Una famiglia di classe proletaria di Melbourne, Australia combatte con le assemblee cittadine dopo che gli viene detto di dover andare via dalla loro amata casa per delle espansioni infrastr... Leggi tuttoUna famiglia di classe proletaria di Melbourne, Australia combatte con le assemblee cittadine dopo che gli viene detto di dover andare via dalla loro amata casa per delle espansioni infrastrutturali.Una famiglia di classe proletaria di Melbourne, Australia combatte con le assemblee cittadine dopo che gli viene detto di dover andare via dalla loro amata casa per delle espansioni infrastrutturali.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie e 11 candidature totali
Recensioni in evidenza
Shot in less than two weeks because that is all they could afford to do, this comedy is a delightfully gentle comedy that draws laughs from the Kerrigan family but balances it perfectly so that we still like them. This is not as easy as it sounds because, in UK parlance, the Kerrigan's are "chavs" and are very simple people, they admire things that many of us would dislike (living below planes and beside pylons) and they are not the brightest in the world. In essence they are the "typical" Australian working class family and Darryl is the classic Aussie battler. The plot is simple and, although it is fairly obvious where it is going and isn't ever that dramatic, the story is gently engaging and pleasing. The laughs are gentle but consistent and show a real good touch in the writing taking "normal" eccentricities and exaggerating just enough to be funny but not to the point where it is absurd. It is hard to describe but basically give it five minutes you'll either get it or you won't and, if you don't, then don't bother with it because it is the same from the start onwards.
The direction is a bit rough and ready but that does suit the material as does the cast. Caton is enjoyable and fits the bill spot on. Tenney has a smaller role but does it well; likewise Simcoe, Hope and a pre-Hollywood Bana. Narration is good from Curry and the majority of the cast play their material well considering the real time pressure they must have been under. One bit of trivia that illustrates the constraints in making this film is that the family name "Kerrigan" was selected because the tow trucks used for the film already had that name painted on them, so it saved costs to change the script rather than change the paint job.
Overall this was a delightfully amusing film with not a single harsh or cruel line in the whole thing. It may make fun of the Kerrigan family but it does it in an affectionate manner that is consistently funny without being a real belly-laugh fest. A perfectly entertaining family film that doesn't appear to have been damaged or compromised by the rushed shoot or the tiny budget.
Yes, the Kerrigans are tacky. Yes, they are not the brightest people on God's earth. And no one is going to accuse Darryl Kerrigan of having an eye for real estate. But they are decent folk who look out for one another and their friends, and for this reason we come to root for them. Refreshingly, the movie gets big laughs from its quirky characters and not from crude sight gags like some movies I could mention.
Who cares if it didn't play well in the States? "This is Spinal Tap" didn't do well at the box office either, and it's one of the funniest films ever made. "The Castle", for me, goes down as one of the funniest films of the 1990's.
"How much do jousting sticks go for, Dad? Not more than 250."
This is the quintessential Aussie film - a simple story about a family trying to keep things the way they are, not afraid to have a go at those in power who think they would like to "develop" these people. It's brilliant.
Basic plot: The Kerrigan household is a happy one, but a knock on the door one day changes that. Faced with a compulsory acquisition notice, the family's patriarch decides to take on the system, and to prove for once and for all that a man's home is his castle.
The jokes are funny, but are very Aussie-centric. I'm really surprised at the amount of positive feedback in these reviews from non Aussies, I've always felt that this is one movie which requires a 'native speakin' translator' if you are to get all the jokes! (And tend to recommend overseas folk watch The Dish, made by the same film team but is far more accessible and wider in scope than the very narrowly aimed Castle, which is really just driven by Australian humour, language and colloquialisms).
A true gem, very vibrant movie. For anyone who grew up in a similar location (not next to an airport, but in a 'bogan', working class suburb or small town) it will remind you of so many things you saw as a child. Profanity? Get over it, that's how we talk!
Lo sapevi?
- QuizThe family was named Kerrigan so the filmmakers could borrow trucks from an actual tow-truck company, Kerrigan's Towing.
- BlooperWhen the characters have their final appeal to the High Court of Australia, it is before 5 Justices. However in reality, when a constitutional dispute is brought before the High Court, all 7 Justices will sit (known as the Full Bench).
- Citazioni
Dale Kerrigan: [voiceover] He loved the serenity of the place
Darryl Kerrigan: Hows the serenity?
Dale Kerrigan: [voiceover] I think he also just loved the word.
Darryl Kerrigan: So much serenity.
- Versioni alternativeAfter some mixed sneak previews, distributor Miramax ordered some changes to the film's dialogue for the USA release and a new music score. The dialogue changes included replacing the words:
- 'cladding' with 'siding'
- 'petrol station' with 'gas station'
- 'rissoles' with 'meatloaf'
- 'tertiary education' with 'college education'
- 'a Mini and a Vauxhaull' with 'a Geo and a Volksy'
- 'rabbit on' with 'babble on'
- 'trolley' with 'baggage cart'
- 'caravan' with 'mobile home'
- 'Camira' with 'Corolla'
- 'Hey Hey It's Saturday' with 'Funniest Home Videos' and 'Gong him, Red!' with 'Doggy breath!'
- 'Esky' with 'cooler'
- 'punnet' with 'tub'
- 'baby capsule' with 'baby carriage'
- ConnessioniEdited into Terror Nullius (2018)
- Colonne sonoreBaby, Now That I've Found You
(1967)
Performed by Alison Krauss
Written by Roger Nichols (uncredited) and Tony Macaulay (uncredited)
Courtesy of Larriken Entertainment Pty Ltd
Album: Now That I've Found You
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 877.621 USD
- Fine settimana di apertura Stati Uniti e Canada
- 29.452 USD
- 9 mag 1999
- Lordo in tutto il mondo
- 894.630 USD
- Tempo di esecuzione1 ora 25 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1