Harry a pezzi

"Deconstructing Harry" (1996) is Woody Allen's angriest, busiest, most neurotic, most complex, most personal with the funniest one-liners film that effortlessly moves from past to present, from reality to the world of imagination, and from funny bits to contemplation on serious and personal subjects so rapidly that you have to watch closely in order not to get lost in all these worlds. Allen plays Harry Block, a famous writer suffering from the writer's block and also from inability to survive in real world, to be happy and to make the people in his life happy, "Six shrinks later, three wives down the line, and I still can't get my life together". Harry can't get his life together but he can write and he has put himself and all people he knows including his wives, friends, girl-friends, and his sister into his last novel. His art imitated life so closely that real people recognized themselves in the fictional characters very easily and now Harry lives through the nightmare of confronting near everybody he has ever known as well as the fictional characters, offended, infuriated, and insulted, who all rush in anger to face him: "You have no values. With you it's all nihilism, cynicism, sarcasm, and orgasm."

By its structure,"Deconstructing Harry" reminds the earlier film by one of Allen's favorite directors, Ingmar Bergman, "Wild Strawberries". As Professor Borg, Harry Block travels by car to upstate New York, where his college that expelled him as an undergraduate now wants to honor him as a world renowned belletrist. He travels by car with three unlikely companions, a hooker, a friend with bad heart, and his 9-years-old son whom he had kidnapped from school. As in "Wild Strawberries", Allen's film provides sincere, intelligent, and emotional contemplations of life's disappointment, regrets, and losses but at the same time, it is hilarious as only Allen's films can be. One of the best scenes of the film is Harry's descent on the elevator to air-conditioned Hell where in the ninth circle he meets the Devil who looks very much like Billy Crystal. Another wonderful scene concerns a married couple where after thirty years of happy uneventful marriage a wife learns some interesting eating habits from her husband's previous life. I can go on for long time. As often in the case of Allen's movies, with the modest running time of 96 minutes, "Deconstructing Harry" is expertly shot, boasts an amazing cast (Billy Crystal, Judy Davis, Bob Balaban, Elisabeth Shue, Demi Moore, Julia Louis-Dreyfus, Tobey Maguire, and Stanley Tucci just to name a few), and is in my opinion one of the most interesting and personal Allen's films.

I'm sure some people wouldn't agree with me, but this movie is a great piece of art on film. Like Hitchcock, Coppola, and others, Woody Allen is a real cinema artist. He makes great use of the possibilities of cinema without losing himself in expensive special effects.

Of course cinema is a medium to create a near-perfect realism on a fictional story. But it can also be an artistic medium. Playing with the possibilities. An example in this film is Robin Williams. A men who is 'out of focus'.

The story is, like most films, not very original. A character that struggles with his personality and social life. But unlike most movies, you can see an artist made this film. It's a Woody Allen creation. His own style, his own characters, his own humor. Not a collection of an expensive scriptwriter with an expensive director, an expensive special effects team , an expensive director of photography etc. to make a total non-personal creation for the big public. Of course the whole crew did a perfect job, but it is surely a Woody Allen film!

A great movie with a nice plot. Some nice switching in timeline and fiction / reality (for the story that is) makes it more interesting then the story really is. Also the jumpcuts, the camera movement, the cast and the humor are making this film a must see! Even if you are not a Woody Allen fan you will like this movie. If you are a fan of big blockbuster movies (standard Hollywood confention movies) this movie is a must see as well! Not only to see the real art of cinema (something different then perfect special effects) but also just for a nice evening and some good humor.

Regardless of what Woody Allen may do in real life, he surely shines through his films. Just like the main character in this film who can't seem to get personal matters resolved, Allen faces the same predicament each day. He lets his films do the talking and stays away from the limelight. Deconstructing Harry does him justice in a few sequences as to what he feels and how the media treats him.

This film showcases some of Allen's better quirks when it comes to storywriting and directing. The much used "jump cut" effect helps to create a world that is disjointed from all else. When things are going fine, there are no jump cuts. However when things are less than opportune jump cuts add confusion to the scene and are used more often as the tension increases. The "out of focus" effect is the first of its kind and is very funny. The Robin Williams cameo didn't have much meaning, but his scene was one of the funniest due to him losing his touch. The same effect is used on Allen himself later in the film in another hillarious scene.

The storyline has many layers and isn't at all confusing (as others may have you believe) to the viewer. The use of actors portraying actors in this film is pure Allen genius and is another way that this film differs itself from the crowd. It is not so much that one follows along to see what happens to Harry, but rather to see what is going to happen next. When Allen needs an entourage to go to his alma mater honouring, he ends up taking a very unlikely group. The humour is at times crude and pokes fun at his usual groups (ie - ultraorthodox jews, hookers, WASP's and just about everyone else).

Allen uses his interesting techniques and smart plot to make this such a good film. One can only wonder how he always gets the foxes. At least he got Billy Crystal to play the devil. How fitting.

8/10 stars.

Just as I've found a newfound appreciation for Elvis Costello, I've likewise opened my heart to Woody Allen (my New Year's resolution: be nicer to nerdy art-types). I even saw Deconstructing Harry twice, (after which I read a Woody Allen collection of short pieces and rented both Bananas and Everything You Always Wanted To Know About Sex). Hey, what can I say – I thought The Purple Rose Of Cairo might've been a fluke, but I guess I'm just a Woody Allen fan now.

Deconstructing Harry is laugh-out-loud funny, tracing the steps of Harry Block, a neurotic, foul-mouthed, Jewish, self-hating, pill-popping, womanizing alcoholic (three wives and six therapists later) that oddly enough, resembles Woody Allen and his own life (give or take a few things). Block has (giggle) writer's block, and can't write about his life. As a result, he becomes `unfocused,' entangling himself in fact and fiction (i.e. he interacts with his own characters). `You expect the world to adjust to the distortion you've become,' Harry's analyst tells him. What follows is a series of skits that interact with the past and present and the real and imagined – it's kind of like watching a Kurt Vonnegut story edited by Quentin Tarentino.

The all-star cast is phenomenal: Robin Williams is hilarious, Kirstie Alley is hysterically funny, Julia Louis-Dreyfus is super-sexy and Elizabeth Shue is as sweet as sugar. Billy Crystal even pulls off a good role as the Devil. But other than the characterization, Woody's new flick is witty, cold-hearted, extremely vulgar, often tasteless and perfectly profane with enough catch-lines to keep film buffs cracking for years (`I always keep a little hooker money around'). Hannah And Her Sisters this ain't!

Harry Block is a writer who tends to thinly veil his won life in his art. His tendency to mock his friends and family through similar characters in his work has left him with three ex-wives and a huge number of people who hate him. He lives a lonely life and has a penchant for pills and whore (prostitution being pure and totally free of BS). When his college plans to honour him he finds he has no-one who wants to go with him, so he ‘kidnaps' his son, a black whore and an old friend with him. As the characters from his work come and go around him, he finds that he struggles to make amends with those around him and decides than he can only be happy in his work.

This is a fantastic Woody Allen film, and his only film to be rated 18 in the UK. The story seems to be a very clear, very personal attack on himself. It's like Allen is using a fictional story (going to be honoured by his college) to lay himself bare. Certainly Block's habit for using his own life in his work seems to echo accusations towards Allen in real life. At times this makes the film really hard to watch, some scenes are so full of apparent self-loathing and bile that it's hard to laugh. Happily the film is hilarious all the way through - this is not one of Allen's arty, serious films. It should be said that Allen denies that this is as personal as it appears but it is easy to see why it is seen as a personal attack on himself.

The film's main story is littered with scenes from Block's work that demonstrate how he has used his characters to mock others and to portray himself - Robin Williams is the best as the artist that literally lacks focus and Crystal is hellishly good. The story's moral about art and life is not as clear or as clever as it thinks it is, but it's very, very funny and the level of bile Allen appears to be spitting at himself is very interesting to observe.

Allen is great in the central role, but you do occasionally feel like you should look away at times because he appears to be giving himself a real kicking. The rest of the cast is really good and is full of famous faces ranging from big stars (Moore, Crystal, Alley, Williams) to familiar faces (Maguire, Bogosian, Louis-Dreyfus, Shue, Tucci). As a director Allen does some new tricks to make this feel even more different from his other films, but the jump cuts etc are a little tiresome. The most important character to me is Cookie. She is significant because Allen has not really ever created a good black character (even if she is a prostitute).

Overall this is a really funny film. The degree of vitriol that Allen appears to aim towards himself makes this a little less enjoyable but overall it is a great film.