Contact

My only regret about CONTACT is that I didn't see it in a theater.

This movie works on so many levels. It is a fabulously balanced concoction of thrills, suspense, action, politics, acting & characterization, awe, and...(ahem)...INTELLIGENCE! (And not just the alien kind!)

Some have compared this movie to 2001: A SPACE ODYSSEY...with, perhaps, some justification. There certainly are more than just passing similarities. However, whereas 2001 relied on hardware to (almost) the exclusion of all else and placed a greater emphasis on "spectacle", CONTACT strives for more substance on the human and sociological level. It touches one's emotions in a way that most movies never attempt to, much less succeed. In this, CONTACT could just as well be compared to Steven Spielberg's masterpiece, E.T. But whereas E.T. was meant to wake up the "child" in us, CONTACT succeeds in waking us to the next level! This most definitely is THE movie for BRAINIACS!

I rate CONTACT a STRONG 8 out of 10.

The 90's movies have a certain charm you can not replicate. It makes you belive in better things, makes you want to be better. I liket this movie because it focused on mankind, and not just America. Do not take me wrong. I dont have any problem with America, but there are a lot of things you have to consider besides that nation. I liked the how it made me think about the everlasting parallel between belief and technology. It gives you the right to choose, what you want to belive in. That is a very nice thing nowadays.

Although Jodie Foster has won two Oscars in her career I think her best work was done in Contact, a film where the only recognition it received was a nomination for Best Sound. She also never did a more serious film about a more serious topic. Are we in fact the only life there is in this vast universe and how do we find out.

As a scientist, something she wanted to be all her life, Foster is determined to get answers in the best way she knows, build the biggest radio telescope there is and throw out a few signals. Someone out in the great beyond will answer. Foster gets an answer.

What I love about Contact is that the gamut of human reactions to the possibility of life is dealt with in this film. It ranges from the multi-billionaire who wants his own life extended John Hurt, the geopolitician who is interested in power James Woods, the sincerely religious men of faith who want to see how God fits into the scheme of things Matthew McConaughey, and even the religious terrorist who fears that a mountain of man made dogma that he's based his life on will be washed away Jake Busey. Busey's part is extremely relevant, we have way too many of those in the world and strategically placed they can cause catastrophe.

Foster gets a blueprint for a space time travel machine, warp drive the likes of which James T. Kirk only wished he had. It goes horribly wrong the first time, Foster takes it herself for a second try.

Mention should also go to David Morse who plays Foster's father, first in scenes with young Jena Malone who was a science prodigy as a kid and later Foster during her 'journey' gets to talk to Morse again. Was it real or a hallucination. His scenes are the highlight of the film for me.

Contact takes no sides in the end, it simply takes the position that in terms of the universe humankind is taking baby steps. If we are really the only life in the universe it seems like an awful waste of space.

The special effects are fine, the sound was considered Academy worthy. So much more of Contact is, most especially the performances of Jodie Foster and her supporting cast.

I had the luck of watching contact at the cinema when it came out . Being young meant that watching a movie of this grandure in a grand movie theatre with massive screen (something that was dying out at the time) means that this movie has been engraved in my mind . But it is not due to nostalgia or corrupt memory . Contact is a thought provoking mind bending movie ahead of its time . In fact it is the Interstellar of the 90s .

Stunning gorgeous visuals , and a storyline and plot asking some hard questions and providing answers that many might not want to accept as the movie battles between science fitction , science fact and religion in a way that in the end no one is left wanting .

This is not just a movie , this is an event !

Reading other peoples' reviews, I see a split 50/50 argument where one side loves the movie and the other hates it. I am not one bit surprised, due to the importance of the film, and I feel this is proof that Contact is one of the most powerful movies of the decade. Like the reaction from the civilians to the machine, a movie with this much heavy firepower is likely to get both loathing and praise from its viewers. I for one praise the film, for its toughness and sensitivity, symbolism and passion, and the fact that it is a rare science fiction film, a gem which was released in a time where scientific intelligence in film has become a nothing short of a joke as the wonder of the universe has been ignored and the mystery of alien life have become a neverending trail of movie villains.

The film of course centers around the science vs. religion theme, the oldest and most frightening of all school debates. Instead of taking the more independent path the book takes, the film takes the more sensitive on the science vs. religion argument throughout the film by telling us that science and religion points to the same direction (the "pursuit of truth") but are misunderstood when studying the nature of their WAY of finding the truth (science uses evidence and answers, religion uses love faith). At the end of it all, the film lets us know that if science and religion stops colliding with each other and starts to combine and compliment each other (listen to Ellie's final words in her testament) the human race might achieve things we can only dream about now.

A perfectly refreshing film, with lots to say, great acting and directing, sound and special effects. Robbed by the Academy.