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The Eighteenth Angel

  • 1997
  • R
  • 1h 35min
VALUTAZIONE IMDb
4,8/10
1706
LA TUA VALUTAZIONE
Rachael Leigh Cook, Christopher McDonald, and Maximilian Schell in The Eighteenth Angel (1997)
Home Video Trailer from Columbia Tristar
Riproduci trailer1: 30
1 video
17 foto
HorrorMysteryThriller

Aggiungi una trama nella tua linguaMythology and religious dogma are slowly revealed when an attractive young woman is approached by a modeling agency that pulls her into an underworld of priests that are not Christian but ra... Leggi tuttoMythology and religious dogma are slowly revealed when an attractive young woman is approached by a modeling agency that pulls her into an underworld of priests that are not Christian but rather want to resurrect Satan by collecting the souls of 18 beautiful children.Mythology and religious dogma are slowly revealed when an attractive young woman is approached by a modeling agency that pulls her into an underworld of priests that are not Christian but rather want to resurrect Satan by collecting the souls of 18 beautiful children.

  • Regia
    • William Bindley
  • Sceneggiatura
    • David Seltzer
  • Star
    • Christopher McDonald
    • Rachael Leigh Cook
    • Stanley Tucci
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    4,8/10
    1706
    LA TUA VALUTAZIONE
    • Regia
      • William Bindley
    • Sceneggiatura
      • David Seltzer
    • Star
      • Christopher McDonald
      • Rachael Leigh Cook
      • Stanley Tucci
    • 31Recensioni degli utenti
    • 10Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Video1

    The Eighteenth Angel
    Trailer 1:30
    The Eighteenth Angel

    Foto16

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    Interpreti principali30

    Modifica
    Christopher McDonald
    Christopher McDonald
    • Hugh Stanton
    Rachael Leigh Cook
    Rachael Leigh Cook
    • Lucy Stanton
    Stanley Tucci
    Stanley Tucci
    • Todd Stanton
    Wendy Crewson
    Wendy Crewson
    • Norah Stanton
    Maximilian Schell
    Maximilian Schell
    • Father Simeon
    Cosimo Fusco
    Cosimo Fusco
    • Florian
    Venantino Venantini
    Venantino Venantini
    • Clockmaker
    Ted Rusoff
    Ted Rusoff
    • Benedetti
    Federico Pacifici
    Federico Pacifici
    • Dark-Eyed Cleric
    John Crowther
    • Mangram
    Vanessa Meadows
    Vanessa Meadows
    • Museum Guide
    • (as Vanessa Crane)
    Linda Cerabolini
    • Milla Pagano
    Orso Maria Guerrini
    Orso Maria Guerrini
    • Paolo Pagano
    Linda Gucciardo
    • Stewardess
    Fabrizio Vitale
    • Customs Agent
    Rossano Rubicondi
    • Model
    Barbara Berardi
    • Model
    Francesca De Sapio
    Francesca De Sapio
    • Gabriella
    • Regia
      • William Bindley
    • Sceneggiatura
      • David Seltzer
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti31

    4,81.7K
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    Recensioni in evidenza

    4SephiAngel

    Rather far below par 'horror' flick

    The Eighteenth Angel is, at best, a very below par 'horror' film. I say this because, it's just not horrific. The storyline is essentially a standard 'evil cultists wish to summon Satan to Earth' type thing, something which has, to be honest, been done many times before. In addition, the cast, even the normally entertaining Cook, do nothing to raise the believeability level of this sad little film. The end result is that you find yourself A) Laughing at the film for it's flaws, and B) Not even giving a damn for the characters, neither of which should be results of watching a 'good' horror film (Check out Ring or Nightmare on Elm St.). So while this film does have many flaws, it's biggest letdown is that it is simply not scary, and what more should you be looking for in a horror film. In short, don't see it unless you're a big Cook fan.
    4sundiva

    am i the only one

    who thinks that this movie was completely lame? the only reason i watched the whole movie was because i expected a good ending at least. but even the ending is just so crappy and lame that i can't help thinking that i wasted my time on this boring movie. watch it if you are a raechel leigh cook fan, but even her performance didn't move me at all. rating - 4 out of 10 stars.
    6Vomitron_G

    Monastery of Malice

    I re-watched THE EIGHTEENTH ANGEL some time ago because I was given an ex-rental copy of it. I remember watching it some years ago and thinking that it wasn't too bad, though I couldn't remember why. After revisiting it, I still think it's not too bad. And I still can't really figure out why. Let's see... The story was ambitious. The production values were okay. The film had a decent look and some visceral effects in the make-up department. The acting was good and so was the cinematography. That monastery up the hill looked creepy, just like it should in a horror movie... Ergo, this film ain't too bad.

    It's along the lines of films like THE OMEN (1976) and BLESS THE CHILD (2000), but it's more on par with the latter than the first. Given the fact it has less star-power and was filmed on a smaller budget, I do consider THE EIGHTEENTH ANGEL and admirable effort. The only thing that really bothered me, were some plot holes I just couldn't wrap my head around. I won't go into it now and I'll steer away from writing a synopsis too. What matters is that I found it to be an okay movie and I've seen worse. Much worse.
    4KuRt-33

    The Great Book of Horror Clichés (part 513)

    "The House of Yes", "Family Rescue", "She's All That": all decent movies starring Rachael Leigh Cook. That's why Rachael was the only reason I wanted to see "The Eighteenth Angel" (well, that and the fact it was shown just after The X-Files). The short version: not even Rachael (as Lucy) can save this disaster.

    Here's the longer version: Some of the acting is so bad it's more frightening than the horror plot (a Satanic church wants the Antichrist back and all they need is a demon clock saying when they should sacrifice 18 angelic children). The worst performance is given by Maximilian Schell: instead of acting like a satanic priest he acts like he's the evil penguin in a children's story. When he recites the satanic verses, you think he's reading the recipe for pork chops. The more the story evolves the more ludicrous it gets. If you know the horror cliches, all you have to do is make a list and wait for it to come. Oh look, spikes: somebody's bound to get killed by them. (check) Oh look, nice horses: they are probably going to kill someone. (check) Let's wait for the cameo of a cemetary. (check) Etc etc. (check) Watch out for painful mistakes: father Simeon is praying to the Devil in a pentagram (check), but apparently the makers of this movie didn't know what a pentagram is. It certainly isn't what they used a movie. (If you don't know what a pentagram looks like: watch Jacob the Liar: in that movie they needed a Jewish star, but they used a pentagram.) Add the final ingredient: referring to and stealing from other movies. Maybe they can get away with referring to Brian de Palma's Obsession (the church scene), but it's hard not to spot they borrowed some ideas from The Exorcist. Once again: bad copying only makes a bad movie worse.

    So it's best to skip this movie? Yes, unless you like watching Rachael Leigh Cook. In this movie she is a teenage model, so there's lots of posing and looking nice. But she was much better in the movie list I started this review with, so that's not really an argument. Also, skipping The Eighteenth Angel means you don't have to see the ending of a movie which gets worse every scene. You'll clap your hand when the titles get there: not because the movie was good, but because it's finally over.
    claudio_carvalho

    The Antichrist

    In Boston, the music teacher Hugh Stanton (Christopher McDonald), his wife, the writer Norah Stanton (Wendy Crewson), and their teenager daughter Lucy (Rachael Leigh Cook) are a happy family. On the day of Hugh's birthday, Norah and Lucy organize a surprising party for him. Norah is researching the Etruscan civilization and has an interview with the notorious Father Simeon (Maximilian Schell), who is the leader of a sect that worship Satan, and she brings Lucy with her. They meet Father Simeon and Lucy leaves her mother to receive the guests of the party. Out of the blue, her mother commits suicide jumping off the roof of the building. While grieving the loss of her mother, Lucy turns into a rebellious teenager and soon she is invited to move to Rome by a modelling agency to take photos against the will of her father. The reluctant Hugh travels with Lucy to satisfy her dream and the farmer Maria Elena (Enrica Maria Modugno) lodges them in her farmhouse. Meanwhile, Father Simeon and his sect believe that Satan will reborn soon and will choose a beautiful youth among eighteen called "angels" to return to Earth, and Lucy is the Eighteenth Angel.

    Revisiting "The Eighteenth Angel" (1997) in 2024, the impact reduces since the prophecies for the year 2000 did not realize. But in 1998, when I first saw this film, it was not original but much better. The dark plot of the need of (6+6+6) angels to Satan returns to Earth is interesting, and not bad as indicated in many reviews. It is also one of the earlier films of the filmography of Rachael Leigh Cook. Maximilian Schell is excellent in the role of the evil father that worships Satan. My vote is six.

    Title (Brazil): "O Décimo-Oitavo Anjo" ("The Eighteenth Angel"

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    Trama

    Modifica

    Lo sapevi?

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    • Quiz
      Though shot for a theatrical release, the film made its debut on the Starz! network.
    • Blooper
      Norah refers to a clam as a crustacean; clams are mollusks.
    • Curiosità sui crediti
      The producers gratefully acknowledge The City and Town Hall of Formello, Italy The Sorbo Monastery, Italy
    • Connessioni
      References Ai confini della realtà (1959)
    • Colonne sonore
      Theme from 'The Twilight Zone'
      (Ai confini della realtà (1959))

      Written by Marius Constant

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    Dettagli

    Modifica
    • Data di uscita
      • 6 dicembre 1997 (Giappone)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Den artonde ängeln
    • Luoghi delle riprese
      • Formello, Roma, Lazio, Italia
    • Azienda produttrice
      • Rysher Entertainment
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 25.000.000 USD (previsto)
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 35 minuti
    • Colore
      • Color
    • Mix di suoni
      • Dolby Digital
    • Proporzioni
      • 2.35 : 1

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