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Hellcab - Un inferno di taxi

Titolo originale: Chicago Cab
  • 1997
  • R
  • 1h 36min
VALUTAZIONE IMDb
6,4/10
2143
LA TUA VALUTAZIONE
Hellcab - Un inferno di taxi (1997)
CommediaDramma

Aggiungi una trama nella tua linguaA Chicago cab driver's night shift becomes a kaleidoscope of humanity. With each fare, his initial cold demeanor softens, revealing unexpected depth amid cameos from familiar faces.A Chicago cab driver's night shift becomes a kaleidoscope of humanity. With each fare, his initial cold demeanor softens, revealing unexpected depth amid cameos from familiar faces.A Chicago cab driver's night shift becomes a kaleidoscope of humanity. With each fare, his initial cold demeanor softens, revealing unexpected depth amid cameos from familiar faces.

  • Regia
    • Mary Cybulski
    • John Tintori
  • Sceneggiatura
    • Will Kern
  • Star
    • Paul Dillon
    • Tim Gamble
    • Olivia Trevino
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,4/10
    2143
    LA TUA VALUTAZIONE
    • Regia
      • Mary Cybulski
      • John Tintori
    • Sceneggiatura
      • Will Kern
    • Star
      • Paul Dillon
      • Tim Gamble
      • Olivia Trevino
    • 43Recensioni degli utenti
    • 10Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 1 candidatura in totale

    Foto11

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    Interpreti principali43

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    Paul Dillon
    Paul Dillon
    • Cab Driver
    Tim Gamble
    • Religious Father
    Olivia Trevino
    • 4-Year Old Girl
    Moira Sinise
    Moira Sinise
    • Religious Mother
    • (as Moira Harris)
    Rana Khan
    • Pakistani
    Darryl Theirse
    Darryl Theirse
    • X-Hat
    Michael Ironside
    Michael Ironside
    • Al
    Shanesia Davis
    • Lawyer
    • (as Shanesia Davis-Williams)
    Laura Kellogg Sandberg
    • Bug-Eyed Woman
    Phillip Edward Van Lear
    Phillip Edward Van Lear
    • Father-to-Be
    • (as Phillip Van Lear)
    Ora Jones
    Ora Jones
    • Pregnant Woman
    Michael Shannon
    Michael Shannon
    • Crack Head
    Shulie Cowen
    Shulie Cowen
    • Stoner Girl
    Andrew Rothenberg
    Andrew Rothenberg
    • Homer
    Tracy Letts
    Tracy Letts
    • Sports Fan
    Carol Hall
    • Mega Shopper
    Tim Reinhard
    • Geek
    Hubert Taczanowski
    • Immigrant
    • Regia
      • Mary Cybulski
      • John Tintori
    • Sceneggiatura
      • Will Kern
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti43

    6,42.1K
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    Recensioni in evidenza

    jbradshaw

    Excellent. Simply excellent.

    I remember the night I watched Chicago Cab for the first time. It was a few years ago and it was around 3:00 A.M. As soon as I saw the cab park to pick up the coke head, I was hooked. This movie, in my opinion, can be seen any time of the year but the true effect is present on or around the Christmas season. In some odd way, you can relate this film to the holidays. Of course, the movie is set on the winter solstice which is near Christmas but it's more of a relation to the depression that people face near Christmas. In any event, this movie is a must see. Paul Dillon deserves a standing ovation from every individual that sees this movie. You can't really "connect" with the driver but, then again, you can. If you ever see Chicago Cab/Hell Cab on your cable guide screen, do not pass it by. Watch it.
    fingerbo

    A fine piece of work

    I just finished watching "Chicago Cab" on cable and was moved to post some comments. Though Paul Dillon gets third bill, this is his show.

    Better known to most of the world for his hilarious role in the first "Austin Powers" flick, Dillon gets an opportunity to flex his muscles as a fully rounded character actor. Over the course of his very long day (from sun-up to sundown and then some), he picks up a plenitude of fares ranging from sanctimonious (his first fare of the day is a rather smug Born Again couple and their little daughter on their way to church at the very ungodly hour of six in the morning) to the frightening (too many to mention). All are played with conviction by a large number of talented actors ranging from the virtually unknown to very familiar faces in cameos.

    One of these well-known faces is Gillian Anderson. It's fun to see her as a foul-mouthed Southside girl; a nice break from her prim, proper Agent Scully persona. Also worthy of mention is Reggie Hayes as Dillon's final fare of the day. The dialogue between the two men is touching and provides a necessary respite from the overall dire (yet entertaining) tone of the film.

    I hope Will Kern graces the screen with another effort. This was adapted from his play of the same name and I'd like to see more from him.

    As a final note, the video title, "Hellcab," is perhaps misleading. This movie is in no way related to the early CD-ROM game "Hellcab" created by comic artist Pepe Moreno.
    bob the moo

    You can see what it was trying to do but it doesn't manage to do it

    In Chicago we spend the day with the driving of a taxi who starts work at 6am, picking up a religious family and taking them to church. Throughout the day he has to deal with many different types of fare, from abusive boyfriends, drunken sports fans, adulterous colleagues and a woman who has been raped. He increasingly gets more and more impatient and distraught with what he sees in Chicago's life and he starts to get very tired as his shift reaches way past midnight on a freezing cold Christmas in Chicago.

    This film had potential – lots of characters, lots of stories, lots of real people all come and go past our main character as he drives his cab, however it is all the more annoying for the fact that it is just a badly fragmented film where little bits sort of work, some bits could have worked and other bits are just clichéd and lazily written. Too many of the characters' stories just stop and their point is lost. This is a waste because there is such a wide variety of recognisable characters here that it is a shame that nothing of any interest is done with them. Some of the stories do work and have a minor impact but they are just lost in a film that lacks structure and seems content to be a patchwork of stories and nothing else. Of course, many better films have shown us that a variety of stories with a loose connection can work as a film, but this film fails to have a real central point that we can latch onto.

    This point should have been the cabbie, but the film does a bad job with his character and I was never emotionally drawn into his life or his thoughts. Some of the individual stories are quite interesting but they are so truncated that they make no real impact. The cast try hard and I was impressed (surprised?) by just how many well known faces had signed up for the film. Dillon is OK but can't do much with the character – it feels like he is being given direction without understanding what his character feels. The rest of the cast are basically cameos and most of them aren't very good simply because they aren't given much to work with. Ironside, Metcalf, Reilly, Anderson, Cusack, Lennix, Moore and Hayes all show up but few of them can raise the material.

    Overall this was an interesting film that had potential but fails to really deliver. It is a good idea and one that requires very good delivery to hold all these stories together and deliver an emotionally satisfying film at the end – however the film fails to do that and it is annoying for that reason. It is a failure but it is not totally without merit, but having said that, I could see no reason for me to ever want to see this again.
    8chicklet-2

    indie

    I have seen my share of independents. I love the standards like Clerks and of course Raising Arizona. I've also seen some of the fringes of independent films, though I am by no means an expert. However, I can say that this one ranks in the upper tiers of independent film stratification. It was highly enjoyable and often comedic while at the same time thought-provoking and meaningful on a real life level. Another enjoyable aspect of the movie is spotting the famous faces who turn up, like Laurie Metcalf, Michael Ironside, John Cusak, Gillian Anderson, and most impressively Julianne Moore. It is Moore's part that sparks the greatest conversation in the film examining the limits of human ability. I recommend this one to anyone in the mood for something a little off the beaten path but not so far you can't find your way back.
    omega1

    Caught me waaay off guard

    A friend and I picked this movie for our usual Crappy Movie Friday, It's called Hellcab, the back says something about unusual/mysterious passengers, so you can't miss, right?

    Well, it happened. Sure, we had planned for it, but we'd more or less forgotten our plan. "What if," we had figured, "what if we rent a movie that we -mistake- for a crappy movie and it turns out to be good?" That situation came up. We watched the movie in relative silence (as opposed to our usual nonstop riffage) and in the end found we really liked it. It wasn't horror at all. It wasn't anywhere near crappy. What to do?

    We still don't know. But what I know anyway was that I really enjoyed it. The Cab Driver is a great actor and his facial expressions speak volumes. Oh, and John Cusack is hilarious and very creepy as the Scary Guy. (Too bad his role is so brief!)

    Check this one out! Don't mistake it for a horror flick! 8.5 out of 10 on My Personal Scale.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      The original play, "Hellcab", opened in Chicago in 1992.
    • Citazioni

      Cab Driver: Why does everything have to be so fucked up?!

    • Curiosità sui crediti
      The film's copyright date in the credits is 1998, despite premiering in 1997 and being completed that same year. This means the date might have been added ahead of time, in anticipation of a theatrical release in 1998.
    • Connessioni
      Featured in Siskel & Ebert & the Movies: One True Thing/Rush Hour/A Soldier's Daughter Never Cries/Permanent Midnight/Touch of Evil/Chicago Cab (1998)
    • Colonne sonore
      Joy to the World
      Performed by Chet Baker

      Music attributed to George Frideric Handel (as George F. Handel) (1685-1759)

      Lyrics by Isaac Watts (1674-1748)

      Arranged by Paul Sutin

      Published by Dinemec

      Courtesy of Dinemec Jazz

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    Dettagli

    Modifica
    • Data di uscita
      • 2 ottobre 1998 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Chicago Cab
    • Luoghi delle riprese
      • Chicago, Illinois, Stati Uniti
    • Aziende produttrici
      • Child's Will Productions
      • GFT Entertainment
      • New Crime Productions
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Lordo Stati Uniti e Canada
      • 23.946 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 2947 USD
      • 13 set 1998
    • Lordo in tutto il mondo
      • 23.946 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 36 minuti
    • Colore
      • Color
    • Mix di suoni
      • Dolby Digital
    • Proporzioni
      • 1.85 : 1

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