Blues Brothers - Il mito continua

Blues Brothers 2000 has a few points in its favor. The opening is 99% right. It only lacks a brief explanation on why the red car turns up (most likely because the manager made a phone call). Otherwise it is great, a tribute to the lost Belushi.

There are also much good music, almost as good as the original. Not least, Aretha Franklin's appearance is truly funny, especially when you have seen the original movie.

But the movie lacks the plot of the original. The original plot may have been thin, but it was enough to drive the story. This one lacks that, there is no motivation, no goal to speak of, and the result is that the ending comes as a surprise. Was that it, was that the end of the movie? Then what? But when I saw it the second time, I was prepared and enjoyed the music instead.

Another weakness is the lack of special effects. The original movie made a big thing of overdoing car chases in very funny ways. This movie rather under-does them. In the time it was made, it should have used computer graphics to do plenty more than the original. Now they smash a few cars, but little remarkable happens. In particular, there are no original ideas in the car chases.

So don't expect too much, just enjoy the music and the fun parts (they sure exist). And don't get bothered by Buster. Without him, Cab wouldn't go after Elwood, right?

As good as the original Blues Brothers movie was, as bad is this sequel: After a rather boring warmup of old scenes which are by far not as good as the original ones, it looks like the producers have run out of money - because the end is where there was the first hope that there will be some action. OK, I concede the songs are great again, but the plot...forget it. If you like the music of the old Bluesbrothers movies, you might consider to buy the soundtrack - that contains everything which is good about that movie.

Contrary to popular opinion, this is not a sequel. It is supposed to be a tribute to the original. People who bash this movie without reading Aykroyd's interviews are ignorant to the intent here. This movie was originally to be a sequel back in 1981 just before Belushi died. When that happened, the idea for another adventure fell away. But after almost two decades, Aykroyd wanted to do something to revisit the classic film and pay homage to his friend and co-star Belushi, so he assembled this "Concert Movie", which is supposed to be all about THE MUSIC, not the story. The only reason a story was put in was to keep it moving from musical number to musical number, because everyone knows that straight concert films are pretty boring, even if you really like the performer(s). So here it is, for the true Blues Brothers fans to enjoy. P.S.-And if your problem with the plot was some of the cartoony style actions that occur (Cabel being pulled heavenward and his clothes magically "changing", et cetera), remember that the original had the same things. In the first one the entire band's clothing "magically" changes for a concert, but if you know that this is merely a representation of the character's psychological state and not a literal change, then the film works much better. The same idea works for the much-maligned "zombie" sequence near the end at Queen Mousette's mansion. Also, people complain about the Bluesmobile in this film being able to drive underwater. Well, in the first film the car flew, performed flips, and was nearly indestructible. In fact, if you watch the DVD of the first film, you find in the deleted scenes and "Making-of" section that the Bluesmobile is supposed to be "magic", because it was parked each night inside a power transformer. How is that for cheesiness on the first film? So that also explains Elwood's ability to smuggle himself in the dash of the car in this one, and the car being able to crash land from a fiery loop-de-loop at the fairgrounds. Even though I wish this film could have been a little edgier and darker in tone like the original, I do find its bold and effective use of color to be magnificent and fascinating. Perhaps this film has a little more depth than people expect, so they incorrectly perceive it to be a lackluster and shallow mindnumbing entertainment. I know better ....... Remove the stars in the address to e-mail me.

I have to admit that some parts of this movie were clever indeed. It was cool that they tied in the deaths of John Belushi and Cab Calloway into the movie's plot, making the characters they played dead as well. If Jim Belushi took the part of Joliet Jake, that would have been a disaster. Still, the plot of this movie could have used some serious work. For instance, in the original movie, the Blues Brothers (a) were actually brothers and (b) were on an actual "mission from God". Their goal was to make some honest money to save an orphanage from shutting down, while trying to flee from the police at the same time. The movie brought back blues legends such as Aretha Franklin and James Brown back into the spotlight, and it helped contribute to the death of disco. Eighteen years later, Jake's dead, Cab Calloway's dead, the orphanage has been shut down, so why are they being chased by the police? Because a half brother of Elwood got p***ed off at finding his real past? The kid, I must add, was a nice touch, and it was cool to see twice as many blues legends in this movie, including some new artists like Johnny Lang and Erykah Badu. But there should have been a better plot, because it seemed as though the Blues Brothers Band were going from event to event for the hell of it. Where's the plot in that? Police, leave these guys alone. The big mistake in this movie was its attempt to outdo the original movie. The music was great, and I highly recommend buying the soundtrack. However, don't expect to see a plot in this story. Otherwise, enjoy.

Blues musicians don't get much national exposure and the Blues Brothers did finally awaken some rock audiences to who these men and women were. Lord knows Chess Records tried in the late 60s and early 70s. Muddy Waters and Howlin Wolf were suddenly doing albums that sounded more like rock music, they did an album together then they did albums with British rock musicians. Muddy lived long enough for the major success after those failed efforts. The Wolf did not.

Fast forward to the late 90s where the musical climate was boy bands, pop like Oasis, No Doubt, Blur, Blink 182, Spice Girls, hip hop and nu metal. This movie comes out and everyone's reaction is the same because John Belushi's been dead for years. The people who think that missed the point of the original premise.

This movie while it could have had a better story (maybe a memorial service fot Jake would've worked or an attempt by Elwood to have Jake's name ring out like Robert Johnson's? The conflict comes from trying to convince him how asinine that is. Disrespectful yes but that makes for good comedy too. That conflict might have been a funny excuse to bring all the blues musicians to rock out), it still is supposed to be about the music and more so than the original, this one is a who's who for surviving Blues musicians, most of whom are long gone now 22 years later. BB King, Lonnie Brooks, KoKo Taylor, Eddie Floyd, Charlie Musselwhite, Bo Diddley, Dr John, Aretha Franklin reprising her role, James Brown reprising his role, my personal favorite is Junior Wells (HooDoo Man is a classic) and thats to name a few. The original had John Lee Hooker briefly, Cab Calloway, James Brown, Ray Charles, Aretha Franklin and maybe 40 minutes of car chases and crashes like a Hal Needham movie. I dont remember the comedy duo having too many good scenes together either but thats because the point is the music. This movie gets that point and seeing those I mentioned perform is what got me watching this and kept me watching.