Un autunno fra le nuvole

I turned this movie on about halfway through, so I've yet to see the entire thing, but I was crying within minutes. I have NEVER liked Kevin Bacon, for no real reason other than he was in "Wild Things" which I thought was absolutely horrible. His performance as Ricky had me crying in just a few minutes, at the friendship Ricky and Harriet shared that no one else could touch. The end upset me greatly as I always hope for happy endings and would've loved to see Harriet grown up and revisiting her old friendship, or something along those lines... but I'm a sap that always wants a happy ending. ;) In any case, this one movie has completely changed my opinion and made me respect Kevin Bacon utterly for not only taking such a challenging role, but moving me to tears in it. Evan Rachel Wood was awesome as well, and I had no idea she'd been "around" for this long! A wonderful movie, even though the ending left me feeling a bit ripped off.

When I see a movie and I see within it a splicing of two or more movies I never know what to expect, even if it is two or more movies I like. "Digging to China" was a combination of good movies and it was also par excellence itself.

"Digging to China" centered around Harriet Frankovitz (Evan Rachel Wood), a 10-year-old girl with a wild imagination, a fascination with the National Enquirer, and desperate to run away from home. It wasn't that her home life was all that bad, she was simply detached from her alcoholic and lethargic mother (Cathy Moriarty) and her promiscuous sister Gwen (Mary Stuart Masterson).

Harriet was delivered a good and needed friend in Ricky Schroth (Kevin Bacon) when his mother's car broke down. Harriet struck a deep yet socially weird friendship with Ricky, a mentally handicapped adult male who operated on the level of a 10-year-old.

First, I want to give props to Timothy Hutton on his first and only directorial job for a feature length movie. You may know him very well as an actor in movies such as: "Taps," "The Falcon and the Snowman," "Q & A," "The Dark Half," and others. I wouldn't say he was a mega-star, but he was well recognized.

Secondly, I love this movie. It is so simple, pure, and touching. Both Wood and Bacon were phenomenal. Their friendship just melts the heart though you know it is not entirely appropriate nor is it sustainable. All you want for them is to enjoy each other's company and comfort each other for the short amount of time they will be together. It was so pure and innocent you couldn't help but be moved.

This is a poignant film that few moviegoers are familiar with. It is redolent of such recent works as Manny & Lo (featuring Scarlett Johanssen, the girl from Horse Whisperer) and Lawn Dogs (a decidedly darker vehicle, starring Sam Rockwell). Don't pass this one by, if you have a heart.

Awesome movie, people. Not the best, but awesome. I saw this movie a while ago so I'll have to rely on what I remember. This movie had a wonderful story. It was very moving, for me, in the way that it showed great character depth. In other words, it showed people as they are, and gave you another perspective on how people see the world and the people who live on it. It showed why people act they way they do, and what you can do to help people. I don't see how anyone, after watching a movie like this one, could not be moved, possibly enough to reach out to someone and help them.

Director Timothy Hutton together with an ensemble of right on performances turns what could be a weepy tale of friendship between a retarded man and an 11 year old girl into a deeply moving story on the power of love and on the need for human connection. Evan Rachel Wood is without a false note in her portrayal of Harriet, a little girl who searches for escape from her dreary life into an elaborate and eccentric fantasy world. She is looked at as slightly goofy by her classmates, a spirited handful by her alcoholic 'mother', and a major pain in the butt by her promiscuous older 'sister'. It isn 't until Ricky, played by Kevin Bacon, and his mother come to stay at the family's motel cabins, on their way to bringing Ricky to an institution, that Harriet finds a real kindred spirit. After Harriet's 'mother' is killed suddenly in an auto accident (she had a tendency to drive on the wrong side of the highway) a crucial family secret is revealed. The freindship between these two outsiders begins to deepen. Despite the obvious obstacles of age and mental condition each provides a connection which the other needs, a relationship which allows Harriet's imagination to florish and Ricky to feel valued and fully human for the first time. As the the two other women in Harriet's family (who all look surprisingly alike enough to be a family), Cathy Moriarty and Mary Stuart Masterson are beautifully understated in their performances. Despite the problems in lives of these women each is characterized with the same indominatable spirit. We see the same spark in each of their personalities, each at a different stage of defeat and resignation. The struggle for them is not to let life's circumstances defeat them. For Harriet and for Ricky there develops a real love and freindship which is unique and wonderful but, as the title suggests, it is a relationship which is both dangerous and inevitably hopeless. First time director Timothy Hutton brings the same intellegence and thoughtfulness to his directing that he brings to his acting. He has created a great looking film and helped create some marvelous and honest performances. The visual scheme of the film effectivly captures many its themes of connection, entrapment, secrecy, and fantasy in a way that is rare in American commercial moviemaking. His camera also tends to sit low, giving us a child's eye view. He sometimes even allows the camera to literally participate in the world through Harriet's imagination. By not burdening us with extraneous details concerning the women's relationships with male characters (except for Ricky) he allows these characters to exist in their own emotional space. The music is artfully chosen. Digging to China captures the struggles of coming of age as well as the power of love and of the imagination to make our connections to one another richer and stronger. It is a carefully conceived, powerfully acted, and beautifully directed film. It transcends its familiar territory with style and grace. Take the kids and trancend the cynical. This is one of the best films I've seen all year.