Cop Land

Mangold's second film, the corruption drama "Cop Land" stars Sylvester Stallone as Freddy Heflin, the much-denigrated sheriff of tiny Garrison, New Jersey, a community which - thanks to a technicality - is populated almost entirely by members of the New York City Police Department.

When young cop Murray "Superboy" Babitch (Michael Rapaport) becomes embroiled in a controversial shootout which leaves two black youths dead, he apparently commits suicide rather than face the wrath of an official investigation. In reality, however, he flees to safety back home in Garrison. In the wake of the controversial events, NYPD Internal Affairs lieutenant Moe Tilden (Robert DeNiro) arrives in Garrison to uncover the truth. He attempts to enlist Freddy to watch the watchmen, including Superboy's uncle, veteran cop Ray Donlan (Harvey Keitel); coked-out Gary Figgis (Ray Liotta); and Joey Randone (Peter Berg), the husband of the woman (Annabella Sciorra) Freddy loved and lost. A rich, complex film about redemption, "Cop Land"'s portrayal of Freddy's struggles to prove his worth mirrors Stallone's own return to thoughtful, character-driven drama after years of vacuous action roles. Like Freddy, he faces an uphill battle, fighting for respectability in the face of a superb cast including Janeane Garofalo, Cathy Moriarty and Paul Calderon.

In their only joint film Sylvester Stallone and Robert DeNiro star in Cop Land, a story about Garrison, New Jersey a small town where an overabundance of NYPD officers reside. So much so that the place is called Cop Land and they have the run of the place.

As the official law in Cop Land the boys in blue have selected a wannabe. Sylvester Stallone who lost the hearing in one ear saving a drowning woman Annabella Sciorra is the police chief. Other than rescuing cats and issuing speeding tickets, but never to the NYPD residents of his town all Stallone does is stand in awe of the people who have the career he wanted.

This whole set up comes tumbling down during a shootout at the George Washington Bridge where Michael Rappaport shoots two black teens, two stupid ones I might add who point something at him he mistakes for an automatic weapon. The NYPD citizens of Cop Land do what they can to cover up the incident, but it all blows up in their faces.

Robert DeNiro who is an internal affairs detective has been looking into the cop residents of Garrison for some time. He tries to recruit Stallone, but Stallone has to see for himself what his 'friends' are really like.

Stallone does one of the best acting jobs in his career. He most assuredly is not playing super hero Rambo or even working class hero Rocky in this. He's a flawed man physically and emotionally and the Garrison NYPD colony don't take him seriously at all. That's part of their downfall.

Besides those already mentioned I would single out Harvey Keitel as the unofficial head of the Garrison cop colony. The more the story unfolds the more frightening Keitel becomes. Cathy Moriarty-Gentile as Keitel's abused wife, Ray Liotta who develops a conscience about what is going on and Frank Vincent as the police union head who is the ultimate target in the Cop Land probe from Internal Affairs.

But it's Stallone who is the real revelation here. It's a different Sly than fans of Rocky and Rambo know.

Copland is one of those film that gets better and better the more you watch it. The story is gripping and the acting in straight from the top drawer and top of the performances is from Sylvester Stallone. Not normally known for his acting ability, Stallone pulls out his finest performance .To say he is the best in this film is a massive compliment considering the company he performed with in Copland. Robert De niro , Harvey Keitel and Ray Liotta all put in memorable displays , of which you would expect but Stallone still stands out. He plays the sheriff of a sleapy town called Garrison who's occupants are all members of the New York police Department.Because of an accident while saving someones life he is unable to pass the medical to get in the NYPD therefore as a sheriff he is not respected amongst the population of the town.He learns that an influential group of cops are crooked and are planning to kill to save their own necks. Totally Gripping. 8 out of 10.

Cop Land is written and directed by James Mangold with an ensemble cast featuring Sylvester Stallone, Harvey Keitel, Ray Liotta, Robert De Niro, Robert Patrick, Peter Berg, and Michael Rapaport. Distributed by Miramax Films it features a musical score by Howard Shore.

Freddy Heflin (Stallone) is the sheriff of Garrison, New Jersey. A small satellite town across the river from the Big Apple where many of the big city cops reside. Freddy always wanted to be a big city cop but due to partial deafness was unable to make the grade. But when a hero white cop shoots dead two black youths it sets off a series of events that make Freddy realise that the big city cops in Garrison aren't as honest as he is. Thus Freddy must decide if he should get involved.

It was heralded as the film to break Stallone on to the A list of serious actors, and the film where a fine ensemble had gathered and worked for a basic scale wage-such was their faith in the material. Yet in spite of making a considerable profit at the box office and receiving generally favourable reviews, Cop Land seemed to vanish without trace before it could make its mark in the cop/drama genre. A lot of that can probably be put down to the sheer weight of expectation, considering the cast involved, for something out of the top draw. However, revisiting the film now, over ten years post its release, Mangold's movie shows itself to be the tight and intelligent picture it is.

From the off it's evident that there's very little good about the town of Garrison. The coppers drink and drive, cheat on their partners and the sheriff looks like an out of work, overweight slob. Mangold clearly is more about the bleak than the beautiful. As the narrative and characterisations move forward, a multitude of strands start to dangle on the screen-where it at first appears a bit too chocked-but ultimately unfolds with ease as the story progresses. Here's where Cop Land excels, it could so easily have just been another good cop/bad cop movie, one where the doofus partially afflicted guy saves the day. But Cop Land is more intimate in detail of its characters, intimacy that is boosted by a pretty flawless cast (notably Stallone & Liotta). There's healthy helpings of action and drama, but it's the dialogue driven confrontations that entertain the most; where we get the pleasure of watching acting heavyweights battle for supremacy.

With a slow burn sense of doom hanging over it from the off, Cop Land very much feels like a throwback to the adult westerns and film noirs from the 1950s. There's nothing wrong with that of course, in fact it's a compliment. But this deserves its own little niche, that of the contemporary crime thriller with urban western overtones. A damn fine film with a great thoughtful script, that is acted accordingly and directed without flab and pointless filler. 8/10

This movie was always going to be interesting because it involves so many sides to the one story. There is an excellent balance established between all the factions involved in the case of a missing/dead police officer.

The characters for this sort of movie are very original, and their flaws are revealed just as much, if not more so than their strengths. This has to be Sylvester Stallone's career highlight, and goes to show that his talents are not necessarily best for action movies. And De Niro's understated but excellently played "Moe Tilden" leaves you wishing he was featured more. The scenes between these two characters are worth the viewing alone. Harvey Keitel as well, plays an excellent cop/quasi-crime boss.

It's a little soppy at times but overall a stand-out in it's genre.