VALUTAZIONE IMDb
4,7/10
3244
LA TUA VALUTAZIONE
Un distaccato fotografo di cibo in difficoltà pensa di aver trovato il vero amore in un'impetuosa insegnante di scuola elementare.Un distaccato fotografo di cibo in difficoltà pensa di aver trovato il vero amore in un'impetuosa insegnante di scuola elementare.Un distaccato fotografo di cibo in difficoltà pensa di aver trovato il vero amore in un'impetuosa insegnante di scuola elementare.
Carlo Corazon
- Gym Trainer (day dream sequence)
- (non citato nei titoli originali)
Marty Granger
- Steve's date - kissing
- (non citato nei titoli originali)
Mary Ann Schmidt
- Dream Scene Fitness Model
- (non citato nei titoli originali)
Recensioni in evidenza
I found this movie rather uncomfortable viewing and I wondered why the two protagonists were a couple in the first place. There was a lot of confrontation and restless, irritable behaviour and this rubbed off on me. The theatrical origin is clear, as it is in such films as Two Girls and a Guy, and the atmosphere is claustrophobic - this may be intentional. I bought this movie because I wanted to see Russell Crowe's work outwith Gladiator and LA Confidential, and this character is definitely different. Russell plays an American and I think he gave a good performance, as did Salma Hayek. See this film for the sake of the stars or if you need to deal with your anger about breaking up, but it is not a relaxing experience.
It's Salma Hayak's birthday and i wanted something to watch. I found this unknown romantic comedy that looked interesting.
Hayak and Russell Crowe have been together for two and a half years. The only time their relationship works is when they are having sex. The rest of the the time they argue until one leaves. They can't understand why it doesn't work, no matter what they try. That's it. 90 minutes of them breaking up and getting back together to have sex and breaking up and getting back together. It was funny and interesting, and, since Salma was not out of my sight for more than 30 seconds the entire movie, it was satisfying. Not prurient, just satisfying.
What was most interesting is the fact that it was directed by Robert Greenwald. I have everything he has directed in the last four years: Iraq for Sale: The War Profiteers (2006); Wal-Mart: The High Cost of Low Price (2005); Outfoxed: Rupert Murdoch's War on Journalism (2004); Uncovered: The War on Iraq (2004); and Uncovered: The Whole Truth About the Iraq War (2003). I have even seen films he has produced, but not directed like "The ACLU Freedom Files". I always thought he did documentaries about things that were wrong with America. I had no idea that he directed movies like "The Burning Bed" or Xanadu. Now I do.
Hayak and Russell Crowe have been together for two and a half years. The only time their relationship works is when they are having sex. The rest of the the time they argue until one leaves. They can't understand why it doesn't work, no matter what they try. That's it. 90 minutes of them breaking up and getting back together to have sex and breaking up and getting back together. It was funny and interesting, and, since Salma was not out of my sight for more than 30 seconds the entire movie, it was satisfying. Not prurient, just satisfying.
What was most interesting is the fact that it was directed by Robert Greenwald. I have everything he has directed in the last four years: Iraq for Sale: The War Profiteers (2006); Wal-Mart: The High Cost of Low Price (2005); Outfoxed: Rupert Murdoch's War on Journalism (2004); Uncovered: The War on Iraq (2004); and Uncovered: The Whole Truth About the Iraq War (2003). I have even seen films he has produced, but not directed like "The ACLU Freedom Files". I always thought he did documentaries about things that were wrong with America. I had no idea that he directed movies like "The Burning Bed" or Xanadu. Now I do.
I have always thought that we should fall in love with people for their dreams, and for their efforts to fulfill those dreams--not for their accomplishments. Love a man because he's a brilliant actor and aspires to greatness--not because he can take you to the Oscars when he's nominated for Best Actor.
That philosophy informs my opinion of this movie. It sets out many lofty goals for itself. It wants to demonstrate and lay out for examination the entire plight of heterosexual love/lust. It wants two actors to carry an entire movie virtually by themselves, playing against each other, giving the film a stifled, claustrophobic feeling--where the viewer feels just like Steve and Monica. You love the movie, but you feel breathless and spent, like you've given too much. It wants to tell a story using live on-the-street interviews, black-and-white still photography, slow-mo vignettes, traditional Hollywood-styled cinematography, and a split-screen interview of Steve and Monica post-relationship. It wants to use music and sound to resonate with the storyline. My favorite ten minutes of the film center around the "carrot scene," where Steve criticizes Monica for putting carrots in the pasta. The action stops and moves to b&w stills, with the sounds of their argument carrying over. This technique highlights the alienation that Steve and Monica feel from themselves and their own relationship. Even in the most heated, passionate argument, it's as if they're just going through the motions.
Like I said, this film wants to do a lot of things, and it doesn't succeed at all of them. For instance, it doesn't really pull off its attempt at using Freud, Einstein, and Marx to lend some credence to its own conclusions (or inconclusions) about love. Some people say they never do become very attached to Steve and Monica--indeed, as people, the characters kind of suck. I would not want either one of them for a friend. That does not mean that they do not deserve to be loved, however--they very much deserve each other, that much is clear. So, I bawl like a baby every time I watch this. (I've seen it about 6 or so times). And I love this movie for the greatness it strives toward. I would rather watch a film that fails at its grand project than a little movie that has low expectations and meets them. Big whoop, right? More than this, Breaking Up features two brilliant performances by Russell Crowe and Salma Hayek, who are both quite easy on the eye, and look great together. Salma's fiery spirit is quite a cinematic match for Russell's own undercurrent of simmering violence (even if Steve is a bit whimpy for my tastes). I love this film. Technically, there is so much going on--the director had so many great ideas, so many dreams, and you see them right there, in the movie. I can't think of another Hollywood movie with such a major confluence of established styles and innovative techniques. Brilliant.
Buy this film. It is absolutely worth it, and fans of Russell and/or Salma should know that there are some beautifully-shot, utterly sensuous and compelling love scenes in this film. Those two have *chemistry*.
That philosophy informs my opinion of this movie. It sets out many lofty goals for itself. It wants to demonstrate and lay out for examination the entire plight of heterosexual love/lust. It wants two actors to carry an entire movie virtually by themselves, playing against each other, giving the film a stifled, claustrophobic feeling--where the viewer feels just like Steve and Monica. You love the movie, but you feel breathless and spent, like you've given too much. It wants to tell a story using live on-the-street interviews, black-and-white still photography, slow-mo vignettes, traditional Hollywood-styled cinematography, and a split-screen interview of Steve and Monica post-relationship. It wants to use music and sound to resonate with the storyline. My favorite ten minutes of the film center around the "carrot scene," where Steve criticizes Monica for putting carrots in the pasta. The action stops and moves to b&w stills, with the sounds of their argument carrying over. This technique highlights the alienation that Steve and Monica feel from themselves and their own relationship. Even in the most heated, passionate argument, it's as if they're just going through the motions.
Like I said, this film wants to do a lot of things, and it doesn't succeed at all of them. For instance, it doesn't really pull off its attempt at using Freud, Einstein, and Marx to lend some credence to its own conclusions (or inconclusions) about love. Some people say they never do become very attached to Steve and Monica--indeed, as people, the characters kind of suck. I would not want either one of them for a friend. That does not mean that they do not deserve to be loved, however--they very much deserve each other, that much is clear. So, I bawl like a baby every time I watch this. (I've seen it about 6 or so times). And I love this movie for the greatness it strives toward. I would rather watch a film that fails at its grand project than a little movie that has low expectations and meets them. Big whoop, right? More than this, Breaking Up features two brilliant performances by Russell Crowe and Salma Hayek, who are both quite easy on the eye, and look great together. Salma's fiery spirit is quite a cinematic match for Russell's own undercurrent of simmering violence (even if Steve is a bit whimpy for my tastes). I love this film. Technically, there is so much going on--the director had so many great ideas, so many dreams, and you see them right there, in the movie. I can't think of another Hollywood movie with such a major confluence of established styles and innovative techniques. Brilliant.
Buy this film. It is absolutely worth it, and fans of Russell and/or Salma should know that there are some beautifully-shot, utterly sensuous and compelling love scenes in this film. Those two have *chemistry*.
While someone must have thought this an interesting premise - watch a couple fall apart, rather than come together - its an experiment that didn't work. Without seeing why these 2 people were together in the first place, their constant arguing leaves you wondering what all the fuss is about. However, with that said, for those interested in seeing early films of Russell Crowe, this is a small goldmine. He doesn't get beat up, he doesn't die, and he actually has some love/sex scenes. Crowe also gets to show a little of his comic side, which has been under used since coming to the US to make films. So, while the script would have been better left on the film school floor, or at least left in the computer for more work, this film has definite goodies to recommend it. Any film with Russell in a bathtub can't be all bad....
What was the point of making this movie. I can't think of one. The movie stars two big name actors but all that happens is they break up get together break up get together.... We get some silly scenes such as Steve in the tub picturing Monica with a guy at the gym. It was obvious the two didn't belong together, so why should the audience care if they break up. That was part of the problem with it besides it just being a stupid idea for a movie.
FINAL VERDICT: Not to good. Don't expect the Russell Crowe from Gladiator in this. I don't recommend it.
FINAL VERDICT: Not to good. Don't expect the Russell Crowe from Gladiator in this. I don't recommend it.
Lo sapevi?
- QuizKelly Preston auditioned for the role of Monica.
- Citazioni
Monica: Something happened to the world and nobody understood it. It was confusing and people started jumping to conclusions. There are no more absolutes. Time space good evil the things we know the things we believe in the things we see we thought we understood these things but maybe we don't maybe they're all relative.
- Curiosità sui creditiThe end...(maybe)
- ConnessioniReferenced in Unprecedented: The 2000 Presidential Election (2002)
- Colonne sonoreCOME TO ME
Written by Diesel
Performed by Diesel
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 11.690 USD
- Fine settimana di apertura Stati Uniti e Canada
- 4493 USD
- 19 ott 1997
- Lordo in tutto il mondo
- 11.690 USD
- Tempo di esecuzione1 ora 30 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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What is the French language plot outline for Breaking up - Lasciarsi (1997)?
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