VALUTAZIONE IMDb
6,4/10
2136
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA Chicago cab driver's night shift becomes a kaleidoscope of humanity. With each fare, his initial cold demeanor softens, revealing unexpected depth amid cameos from familiar faces.A Chicago cab driver's night shift becomes a kaleidoscope of humanity. With each fare, his initial cold demeanor softens, revealing unexpected depth amid cameos from familiar faces.A Chicago cab driver's night shift becomes a kaleidoscope of humanity. With each fare, his initial cold demeanor softens, revealing unexpected depth amid cameos from familiar faces.
- Premi
- 1 candidatura in totale
Moira Sinise
- Religious Mother
- (as Moira Harris)
Shanesia Davis
- Lawyer
- (as Shanesia Davis-Williams)
Phillip Edward Van Lear
- Father-to-Be
- (as Phillip Van Lear)
Recensioni in evidenza
In Chicago we spend the day with the driving of a taxi who starts work at 6am, picking up a religious family and taking them to church. Throughout the day he has to deal with many different types of fare, from abusive boyfriends, drunken sports fans, adulterous colleagues and a woman who has been raped. He increasingly gets more and more impatient and distraught with what he sees in Chicago's life and he starts to get very tired as his shift reaches way past midnight on a freezing cold Christmas in Chicago.
This film had potential lots of characters, lots of stories, lots of real people all come and go past our main character as he drives his cab, however it is all the more annoying for the fact that it is just a badly fragmented film where little bits sort of work, some bits could have worked and other bits are just clichéd and lazily written. Too many of the characters' stories just stop and their point is lost. This is a waste because there is such a wide variety of recognisable characters here that it is a shame that nothing of any interest is done with them. Some of the stories do work and have a minor impact but they are just lost in a film that lacks structure and seems content to be a patchwork of stories and nothing else. Of course, many better films have shown us that a variety of stories with a loose connection can work as a film, but this film fails to have a real central point that we can latch onto.
This point should have been the cabbie, but the film does a bad job with his character and I was never emotionally drawn into his life or his thoughts. Some of the individual stories are quite interesting but they are so truncated that they make no real impact. The cast try hard and I was impressed (surprised?) by just how many well known faces had signed up for the film. Dillon is OK but can't do much with the character it feels like he is being given direction without understanding what his character feels. The rest of the cast are basically cameos and most of them aren't very good simply because they aren't given much to work with. Ironside, Metcalf, Reilly, Anderson, Cusack, Lennix, Moore and Hayes all show up but few of them can raise the material.
Overall this was an interesting film that had potential but fails to really deliver. It is a good idea and one that requires very good delivery to hold all these stories together and deliver an emotionally satisfying film at the end however the film fails to do that and it is annoying for that reason. It is a failure but it is not totally without merit, but having said that, I could see no reason for me to ever want to see this again.
This film had potential lots of characters, lots of stories, lots of real people all come and go past our main character as he drives his cab, however it is all the more annoying for the fact that it is just a badly fragmented film where little bits sort of work, some bits could have worked and other bits are just clichéd and lazily written. Too many of the characters' stories just stop and their point is lost. This is a waste because there is such a wide variety of recognisable characters here that it is a shame that nothing of any interest is done with them. Some of the stories do work and have a minor impact but they are just lost in a film that lacks structure and seems content to be a patchwork of stories and nothing else. Of course, many better films have shown us that a variety of stories with a loose connection can work as a film, but this film fails to have a real central point that we can latch onto.
This point should have been the cabbie, but the film does a bad job with his character and I was never emotionally drawn into his life or his thoughts. Some of the individual stories are quite interesting but they are so truncated that they make no real impact. The cast try hard and I was impressed (surprised?) by just how many well known faces had signed up for the film. Dillon is OK but can't do much with the character it feels like he is being given direction without understanding what his character feels. The rest of the cast are basically cameos and most of them aren't very good simply because they aren't given much to work with. Ironside, Metcalf, Reilly, Anderson, Cusack, Lennix, Moore and Hayes all show up but few of them can raise the material.
Overall this was an interesting film that had potential but fails to really deliver. It is a good idea and one that requires very good delivery to hold all these stories together and deliver an emotionally satisfying film at the end however the film fails to do that and it is annoying for that reason. It is a failure but it is not totally without merit, but having said that, I could see no reason for me to ever want to see this again.
I remember the night I watched Chicago Cab for the first time. It was a few years ago and it was around 3:00 A.M. As soon as I saw the cab park to pick up the coke head, I was hooked. This movie, in my opinion, can be seen any time of the year but the true effect is present on or around the Christmas season. In some odd way, you can relate this film to the holidays. Of course, the movie is set on the winter solstice which is near Christmas but it's more of a relation to the depression that people face near Christmas. In any event, this movie is a must see. Paul Dillon deserves a standing ovation from every individual that sees this movie. You can't really "connect" with the driver but, then again, you can. If you ever see Chicago Cab/Hell Cab on your cable guide screen, do not pass it by. Watch it.
Don't let the box art or bad title change fool you (the movie was originally called "Chicago Cab"). This is not a B-horror movie, but an interesting and well done film about a day in the life of a cab driver. He spends the day going through a long shift and picking up all sorts of eccentric passengers. Although we don't really get to know much about the cab driver, the viewer nevertheless feels some sort of attachment to him. The last twenty minutes of the film (which starts with Julianne Moore's character and continues right to the end of the film) is alone worth the rental.
I recommend this movie for those who are looking for something a little different from the norm. I'm still mad though about how this film has been mismarketed.
I recommend this movie for those who are looking for something a little different from the norm. I'm still mad though about how this film has been mismarketed.
I saw "Chicago Cab" by accident, while flipping through channels. Soon I noticed I was stuck watching this seemingly plotless movie about a guy, who has driven a taxi in Chicago for about 4 months.
A plotless movie might sound boring, even waste of time, but with great writing, good actors and good director "Chicago Cab" dwells up to be nicely cut slice from a population of big city, in example, religious family, married couple pregnant with their first born, etc.
Acting is overall very good, but Paul Dillon makes outstanding job in the role of Cab Driver. Without his subtle performance this whole movie could fall in pieces.
"Chicago Cab" balances between drama and comedy. Some things in this movie are so surprising and well thought of, that they made me laughing out loud. Some things made me sad, or feel compassion towards the Taxi Driver or his customers.
This is a movie, which can be recommend for people, who want to see little different kind of drama/comedy or are just fed up with all regular actors of this specific genre.
8/10.
A plotless movie might sound boring, even waste of time, but with great writing, good actors and good director "Chicago Cab" dwells up to be nicely cut slice from a population of big city, in example, religious family, married couple pregnant with their first born, etc.
Acting is overall very good, but Paul Dillon makes outstanding job in the role of Cab Driver. Without his subtle performance this whole movie could fall in pieces.
"Chicago Cab" balances between drama and comedy. Some things in this movie are so surprising and well thought of, that they made me laughing out loud. Some things made me sad, or feel compassion towards the Taxi Driver or his customers.
This is a movie, which can be recommend for people, who want to see little different kind of drama/comedy or are just fed up with all regular actors of this specific genre.
8/10.
Unfortunately I only caught this movie part of the way through on TV, but this movie piqued my interest immediately. Having driven taxi's myself for 13 months straight back in 2000/01 I always like to see what it's like for cab drivers elsewhere, how the driver responds to situations etc..
The Christmas eve I spent behind the wheel I got probably less than one passenger an hour, but I noticed that the atmosphere was definitely different from the typical weekday/weekend. So to busy Chicago, where the bald-headed driver is ferrying around a wide variety of people. He handles most things in a relaxed and fairly unstressed manner, and shows concern for others, but unfortunately is in that place in life which would see him earning his way by being behind the wheel of a taxi.
It looks like taxi driving is basically the same thing no matter where you are, mainly ferrying around city folk, the carless people and those who are intoxicated to varying degrees. I've felt the fear that the taxi driver felt when he picked up John Cusack's character, when the person won't tell you where they want to stop off. Are they going to do a runner? is there a dead end around the next corner where five guys with clubs lie in wait? Probably 99 times out of 100 it's a false alarm, but the 100th time...
At the end of the film I sympathised with the cabbie, where he's worn out, he's got the echoes of dozens of conversations in his head, and he's had some good times and some bad times. And back at it again the next day...
The Christmas eve I spent behind the wheel I got probably less than one passenger an hour, but I noticed that the atmosphere was definitely different from the typical weekday/weekend. So to busy Chicago, where the bald-headed driver is ferrying around a wide variety of people. He handles most things in a relaxed and fairly unstressed manner, and shows concern for others, but unfortunately is in that place in life which would see him earning his way by being behind the wheel of a taxi.
It looks like taxi driving is basically the same thing no matter where you are, mainly ferrying around city folk, the carless people and those who are intoxicated to varying degrees. I've felt the fear that the taxi driver felt when he picked up John Cusack's character, when the person won't tell you where they want to stop off. Are they going to do a runner? is there a dead end around the next corner where five guys with clubs lie in wait? Probably 99 times out of 100 it's a false alarm, but the 100th time...
At the end of the film I sympathised with the cabbie, where he's worn out, he's got the echoes of dozens of conversations in his head, and he's had some good times and some bad times. And back at it again the next day...
Lo sapevi?
- QuizThe original play, "Hellcab", opened in Chicago in 1992.
- Citazioni
Cab Driver: Why does everything have to be so fucked up?!
- Curiosità sui creditiThe film's copyright date in the credits is 1998, despite premiering in 1997 and being completed that same year. This means the date might have been added ahead of time, in anticipation of a theatrical release in 1998.
- Colonne sonoreJoy to the World
Performed by Chet Baker
Music attributed to George Frideric Handel (as George F. Handel) (1685-1759)
Lyrics by Isaac Watts (1674-1748)
Arranged by Paul Sutin
Published by Dinemec
Courtesy of Dinemec Jazz
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 23.946 USD
- Fine settimana di apertura Stati Uniti e Canada
- 2947 USD
- 13 set 1998
- Lordo in tutto il mondo
- 23.946 USD
- Tempo di esecuzione1 ora 36 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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By what name was Hellcab - Un inferno di taxi (1997) officially released in Canada in English?
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