VALUTAZIONE IMDb
7,5/10
6177
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaThe mayor of a nameless town gathers a mob to confront a hermit living in a "haunted house," but when the mob arrives, the man has a few tricks up his sleeve to convince them that he's not t... Leggi tuttoThe mayor of a nameless town gathers a mob to confront a hermit living in a "haunted house," but when the mob arrives, the man has a few tricks up his sleeve to convince them that he's not that bad.The mayor of a nameless town gathers a mob to confront a hermit living in a "haunted house," but when the mob arrives, the man has a few tricks up his sleeve to convince them that he's not that bad.
- Regia
- Sceneggiatura
- Star
Yasiin Bey
- Dante
- (as Dante Beze)
Nicole Pantenburg
- Dancer
- (as Nikki Pantenburg)
John Gregory
- Dancer
- (as John 'Havic' Gregory)
Charlie E. Schmidt
- Dancer
- (as Charlie Schmidt)
Recensioni in evidenza
I love this as its just so cool and so Michael (all wild imagination and amazing dance routines) and brings the joys of childhood and the memories every child had of the haunted house down the road that never was haunted
Michael takes a simple Childhood fantasy adds some magic and brings it to life it's one of those short film where you can imagine you were there with superb special effects and Amazing dance routines.
Michael Jackson fan or not this short film slash music video is the totally cool to get you moving to the beat wonder how do his legs do that? and appreciating the talent MJ really does have as a performer.
Michael takes a simple Childhood fantasy adds some magic and brings it to life it's one of those short film where you can imagine you were there with superb special effects and Amazing dance routines.
Michael Jackson fan or not this short film slash music video is the totally cool to get you moving to the beat wonder how do his legs do that? and appreciating the talent MJ really does have as a performer.
Being a Michael Jackson fan since the early 1980's I've always remained interested in anything he does.
I think commercially his best days were behind him in the mid-90's, but this is still an excellent video and it far exceeds a lot of the crap that artists put out there today.
Most videos are the same thing over and over, the artists with the line dancers in bikinis behind them, YAWN!
Michael Jackson comes along and takes the music video to the next level, he puts a storyline into it and killer special effects.
When you get done, the only person the guy has failed to outdo is himself.
Like him or no, Michael Jackson is still the king of music video.
I think commercially his best days were behind him in the mid-90's, but this is still an excellent video and it far exceeds a lot of the crap that artists put out there today.
Most videos are the same thing over and over, the artists with the line dancers in bikinis behind them, YAWN!
Michael Jackson comes along and takes the music video to the next level, he puts a storyline into it and killer special effects.
When you get done, the only person the guy has failed to outdo is himself.
Like him or no, Michael Jackson is still the king of music video.
This was a breathtaking short-horrormusical with Michael Jackson, finally a bit cool.
Some people think that it is a spin off to THRILLER, but I can't see any similarity at all. Let's all remember that Michael Jackson was an adult as a child, and he has got to have room for his childhood somewhere too.
I love Michael Jackson's short films, and this is no exception.
Some people think that it is a spin off to THRILLER, but I can't see any similarity at all. Let's all remember that Michael Jackson was an adult as a child, and he has got to have room for his childhood somewhere too.
I love Michael Jackson's short films, and this is no exception.
Michael Jackson has embraced generations with beautiful short films. Usually they are made to promote a single, but in this case he gives us something else. Sure, in this film there are also songs (which are available on c.d.), but the emphasis is on a funny story and great special effects. This release passed many people by, which is a shame since this thing is really worth watching and shows great promise at Michael's promised new acting jobs.
"Ghosts" plays more as a special effects reel than as a movie or a music video. The "song" portion of the video is incredibly slight. In his heyday, Michael Jackson and his accomplices were able to produce videos that integrated fun (if not brilliant) visuals with his once unique brand of pop music. Now, his videos -- of which "Ghosts" is easily the worst -- have become half-hour-long egofests.
Stan Winston is a brilliant makeup artist, but as a director he is just awful. This video plays like a series of reaction shots: Michael Jackson does something ooky; the parents, kids, and Mayor react with horrified visages and huddle together; Michael does something "funny"; the parents and kids look amused (and for some reason comforted), while the Mayor continues to look perturbed. This series of events happens over and over and over again. At least half the video consists of those annoying reaction shots; what a waste of videotape!
Even the choreography for this video is poorly filmed, and choreography should be the focal point of any Michael Jackson video. Winston focuses on the makeup rather than on the dancers, giving closeups of their grotesque features instead of their footwork.
The video's message is obviously that odd-looking weirdos like Michael Jackson can still be lovable, but I do not see how the video succeeds in reinforcing this theory. The little kids involved seem to have no problem with Michael's ability to jump down another human's throat and manipulate him like a puppet. I dunno -- if I were ten years old, I think that might bother me a bit.
Stan Winston is a brilliant makeup artist, but as a director he is just awful. This video plays like a series of reaction shots: Michael Jackson does something ooky; the parents, kids, and Mayor react with horrified visages and huddle together; Michael does something "funny"; the parents and kids look amused (and for some reason comforted), while the Mayor continues to look perturbed. This series of events happens over and over and over again. At least half the video consists of those annoying reaction shots; what a waste of videotape!
Even the choreography for this video is poorly filmed, and choreography should be the focal point of any Michael Jackson video. Winston focuses on the makeup rather than on the dancers, giving closeups of their grotesque features instead of their footwork.
The video's message is obviously that odd-looking weirdos like Michael Jackson can still be lovable, but I do not see how the video succeeds in reinforcing this theory. The little kids involved seem to have no problem with Michael's ability to jump down another human's throat and manipulate him like a puppet. I dunno -- if I were ten years old, I think that might bother me a bit.
Lo sapevi?
- QuizFrom 1996 to 2013, this music video held the Guinness World Record as the longest music video. Pharrell Williams would surpass this record by creating a literal 24-hour music video for his song "Happy". As of 2024, Twenty One Pilots holds the record for the longest music video for Twenty One Pilots: Level of Concern Never-Ending (2020), which ran for precisely 177 days, 16 hours, 10 minutes, 25 seconds.
- Versioni alternativeThe first screening of the movie featured only the "2Bad" song, from the 1995's "HIStory: Past, Present and Future, Book I" album. But since the marketing campaign had already started for Jackson's next album "Blood On The Dance Floor: HIStory In The Mix" they added "Is It Scary" and "Ghosts", both from the new album, which was released in January 1997.
- ConnessioniEdited into Michael Jackson: Ghosts (1997)
- Colonne sonore2 Bad
Written by Michael Jackson
Music Composed by Bruce Swedien, Rene Moore (as Rene) and Dallas Austin
Produced by Michael Jackson for MJJ Productions, Inc., Jimmy Jam & Terry Lewis for Flytime [sic] Productions, Inc.
Mijac Music (BMI), admin. by Warner-Tamerlane Publishing Corp. (BMI) / Bruce Swedien Music, Inc. (ASCAP) / Rene Moore Music (ASCAP) / EMI April Music Inc. (ASCAP) / DARP Music (ASCAP) All Rights Reserved. Used by permission.
Special version from the Epic release "HIStory - Past, Present and Future - Book I"
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Dettagli
- Tempo di esecuzione
- 39min
- Colore
- Mix di suoni
- Proporzioni
- 1.33 : 1
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