Obsession

Everybody should just relax and enjoy watching a red hot, middle aged Momma's sexual jealousy over her beautiful daughter in law. The photography was great, loved the rural location (without the stupid horses), and Gwyneth and Jessica look as good as they ever have. The problem is that the director tried too hard for believability, and that resulted in a very average, plodding, sometimes laughably bad movie. If they had taken it over the top, like what you find in good novels, (torture, perversion), then we would have had a classic.

Its a shame they held back because Jessica and Gwyneth looked amazing. Who cares if their performances weren't great? Their screen presence made up for it. They were ripe for a deliciously violent, twisted older woman/younger woman B-movie and the director blew it. (Check out Piper Laurie and Sissy Spacek in "Carrie." They set the standard for over the top, twisted mother-daughter action.)

From the low score it has got from the IMDB users, i didn't expect too much. I only watched it to see Gywneth Paltrow. Indeed, the first half of the film was not too impressive. The scenes tended to be fragmented. As more of the plot was unveiled, the film became intense and engaging. I think this film deserves slightly more points than it has got.

One of the funniest films from this year! High camp; too bad the direction's so dull that after an hour even the funny bits get drowned out by the tedium. This is the kind of movie that tries to build suspense by having every character act as stupid and inattentive to the obvious as possible.

Jessica Lange does a lot of eye-rolliing, neck-straining and incessant smoking as the wealthy gargoyle mother who has it in for innocent dumbbell daughter in law Gwyneth Paltrow. Jonathan Schaech plays a piece of wood who occasionally stumbles into a scene with other characters. You know Lange's supposed to be evil because she smokes, drinks and has an inexplicable Southern accent (in upstate New York?). The film sports two endings (don't worry, no spoilers here!!!), the first of which is guffaw-inducing just because it's medically not possible, and a final showdown which is incredibly dull and comes out of nowhere. Lots of bad dialogue and far-fetched plot "developments" carry the viewer to the bitter end.

Allegedly this film was held up for massive re-shoots and edits for a whole year. One hopes for a "director's cut" just so we can see what could have been even worse than this hilarious nonsense. Recommended!!!

I agree with several other reviewers that this movie is underrated here.

It keeps your interest, especially if you like horses, and the contrast between hectic, noisy, frustrating, randomly violent, dirty, inhumane city life and the clean air and soothing charms of the "simple life" in the country (which now costs much more than most of us can afford).

I think both Jessica Lange and Gweneth Paltrow handled their roles with aplomb. Anyone who's seen Lange in "Blue Sky" with Tommy Lee Jones will not be a bit surprised at her ability to successfully carry off a full-on lunatic.

I think people may be a little put off by the happy ending from a lower budget, non-mainstream film, but what do I know?

Well, I know I liked it more than it's rated on here, and I'd recommend it to friends. A masterpiece, it isn't, but I'd consider it entertaining and worthy of your time if you like mystery/thrillers set mostly in beautiful country surroundings with good acting.

Jessica Lange commenced her career by following in the (admittedly light) footsteps of Fay Wray. She seems determined to end it by stomping in the heavier footfalls of middle-period Joan Crawford. As the cyclonic star of this film, Lange runs the gamut. She flings her arms around, tugs at her hair, reverts to that coy, sideways glance that implies she's only about, oh, forty five, bellows out in growling chest tones, sobs hysterically - she does, to state it simply, the lot.

Which leaves her co-stars understandably bewildered. Gwyneth Paltrow manages to look more annoyed than frightened, and when, in the best Scooby Doo manner, she neatly ties up the loose threads of the plot, annoyance gives way to abject boredom. With her dead fish eyes and droning monotone, Gwyn obviously wants the whole thing over with more than we do. Quite an achievement.

And few could blame her. Of all the silly premises that have been put on film, the monster mother is surely the silliest. Its mighty hard to believe that Jessica's Ken doll son has managed to go thirty years without once telling the old cow to put a sock in it. Perhaps I'm a bit obtuse but I still don't quite get the bit about the murder with the suction pump (or whatever it was.) At any rate if some post natal, gormless drip can figure it out surely it shouldn't be taxing the police too much to make an arrest.

That would imply real life of course, and Hush has nothing to do with that. If you're in the market for an aged, raging southern belle then you can't go past this, but have a look at the genuine article - Joan Crawford in "Queen Bee" - first.