Gatto nero, gatto bianco

Emir Kusturica's films all pulsate wildly to the wonderful sounds of authentic gypsy music. Guitars, fiddles, accordians and all manor of horns are as much a part of their lives as eating and sleeping.

Song and dance feature heavily in "Black Cat, White Cat," Kustruica's finest and most complete film to date. The music isn't really a soundtrack, but is largely, physically written into each scene (performed with gusto by musicians who often follow the characters around). Indeed, the 'bad-guy' character of Dadan scarcely has a scene where he isn't swinging or dancing along to something (even a bizarre pop/rock song makes a comic cameo). But the other characters have their musical moments as well.

"Black Cat, White Cat" has a large cast and a sprawling storyline, largely resolving around two gangsters - Dadan and the hapless Marko - and their attempts to outwit each other. Things come to a head when Dadan tries to force Marko's son to marry his spinster sister as a repayment for one of his father's debts.

But the plot is largely unimportant in a film of this type. The viewer is simply swept away in a good natured deluge of funny lines, inventive slap-stick, unusual settings and colourful supporting characters (a particular favourite: the old man who continually re-watches the last two minutes of "Casablanca"). All you need to do is sit back and enjoy. Oh...and listen to the music.

First warning. This movies *does not* reveal "some deep mystery of life", like you might expect from Kusturica. It's pure (and beautifully filmed) comedy that delivers what most other comedies promise.

Second warning. This move does make "politically uncorrect" jokes, however it does not do it for the sake of attracting an audience that's proud of "understanding" and tolerating such jokes. Comparison with "There's Something About Mary" comes to my mind - with one huge difference: "Crna macka, beli macor" works! Anyway, this is not the major point of this movie.

Third warning. Most of humor in this movie is situation comedy type. If you liked Oliver Hardy swallowing nails you will laugh to a fat lady pulling them out of wood with her buttock and vice versa. Two friends I saw this movie with were not amused at all!

Besides the comedy part, it is a typical Kusturica movie. Geese running everywhere, special air-condition face cooling system type inventions etcetera. Everything you love. Plus one sparkling and one plain funny and sweet love story.

This has got to be one of the most refreshing, off-beat movies I've seen in a long while. Welcome to Kusturica's world, and what a world... This film, apart from providing quite a few slap-stick laughs also delivers some visual jewels. The sunflower field scene with the two young lovers frolicking with joyful abandon is one of the most memorable ones and perhaps a simple summary of what I found this movie to be: One full of colours, energy, and a sense of happy carefree existence in a world where rules are only written as need be, all accompanied by an inebriating gypsy soundtrack.

This is an extremely quirky film, riddled with crazy caricatures of East European mafiosi and small time crooks. It sports some of the most imaginative characters I have ever seen on a screen (a woman who pulls nails with her buttocks?) and some of the most bizarre scenes.And yet the film is beautifully balanced, never falling into outright lunacy or losing the plot.

The scenes are at times almost nostalgic, a throwback to some simpler time when you could just have fun, no holds barred. And that is exactly what this film does for me - I have not had as much fun in ages. You will leave the theater with a feel-good factor 10 and thank out loud the people who created this gem.

Kusturica is a phenomenon.

A lot of people like to get into arguments and debates as to what the greatest film is...its hard to ever reach such a conclusion- if it is even possible- given that there are as many films as there are people, and it would be impossible to see them all. But then there are films that we watch and we know we have been changed forever. These are the films that we usually call our "top 10" or "top 100" and usually most of us will agree on specific titles, concluding that a particular film is truly a "GREAT" film.

Black Cat White Cat is what I can call the Greatest film I have ever watched. It is of course quite a strong title to give a film, knowing such classics as Citizen Kane, The Godfather Part 1 and 2, I Am Cuba, 2001 A Space Odyssey, Seven Samurai or even Birth of a Nation have all at one time or another been given such a title by not just an individual...but by a panel of judges and critics from around the world. But there is something that this film has...a beauty, something absolutely magical and romantic...a fantasy that you only find in children's books, and yet it exists in this loud and clattered noisy film. How Emir Kustarica has done this is beyond my understanding. I first discovered Kustarica's films while living in England when one night I turned to ITV on a Thursday night and began watching The Time Of The Gypsies. I remember my mom really complained because it was 2am when the film started and we were going to Kent early the next morning but I told her I would go to sleep soon. Needless to say, the film was almost 3 hours long.. but it did prove to be a favorite of mine for a very long time...until I watched 2001 A Space Odyssey. So I battled in my mind...why do I enjoy these films more than the films others enjoy such as the Godfather? Why is my taste so different? I guess, different people enjoy different things, but we can all conclude a good smell, and evil and wicked mind...a soft breeze. What we cannot seem to agree on, is when a good film touches our hearts. The events that place in Black Cat White Cat are ridiculous and sometimes unreal. There is a scene where a band are playing while suspended on a tree...there is a dwarf girl whose single wish is to meet a tall dark handsome man, there is an arranged marriage, a dead grandfather...but what does it all mean or lead to? There are situations that are unbelievable and dreamlike, yet they are told in a very honest and sincere way that you believe them...unlike the films of David Lynch where you see something and its so mesmorizing you wonder.. "is that even possible?". This film however dazzles you with the thought of "what you just saw is real..because you just saw it". Its difficult to explain, but what you see in this film is a haunting, true, ridiculous and romantic situation that is beyond logic and yet so true to human nature. So is this my favorite film? I don't know. This film feels like part of my body. How am I supposed to say what is my favorite body part? How am I to choose my limbs over my heart? What I got out of this film is something I cannot even understand. I feel in love with film all over again. Maybe that was Mr. Kustarica's goal...to show us a romantic episode and hope it helps us reflect our own cluttered life. Or maybe he simply wanted to show a lifestyle of gypsies in Yugoslavia. I really don't mind not understanding the reason for his making this film because I like my confusion. I don't really care to know or not know, because I have concluded, that this is the greatest motion picture of our time.