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Gummo

  • 1997
  • R
  • 1h 29min
VALUTAZIONE IMDb
6,6/10
40.734
LA TUA VALUTAZIONE
POPOLARITÀ
3705
231
Jacob Reynolds in Gummo (1997)
Theatrical Trailer from Fine Line
Riproduci trailer2:13
2 video
99+ foto
Commedia darkCommediaDramma

Gli abitanti solitari di una città dell'Ohio colpita da un tornado vagano per il paesaggio deserto cercando di realizzare le loro vite noiose e nichilistiche.Gli abitanti solitari di una città dell'Ohio colpita da un tornado vagano per il paesaggio deserto cercando di realizzare le loro vite noiose e nichilistiche.Gli abitanti solitari di una città dell'Ohio colpita da un tornado vagano per il paesaggio deserto cercando di realizzare le loro vite noiose e nichilistiche.

  • Regia
    • Harmony Korine
  • Sceneggiatura
    • Harmony Korine
  • Star
    • Nick Sutton
    • Jacob Sewell
    • Lara Tosh
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,6/10
    40.734
    LA TUA VALUTAZIONE
    POPOLARITÀ
    3705
    231
    • Regia
      • Harmony Korine
    • Sceneggiatura
      • Harmony Korine
    • Star
      • Nick Sutton
      • Jacob Sewell
      • Lara Tosh
    • 439Recensioni degli utenti
    • 48Recensioni della critica
    • 19Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 4 vittorie e 2 candidature totali

    Video2

    Gummo
    Trailer 2:13
    Gummo
    A Guide to the Films of Harmony Korine
    Clip 2:15
    A Guide to the Films of Harmony Korine
    A Guide to the Films of Harmony Korine
    Clip 2:15
    A Guide to the Films of Harmony Korine

    Foto108

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    + 103
    Visualizza poster

    Interpreti principali32

    Modifica
    Nick Sutton
    • Tummler
    Jacob Sewell
    Jacob Sewell
    • Bunny Boy
    Lara Tosh
    • Girl in Car
    Jacob Reynolds
    Jacob Reynolds
    • Solomon
    Darby Dougherty
    • Darby
    Chloë Sevigny
    Chloë Sevigny
    • Dot
    • (as Chloe Sevigny)
    Carisa Glucksman
    • Helen
    Jason Guzak
    • Skinhead #1
    Casey Guzak
    • Skinhead #2
    Wendall Carr
    • Huntz
    James Lawhorn
    • Cowboy #1
    James Glass
    • Cowboy #2
    Ellen M. Smith
    • Ellen
    Charles Matthew Coatney
    • Eddie
    Harmony Korine
    Harmony Korine
    • Boy on Couch
    Bryant L. Crenshaw
    • Midget
    Daniel Martin
    • Jarrod
    Nathan Rutherford
    • Karl
    • Regia
      • Harmony Korine
    • Sceneggiatura
      • Harmony Korine
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti439

    6,640.7K
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    Recensioni in evidenza

    7IDKflycasual

    A bizarre film

    After every scene you have to ask "what in the flying f--- am I watching?" It IS unique art though and deserves some stars for that. Absurd to the nth degree with no particular plot or story line. Much of it could be described as hilariously entertaining in the same disturbing way that watching two dogs fight over a chicken bone could be. I laughed my a-- off through most of it, but near the end it got sad. You start to feel guilty for mocking these miserable people. But, mostly you come away asking "why do people reproduce?" and wonder how much better this planet would be without us abysmal creatures running around wrecking the place.
    Spearin

    Mama told me not to come

    Remember when you were in grade school and the weird kids down the block were doing something that looked, well, interesting, and your mom told you to stay away? Did you? Did you ever wonder what it was they were up to down there, behind the garage, in the basement of someone's house, over by the bowling alley?

    Rent Gummo and find out. Mama wasn't as stupid as you thought.
    7shane7996

    "I once knew a guy who was dyslexic, but he was crosseyed so everything came out right."

    To sneak a peek through the peephole that is Gummo is to be pulled trough a small town tour of torture and depravity. It's bizzare and unnerving mix of character studies is as disturbing as it is depressing as it is facinating. It's so sour I can't even imagine what a screenplay would look like let alone the mind of the one who wrote it. I loved the style / format and uncompromising abrasiveness. Very unique, and I'll be hard pressed to find someone to recommend it to, though when I do I definitely will.
    chris-m-c

    Misunderstood Genius

    Gummo is a film of substance, a rare thing in this time of Estee Lauder actresses and pec enhanced tree trunks stumbling around the kindergarten dialogue. Reality TV before it became anachronistic. A film that demands a second viewing to truly understand the director's vision is a rare thing; my initial impression was of a mockery of Red Necked America, but now after several viewings I understand it as a celebration of the sidelined aspect of American culture. Unafraid to pull its punches, unafraid to deal with the shocking, the jarring, the discomforting; it is a film that is mostly about killing cats and sniffing glue. Possibly a freak show, but one done in the style of the old freak shows - the freaks call the shots and they revel in their opportunities. A piece best enjoyed at 5 am on a Sunday morning after burning the midnight oil, when your nerves are raw and you need something with bite to cut through the fog. Nobody has created such vivid set pieces and each time you review the film there is a new mullet to admire, a chair to be beaten, a Down's Syndrome prostitute to mull over. Prepare to be shocked and provoked whilst being entertained; when the film finishes you are compelled to take stock of what you have seen and in my eyes that is what films are for. A hearty thumbs up.
    sondracarr

    It's so strange - life, not Gummo.

    I have trouble with the comments of users who find no emotional attachment to sad characters. Those who state that all the characters in this film wouldn't be missed if a tornado did wipe them out - isn't this the ultimate prejudice? Isn't it telling that these people have no sympathy for characters that are children who've been given no other options? Could it be that the pervasiveness of this attitude is exactly why there seems to be no cure for the plight of poverty?

    Could it possibly be that THIS is the point of this film?

    So few want to get inside the real problems to understand what's going on. It is impossible to understand anything fully from the outside looking in. I think films (and books, and music, and lectures, etc.) like this are needed to counteract the fantasies that we regularly accept as reality. Is this reality for most people? No, probably not, but it is for some and all stories need telling. In a world-view where wrestling chairs and killing pets are considered acceptable and worthwhile activities, would we really expect to feel a sense of plot or unfolding or striving? The point, it seems to me, is that for people trapped in these situations, there is no point, no goals, no worthwhile transformations. They can't even begin to see these things. All that's left by this tragedy of human existence is meaningless, chaotic, confusing experiences that seem to make no sense, and ill-conceived rushes to relieve the frustration and anxiety in whatever means seem readily available. Do you understand why people cut themselves to feel better? Or starve themselves? Or abuse people? I don't. But for our culture's sake, I hope some people care enough to try to find out.

    Tragedy, for anyone who has ever personally experienced it, leaves one without faith, hope, or any possibility of transcendence. Without these higher-level world-views, we revert to self-protective mere survival. When this strikes a larger community, it has disastrous effects. This film shows just how fragile our safety net of community, progress, and culture really are - how easily they can be unraveled.

    I know it's hard for us to see this. How can these characters not see that there is a better way available? Don't they watch TV or movies? Don't they see what we see? But this is precisely the point we have to understand. They really don't. People who live in ghettos don't get degrees because they don't even know that they can. They believe that these areas are for others, not them. We'll never understand class problems if we don't try to see them from all perspectives.

    I, too, felt horrified to find myself on the "inside" of this lifestyle - something I hope never to do in a non-filmic experience. This is the genius to which people are referring - the director and actors' ability to draw those of us for whom these are alien experiences directly and completely into this hopeless, pointless world. We actually feel the dread, frustration, meaninglessness that people caught in these circumstances experience.

    This is why I read, go to movies, listen to music and experience all art - to experience life from the many different perspectives available. If you only want to be entertained - there really are only a few stories to tell and there are many "artists" out there willing to serve you the same McArt to "satisfy" your needs, but for those of us who would like to know more about something other than ourselves and our ethnocentric, narcissistic experiences, movies like Gummo will always be admired. And there's nothing wrong with entertainment. I like it too. But don't judge films like this based on that standard. It isn't fair. You don't say "I don't like Mozart because it doesn't have a beat I can dance to." Or maybe you do. And so, you should be able to understand how some people have no way to access another transcendent point of view.

    I also have to make a comment about the "meaninglessness" of the bunny suit boy. I didn't understand the symbolism either - and according the director's comments, there doesn't seem to be any - at least not in any direct, conscious way. And this is probably difficult for any non-artist to understand, but sometimes instinct doesn't take on any direct symbolic reference but is still important. Artist's trust their instincts and don't always have to have everything make sense in a literal sense. In fact, it is generally agreed that works of art that are too directly symbolic, or too literal lose much of the magic that makes art special in the first place. I'm not condoning ambiguity for the sake of ambiguity, but the bunny suit seemed so absurdist to me that it set the tone for the absurdity that followed. In a strange way, it seemed hopeful. This effect isn't lessened by the director's inability to explain why it was important. The fact is, it was important on some instinctive level or it wouldn't have been cut in.

    Listen to any of your favorite music and try to find a "plot" or a "meaning" for each and every line and note. Unless you listen exclusively to bad country and western I think you'll get this point. A lot of people think other forms of art have more responsibility to be crystal clear, but I doubt most of us prefer these same attributes in our music. If you understand half of what you sing along to, you are among the few. I think the problem is that most of us expect something different from film, art, novels because we've been fed so much crap that (similar to my kids when they come back from a week at a friend or family member's house where fast food is the daily fare) we cannot taste the goodness of real meals. Think about it.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Other cast members were recruited during the film's lengthy pre-production period. Harmony Korine often approached people on the street, in bowling alleys and in fast food restaurants, and asked them to play a part in his movie.
    • Blooper
      During the skinhead boxing scene in the kitchen, a crew member's hand is visible holding onto a piece of equipment or railing on the bottom left corner of the screen.
    • Citazioni

      Solomon: [voiceover] Life is beautiful. Really, it is. Full of beauty and illusions. Life is great. Without it, you'd be dead.

    • Connessioni
      Featured in Belly (1998)
    • Colonne sonore
      My Little Rooster
      Performed by Almeda Riddle

      Written by M. Okrun

      Courtesy of Atlantic Recording Corp.

      By Arrangement with Warner Special Products

      Published by Alpha Film Music (BMI)

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    Domande frequenti21

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    • Is Gummo based on a true story?

    Dettagli

    Modifica
    • Data di uscita
      • 24 novembre 1997 (Australia)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • 구모
    • Luoghi delle riprese
      • Nashville, Tennessee, Stati Uniti
    • Aziende produttrici
      • Fine Line Features
      • Independent Pictures (II)
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 1.300.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 116.799 USD
    • Lordo in tutto il mondo
      • 116.799 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h 29min(89 min)
    • Colore
      • Color
    • Mix di suoni
      • Dolby Digital
    • Proporzioni
      • 1.85 : 1

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