L'ex ranger Cameron Poe, da poco in libertà vigilata, si ritrova intrappolato su un aereo per il trasporto di prigionieri quando i passeggeri ne assumono il controllo.L'ex ranger Cameron Poe, da poco in libertà vigilata, si ritrova intrappolato su un aereo per il trasporto di prigionieri quando i passeggeri ne assumono il controllo.L'ex ranger Cameron Poe, da poco in libertà vigilata, si ritrova intrappolato su un aereo per il trasporto di prigionieri quando i passeggeri ne assumono il controllo.
- Regia
- Sceneggiatura
- Star
- Candidato a 2 Oscar
- 7 vittorie e 11 candidature totali
Renoly Santiago
- Sally-Can't Dance
- (as Renoly)
Recensioni in evidenza
You couldn't ask for much more even when it delivers much more than it should. This is one of those Action Movies that throws everything at you but the kitchen sink and then decides to do just that.
The ridiculous ending may be too much but once it starts you can't get off the speeding ride. After all, you are already on board so there's not much choice. Not only is there enough action and mayhem, the over the top characters fit right in with the over the top action.
Anyone who patronizes a Movie of this sort cannot complain because it is everything that is advertised. This is a frantic, loud, occasionally funny, Hoot. It has a number of quotable lines that would make any Comic Book fan proud.
This is quite a trashy triumph of Hollywood excess and is better than most of its type because of its outrageous audacity and unrestrained recklessness. The talent here from the Director to the Stars all contribute.
This is in a special category of Ultra-Budget escapism and it ranks in the upper echelons of mind-numbing madness with an atmosphere of testosterone and whimsy that is undeniably utter entertainment for those seeking this sort of thing.
The ridiculous ending may be too much but once it starts you can't get off the speeding ride. After all, you are already on board so there's not much choice. Not only is there enough action and mayhem, the over the top characters fit right in with the over the top action.
Anyone who patronizes a Movie of this sort cannot complain because it is everything that is advertised. This is a frantic, loud, occasionally funny, Hoot. It has a number of quotable lines that would make any Comic Book fan proud.
This is quite a trashy triumph of Hollywood excess and is better than most of its type because of its outrageous audacity and unrestrained recklessness. The talent here from the Director to the Stars all contribute.
This is in a special category of Ultra-Budget escapism and it ranks in the upper echelons of mind-numbing madness with an atmosphere of testosterone and whimsy that is undeniably utter entertainment for those seeking this sort of thing.
While not as clever or amusing as _The Rock_, which this was apparently an effort to surpass, it certainly delivers the pyrotechnics. Cage, as always, delivers the best performance he can, given the confines of the script, and his best _Raising Arizona_ drawl.
The film's beginning sets a hopeful tone, we see the honorable Cage unjustly imprisoned and preparing to return to his home and the child he has never seen. Meanwhile, the penal system is filling the transport plane which will take Cage to freedom with a cast of the worst criminal psychos behind bars. There is an odd parallel to the beginning of _Stagecoach_ as the plane is loaded with the case of miscreants and a cursory description is given of each criminal. The film has a weakness for hyperbole, each character introduction, each scene, each explosion is meant to top the one before it.
Fortunately, the film does have a real ensemble cast, the full roster of villainous character actors: Malkovich, Rhames, Buscemi, Danny Trejo amongst the cons. The law is Cusack and Colm Meaney and Rachel Ticotin (Total Recall). Even Dave Chapelle is amongst the crooks.
Ultimately, the film maintains too straight a face during the ruckus. If you are going to ask the audience to accept one outrageous improbability after another, you need to keep it amusing. Chappelle keeps it funny while he's on screen but it's not long enough.
Unfortunately, the throttle has only one speed: pedal to the metal. Unlike Woo or McTiernan, who--predictable as they may arguably be--are able to build crescendos and know when to let off the gas, this one keeps on pushing harder and harder until we're feeling a bit catatonic. There is just a terrific amount of pyrotechnics and they use up twice as much powder each time. It never seems to end, which is usually a bad thing for an action movie.
But I shouldn't grouse too much. It is definitely an entertaining diversion, and Cage and Cusack are good in their roles, Colm Meaney is as always amusing. Malkovich and Buscemi are creepy enough but not the flamboyant psychos they could have been. Ironically, Cage has exactly that type of charisma (remember _Kiss of Death_, _Snake Eyes_, _Face Off_) but is forced to be restrain himself as the stolid ex-Army ranger.
Finally: what the HECK does bruckheimer have against Corvettes???
The film's beginning sets a hopeful tone, we see the honorable Cage unjustly imprisoned and preparing to return to his home and the child he has never seen. Meanwhile, the penal system is filling the transport plane which will take Cage to freedom with a cast of the worst criminal psychos behind bars. There is an odd parallel to the beginning of _Stagecoach_ as the plane is loaded with the case of miscreants and a cursory description is given of each criminal. The film has a weakness for hyperbole, each character introduction, each scene, each explosion is meant to top the one before it.
Fortunately, the film does have a real ensemble cast, the full roster of villainous character actors: Malkovich, Rhames, Buscemi, Danny Trejo amongst the cons. The law is Cusack and Colm Meaney and Rachel Ticotin (Total Recall). Even Dave Chapelle is amongst the crooks.
Ultimately, the film maintains too straight a face during the ruckus. If you are going to ask the audience to accept one outrageous improbability after another, you need to keep it amusing. Chappelle keeps it funny while he's on screen but it's not long enough.
Unfortunately, the throttle has only one speed: pedal to the metal. Unlike Woo or McTiernan, who--predictable as they may arguably be--are able to build crescendos and know when to let off the gas, this one keeps on pushing harder and harder until we're feeling a bit catatonic. There is just a terrific amount of pyrotechnics and they use up twice as much powder each time. It never seems to end, which is usually a bad thing for an action movie.
But I shouldn't grouse too much. It is definitely an entertaining diversion, and Cage and Cusack are good in their roles, Colm Meaney is as always amusing. Malkovich and Buscemi are creepy enough but not the flamboyant psychos they could have been. Ironically, Cage has exactly that type of charisma (remember _Kiss of Death_, _Snake Eyes_, _Face Off_) but is forced to be restrain himself as the stolid ex-Army ranger.
Finally: what the HECK does bruckheimer have against Corvettes???
"Con Air" is just one of those action movies that was great back in the day when it was first out and still holds its own today. And that is even despite the fact that it is a Nicolas Cage movie.
The story is quite straight forward, a plane transporting the most dangerous and deadly of criminals gets hijacked by the very same prisoners it was supposed to transport. Amongst the prisoners is Cameron Poe who is on his way home to his family and tries his best to see to it that it happens.
There is a lot of action in the movie, almost from start to end, and it nicely choreographed and executed. But there is also a lot of really interesting and detailed characters in the movie.
But even more impressively is the ensemble of cast which is nothing short of amazing. And "Con Air" holds some impressive performances by John Malkovich and Steve Buscemi in particular.
"Con Air" has a lot of one-liners, of course, throughout the movie. You can't have a proper action movie without those. And then there is Nicolas Cage's hair, are you kidding me? "Con Air" is well-worth a place in any movie fan's or collector's collection.
I will end my review here, before the bunny gets it...
The story is quite straight forward, a plane transporting the most dangerous and deadly of criminals gets hijacked by the very same prisoners it was supposed to transport. Amongst the prisoners is Cameron Poe who is on his way home to his family and tries his best to see to it that it happens.
There is a lot of action in the movie, almost from start to end, and it nicely choreographed and executed. But there is also a lot of really interesting and detailed characters in the movie.
But even more impressively is the ensemble of cast which is nothing short of amazing. And "Con Air" holds some impressive performances by John Malkovich and Steve Buscemi in particular.
"Con Air" has a lot of one-liners, of course, throughout the movie. You can't have a proper action movie without those. And then there is Nicolas Cage's hair, are you kidding me? "Con Air" is well-worth a place in any movie fan's or collector's collection.
I will end my review here, before the bunny gets it...
Con Air is what I've come to expect of a standard Hollywood action flick, nothing more, nothing less. It's got plenty of action, big explosions, one-liners and pure entertainment value. The plot is pretty good, somewhat original, and fairly fast-paced. The acting is good, and the film has a surprisingly large amount of well-known good actors; Nicolas Cage, John Cusack, Danny Trejo, Steve Buscemi, Ving Rhames and John Malkovich. They all give good performances, as do most of the supporting actors. The characters are well-written and credible. I found it interesting how most of the characters aren't all black or white in their actions and personalities; many of them have a shade of gray or two. The action is well-done, exciting and intense. The special effects(the few there are) are good enough. The ending may be a little extreme, but it's a good climax, and the good things in the film make up for the bad; granted, there are a few downright lame parts, but there are far more good parts than bad. All in all, everything you'd expect from a Jerry Bruckheimer action film, and nothing else. I recommend it to fans of standard action films. 7/10
"Con Air" can best be described as "The Rock" in the sky. The film deals with a Gulf War veteran (Nicolas Cage) who becomes a victim of circumstance and is sentenced to eight years in prison. He is going home via a gigantic prison plane which is also carrying some very unsavory characters (John Malkovich, Ving Rhames, and Steve Buscemi among others). Of course the evil prisoners take over the plane and it is up to Cage to save the day. Overall this is a fine action film which keeps its focus on the characters. 4 out of 5 stars.
Lo sapevi?
- QuizDave Chappelle improvised many of his lines.
- Blooper(at around 5 mins) The judge that sentences Poe claims that Poe does not have the same right of defense because he is combat trained. While it is a common myth that people trained in combat, such as soldiers, martial artists, and boxers, have to register themselves as dangerous weapons, this is completely untrue. All people are held to the same standard regarding self defense, regardless of their combat training.
- Citazioni
["Sweet Home Alabama" plays in background, to Poe and Baby-O]
Garland Greene: Define irony. Bunch of idiots dancing on a plane to a song made famous by a band that died in a plane crash.
- Versioni alternativeIn the Finnish DVD version the death of Cyrus is slightly edited. The scene cuts away right before the rock-smashing weight hits his head.
- Colonne sonoreHow Do I Live
Written by Diane Warren
Performed by Trisha Yearwood
Courtesy of MCA Nashville, a division of MCA Records, Inc.
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- Riesgo en el aire
- Luoghi delle riprese
- Ogden Airport - 3909 Airport Road, Ogden, Utah, Stati Uniti(exchange of prisoners: Garland 'The Marietta Mangler' Greene gets on the plane at Carson City, Nevada)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 75.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 101.117.573 USD
- Fine settimana di apertura Stati Uniti e Canada
- 24.131.738 USD
- 8 giu 1997
- Lordo in tutto il mondo
- 224.012.234 USD
- Tempo di esecuzione1 ora 55 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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