VALUTAZIONE IMDb
5,8/10
3079
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaTwo legends of the past have equal chances of becoming the father of a young beautiful girl. But before they find out which one exactly, they are forced to join efforts for saving her from t... Leggi tuttoTwo legends of the past have equal chances of becoming the father of a young beautiful girl. But before they find out which one exactly, they are forced to join efforts for saving her from the Mob.Two legends of the past have equal chances of becoming the father of a young beautiful girl. But before they find out which one exactly, they are forced to join efforts for saving her from the Mob.
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Both were icons of French action flicks in the 60' and 70'. Both played together once in 1970. Now don't be fooled. This isn't reality. This is an imaginary and unlikely story where actors and viewers are accomplices. Just as in any Bond flick, weapons are big and heroes get-off easy where most mortals would kick the bucket. This time, heroes are gray just as we all are getting. Imagine Sean Connery coming out of retirement and teaming with Charles Bronson for a field day. That's what we get here.
Chances are we'll get a Hollywood remake any day now.
Chances are we'll get a Hollywood remake any day now.
Belmondo & Delon, together again, and this time with Vanessa Paradis in tow - or is it the other way round? The basic premise of the film is that Alice Tomaso (Paradis) gets out of jail, and goes looking for Léo (Belmondo) and Julien (Delon), one of whom, it appears, is her father. On the way, she steals the wrong car - one belonging to the Russian mafia, and arrives at her destination with a gang of thugs out looking for her and the car. Mayhem and murder ensue, as Delon and Belmondo compete, not to win the girl, but just for the right to call themselves her father. In the process, they join forces, disrupt the mafia, seize the loot and head of to America for a paternity test.
The whole movie is played for laughs, capitalizing on the James Bond, Naked Gun genre of action comedy, and it works really well. The action is as fast paced, and every bit as far fetched, as any Bond flick. The understated humour, the slick gags and special effects, the subtle dialogue all make this a movie to watch, if you're a Bond fan. You won't be disappointed. On the other hand, if you want your French films to be "arty," deep and philosophical, you'd better go look for a Truffaut or an early Jeunet - you won't find what you're looking for here. This is shallow, it's slapstick, it's silly, and it's fun. Nothing special, just a good evening's entertainment that won't tax your brain (unless you have a problem reading subtitles).
The whole movie is played for laughs, capitalizing on the James Bond, Naked Gun genre of action comedy, and it works really well. The action is as fast paced, and every bit as far fetched, as any Bond flick. The understated humour, the slick gags and special effects, the subtle dialogue all make this a movie to watch, if you're a Bond fan. You won't be disappointed. On the other hand, if you want your French films to be "arty," deep and philosophical, you'd better go look for a Truffaut or an early Jeunet - you won't find what you're looking for here. This is shallow, it's slapstick, it's silly, and it's fun. Nothing special, just a good evening's entertainment that won't tax your brain (unless you have a problem reading subtitles).
The long-awaited (since "Borsalino" in 1970, I think) reunion of two of the greatest and most popular French film stars ever, Alain Delon and Jean Paul Belmondo, is a slick but disappointing action comedy. It is mildly amusing when it focuses on these two and their relationship with the daughter they never knew they had, but the secondary crime plot makes very little sense for at least the first 40 minutes, and the villainous Russian mobsters look and (over)act like refugees from a straight-to-video Steven Seagal movie. Delon and Belmondo are still fun to watch, and they have to be commended for still pulling off some hard and risky stunts at their age; as for Vanessa Paradis, she is fresh and sexy. But if you're looking for this type of "Americanized" French cinematic entertainment, the "Taxi" series (especially Part 2) does it better. ** out of 4.
I would like Delon and Belmondo had come together for the second time at least ten years earlier. Then the action scenes would be not only more credible but more creative, too.
The story of the film is basically creative, but the action scenes take more than enough time while the real asset of the story (and of the film, too) was not the action but the relation of the three major characters. I would like to see much more scenes about the relations of the extraordinary characters and smart dialogs among them, that is, I would rather to enjoy the magnetism of the acting and personalities of the extraordinary triangle of Delon/Belmondo/Paradis than to watch the ordinary explosions, ordinary mafia guys, ordinary car chases, ordinary flying bullets and the other similarly ordinary trifles.
Delon and Belmondo must come together for a third time, and this time without waiting for ten years more. Yes it may be already late. But now is better than later or never.
The story of the film is basically creative, but the action scenes take more than enough time while the real asset of the story (and of the film, too) was not the action but the relation of the three major characters. I would like to see much more scenes about the relations of the extraordinary characters and smart dialogs among them, that is, I would rather to enjoy the magnetism of the acting and personalities of the extraordinary triangle of Delon/Belmondo/Paradis than to watch the ordinary explosions, ordinary mafia guys, ordinary car chases, ordinary flying bullets and the other similarly ordinary trifles.
Delon and Belmondo must come together for a third time, and this time without waiting for ten years more. Yes it may be already late. But now is better than later or never.
Ok... so Une Chance Sur Deux is not the greatest movie ever
made! I'll give you that. It's not even Belmondo's or Delon's
best film. But it is a very, very entertaining piece of film! If
you are a fan of both this actors (like I am) you'll just love
seeing them together in action in this film. And the production
values sure help. All in all, you'll have a great two hours of
fun. Highly recommended.
made! I'll give you that. It's not even Belmondo's or Delon's
best film. But it is a very, very entertaining piece of film! If
you are a fan of both this actors (like I am) you'll just love
seeing them together in action in this film. And the production
values sure help. All in all, you'll have a great two hours of
fun. Highly recommended.
Lo sapevi?
- QuizItalian censorship visa # 92804 delivered on 23 July 1998.
- BlooperAround 01:30:49, Leo (Belmondo) is losing his headset. On next shot of Leo (around 01:30:55), when he's going in his car, the headset is back on his head.
- ConnessioniFeatured in Un jour, un destin: Alain Delon, la solitude d'un fauve (2019)
- Colonne sonoreHappy Birthday to You
Written by Mildred J. Hill and Patty S. Hill
Sung by Vanessa Paradis (in Russian)
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Dettagli
Botteghino
- Budget
- 32.000.000 USD (previsto)
- Tempo di esecuzione1 ora 49 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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By what name was Uno dei due (1998) officially released in Canada in English?
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