, there are a few negatives. Hercules himself, both child and adult, is a little bland, but Meg manages to establish herself as one of the best female Disney characters. Also, there isn't much of a story. The prove-you're- a-hero formula was a little unoriginal for me. The biggest minus was the rather dull songs by Alan Menken. The songs, especially "Zero to Hero" were a real disappointment, as Menken had so much better work before this, namely Beauty and the Beast. However, Michael Bolton's rendition of Go the Distance(the only song I had no problem with)was a joy to behold, as was "I won't say I'm in love". It wasn't a good idea turning gospel, should've stayed with the classical. However, despite the flaws, I did enjoy Hercules, which is a 7/10. Bethany Cox

I'm shocked to see this movie with a rating below 7. As a big Disney fan, I'll go out on a limb and say this is one Disney's top 5. There isn't a Disney movie out there with wit as sharp as this one's with much of it probably lost on the audience guessing by the rating given to this movie.

"Meg" definitely emerges as my all-time favorite female Disney role. Breaking from tradition, her character is not all that lady-like in her biting wit and sarcasm, but it works, serving to make the movie funny and her character lovable despite working with questionable motives.

The set-up and plot is typical for the movie but the script, animation, and music are most original AND good. IF I had to register a complaint, I would say that it's perpetual humor kept the movie from being emotionally wrenching. However, this movie remains one of the most entertaining I've seen. 8.5/10

This is possibly my favorite Disney movie ever. With a razor-sharp wit, perfect comic timing and a fresh plot that transcends most other Disney fairy tales, this one's definitely a keeper.

You'll be enchanted right from the first number, in which the five Muses (from Greek mythology) set the stage of ancient Greece in a powerhouse gospel number which gives a whole new meaning to a Greek chorus. Recalling the three ladies in Little Shop of Horrors or Motown groups like the Supremes, the Muses appear randomly throughout the movie to narrate the story of Hercules with jazzy musical numbers that you'll be humming for days. The songs (by Alan Menken) are certainly a twist from the classic Disney musical, but there's enough variety to create a great, well-rounded musical. The writing is the wittiest in any Disney movie ever, with constant in-jokes and hilarious references to Greek mythology to reward the amateur scholar. The lyrics, too, are witty and full of tricky rhyme schemes that must have been a doozy to write but play out perfectly on screen. (You'll be flat-out awed by how many things rhyme with the phrase "gospel truth".)

Another of the highlights is the heroine, Megara or Meg. She's in no way a typical Disney princess. She's sassy, sexy, cynical and dangerous - and more winning by far than any warbling Cinderella or whiny little mermaid. The villain, Hades, is also a fun, witty character, although plenty dangerous in his own right.

Of course liberties have been taken with Greek mythology. The dysfunctional Olympian family has been cleaned up (No more Zeus having affairs or Hera trying to kill people) and the story has little in it of the original Greek legend. Instead, it's really an archetype, a modern retelling of all the Greek legends at once. Appearances are made by the Muses, the Hydra, satyrs, the Fates, Pegasus, the Titans, Narcissus, and of course all of the Olympian gods. Scholars may take offense, but since legends evolve and are to be taken with a grain of salt anyway, I didn't have a problem with it.

Yes, it's cheesy, just like other Disneys. But when nobody else is around, there's no resisting the corn. The third act is absolutely heart-wrenching, and even if it's over-the-top, it never truly goes over the top, and the constant bombarding of wit keeps things from getting too touchy-feely. Besides, tied together with a golden Disney score, who couldn't resist a dose of adventure, heartache, redeeming love, and most of all, heroism? Just let yourself be carried away to ancient Greece and you'll forget the movie's problems in a Pelyponnesian minute. As the Muses would say, that's the gospel truth.