VALUTAZIONE IMDb
5,5/10
14.132
LA TUA VALUTAZIONE
Una giovane coppia che sogna un futuro felice e una madre che non vuole separarsi dal suo unico figlio. Un difficile triangolo familiare destinato a trasformarsi in un micidiale piano di mor... Leggi tuttoUna giovane coppia che sogna un futuro felice e una madre che non vuole separarsi dal suo unico figlio. Un difficile triangolo familiare destinato a trasformarsi in un micidiale piano di morte. Una giovane coppia che sogna un futuro felice e una madre che non vuole separarsi dal suo unico figlio. Un difficile triangolo familiare destinato a trasformarsi in un micidiale piano di morte.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 2 candidature totali
Recensioni in evidenza
Jackson Baring takes his girlfriend Helen to his family's horse farm Kilronin. Jackson's mother Martha has been running the place but would like her son to take over. Jackson and Helen are living together in New York City and are reluctant to leave that life. But Helen somehow gets pregnant, even though she was using birth control, and the two get married and eventually do take over the farm.
Jackson blames himself for his father's death when he was 7. Martha knows the truth but won't tell him, and she seems to have an unnatural relationship with her son. It's almost as if she sees his father and wants to be with him in that way. And she sees the baby as a means of continuing the legacy, but not a child to be loved, at least not in the way most people would. Her treatment of Helen is strange, as if Helen is only useful until the baby is born, and then she will be in the way.
The ending is exciting and sort of creepy at the same time.
Jessica Lange does a fine job here as Jackson's overly controlling and demented mother. However, Nina Foch gives the standout performance as Jackson's grandmother, who is kept in a fancy nursing home because only she knows the truth about how her son died.
I think all the leading actors did a good job here. I usually can't stand Debi Mazar, who was a co-worker to Helen and possibly her boss, but I would like to have seen more of her here. But if Helen had to move out of New York, I guess keeping her job was out of the question.
I suppose my favorite scene was the one where Helen gets out of bed naked and meets her mother-in-law for the first time. That one was edited for TV in such a way it seemed kind of jerky and I didn't get to see much, but a lot depends on how one sees this movie.
It's not typical of what I like in a movie, but still entertaining.
Jackson blames himself for his father's death when he was 7. Martha knows the truth but won't tell him, and she seems to have an unnatural relationship with her son. It's almost as if she sees his father and wants to be with him in that way. And she sees the baby as a means of continuing the legacy, but not a child to be loved, at least not in the way most people would. Her treatment of Helen is strange, as if Helen is only useful until the baby is born, and then she will be in the way.
The ending is exciting and sort of creepy at the same time.
Jessica Lange does a fine job here as Jackson's overly controlling and demented mother. However, Nina Foch gives the standout performance as Jackson's grandmother, who is kept in a fancy nursing home because only she knows the truth about how her son died.
I think all the leading actors did a good job here. I usually can't stand Debi Mazar, who was a co-worker to Helen and possibly her boss, but I would like to have seen more of her here. But if Helen had to move out of New York, I guess keeping her job was out of the question.
I suppose my favorite scene was the one where Helen gets out of bed naked and meets her mother-in-law for the first time. That one was edited for TV in such a way it seemed kind of jerky and I didn't get to see much, but a lot depends on how one sees this movie.
It's not typical of what I like in a movie, but still entertaining.
Everybody should just relax and enjoy watching a red hot, middle aged Momma's sexual jealousy over her beautiful daughter in law. The photography was great, loved the rural location (without the stupid horses), and Gwyneth and Jessica look as good as they ever have. The problem is that the director tried too hard for believability, and that resulted in a very average, plodding, sometimes laughably bad movie. If they had taken it over the top, like what you find in good novels, (torture, perversion), then we would have had a classic.
Its a shame they held back because Jessica and Gwyneth looked amazing. Who cares if their performances weren't great? Their screen presence made up for it. They were ripe for a deliciously violent, twisted older woman/younger woman B-movie and the director blew it. (Check out Piper Laurie and Sissy Spacek in "Carrie." They set the standard for over the top, twisted mother-daughter action.)
Its a shame they held back because Jessica and Gwyneth looked amazing. Who cares if their performances weren't great? Their screen presence made up for it. They were ripe for a deliciously violent, twisted older woman/younger woman B-movie and the director blew it. (Check out Piper Laurie and Sissy Spacek in "Carrie." They set the standard for over the top, twisted mother-daughter action.)
One of the funniest films from this year! High camp; too bad the direction's so dull that after an hour even the funny bits get drowned out by the tedium. This is the kind of movie that tries to build suspense by having every character act as stupid and inattentive to the obvious as possible.
Jessica Lange does a lot of eye-rolliing, neck-straining and incessant smoking as the wealthy gargoyle mother who has it in for innocent dumbbell daughter in law Gwyneth Paltrow. Jonathan Schaech plays a piece of wood who occasionally stumbles into a scene with other characters. You know Lange's supposed to be evil because she smokes, drinks and has an inexplicable Southern accent (in upstate New York?). The film sports two endings (don't worry, no spoilers here!!!), the first of which is guffaw-inducing just because it's medically not possible, and a final showdown which is incredibly dull and comes out of nowhere. Lots of bad dialogue and far-fetched plot "developments" carry the viewer to the bitter end.
Allegedly this film was held up for massive re-shoots and edits for a whole year. One hopes for a "director's cut" just so we can see what could have been even worse than this hilarious nonsense. Recommended!!!
Jessica Lange does a lot of eye-rolliing, neck-straining and incessant smoking as the wealthy gargoyle mother who has it in for innocent dumbbell daughter in law Gwyneth Paltrow. Jonathan Schaech plays a piece of wood who occasionally stumbles into a scene with other characters. You know Lange's supposed to be evil because she smokes, drinks and has an inexplicable Southern accent (in upstate New York?). The film sports two endings (don't worry, no spoilers here!!!), the first of which is guffaw-inducing just because it's medically not possible, and a final showdown which is incredibly dull and comes out of nowhere. Lots of bad dialogue and far-fetched plot "developments" carry the viewer to the bitter end.
Allegedly this film was held up for massive re-shoots and edits for a whole year. One hopes for a "director's cut" just so we can see what could have been even worse than this hilarious nonsense. Recommended!!!
"Hush" is the kind of film that's so easy that it should work right on the first view but it's not the case. I remember watching it a few years ago and finding one of the most boring things I've ever seen except for the outstanding acting of Jessica Lange. Fate pulls its strings sometimes and one of those nights when you're desperate for something to show up on TV and there you go, there was this and I got a little gripped into seeing it again, this time paying more attention to details. Well, it turned out to be quite a good film, undeserving the low rating that is getting now.
A twisted and thrilling tale about acceptance and skeletons in the closet? You can say that. Gwyneth Paltrow plays the lovable Helen, a successful and beautiful woman, loved by a man who's also both of the fore-mentioned qualities, the great Jackson (Johnathon Schaech) of the powerful Baring family. But he has a mother, the surprising Martha (Jessica Lange) of whom Helen always tries to please to the best since Jackson and his mom has some strong bonds between them and she wants to be part of this quite perfect family. Habitual to flicks of the same caliber, there's secrets, tension between both women and a certain disdain the old lady feels for the younger and it's up to Helen to discover what's the problem with the Baring family. Her only great ally is Jackson's grandmother (Nina Foch, excellent), father of Martha's late husband, and keeper of some family secrets that can storm a big mess in everyone's lives.
There isn't much to be said about "Hush" except that the cast is great, even though they're not at their greatest moment. Except Lange and Foch who are brilliant, and the memorable special appearance of Hal Holbrook as the doctor. But it's Lange who steals the show playing a pitiful villain, sometimes adorable, other times really cruel but most of the time always in control of the situation. The plot should include more characters to make this more tense and less concentrated in those three main characters. The relationship between Jackson and Martha could've go to more controversial ways, cause everything seems to indicate that (the scene where he's covered in mud and she cleans him, they're like pretending it's just a silly joke. There's something going on there).
I know Jonathan Darby has directed better films (like the criminally underrated and almost forgotten "The Enemy Within" with Forest Whitaker) but what he makes here is quite good, never cheap and at the most entertaining to watch for its cast and the beautiful cinematography. 8/10
A twisted and thrilling tale about acceptance and skeletons in the closet? You can say that. Gwyneth Paltrow plays the lovable Helen, a successful and beautiful woman, loved by a man who's also both of the fore-mentioned qualities, the great Jackson (Johnathon Schaech) of the powerful Baring family. But he has a mother, the surprising Martha (Jessica Lange) of whom Helen always tries to please to the best since Jackson and his mom has some strong bonds between them and she wants to be part of this quite perfect family. Habitual to flicks of the same caliber, there's secrets, tension between both women and a certain disdain the old lady feels for the younger and it's up to Helen to discover what's the problem with the Baring family. Her only great ally is Jackson's grandmother (Nina Foch, excellent), father of Martha's late husband, and keeper of some family secrets that can storm a big mess in everyone's lives.
There isn't much to be said about "Hush" except that the cast is great, even though they're not at their greatest moment. Except Lange and Foch who are brilliant, and the memorable special appearance of Hal Holbrook as the doctor. But it's Lange who steals the show playing a pitiful villain, sometimes adorable, other times really cruel but most of the time always in control of the situation. The plot should include more characters to make this more tense and less concentrated in those three main characters. The relationship between Jackson and Martha could've go to more controversial ways, cause everything seems to indicate that (the scene where he's covered in mud and she cleans him, they're like pretending it's just a silly joke. There's something going on there).
I know Jonathan Darby has directed better films (like the criminally underrated and almost forgotten "The Enemy Within" with Forest Whitaker) but what he makes here is quite good, never cheap and at the most entertaining to watch for its cast and the beautiful cinematography. 8/10
I agree with several other reviewers that this movie is underrated here.
It keeps your interest, especially if you like horses, and the contrast between hectic, noisy, frustrating, randomly violent, dirty, inhumane city life and the clean air and soothing charms of the "simple life" in the country (which now costs much more than most of us can afford).
I think both Jessica Lange and Gweneth Paltrow handled their roles with aplomb. Anyone who's seen Lange in "Blue Sky" with Tommy Lee Jones will not be a bit surprised at her ability to successfully carry off a full-on lunatic.
I think people may be a little put off by the happy ending from a lower budget, non-mainstream film, but what do I know?
Well, I know I liked it more than it's rated on here, and I'd recommend it to friends. A masterpiece, it isn't, but I'd consider it entertaining and worthy of your time if you like mystery/thrillers set mostly in beautiful country surroundings with good acting.
It keeps your interest, especially if you like horses, and the contrast between hectic, noisy, frustrating, randomly violent, dirty, inhumane city life and the clean air and soothing charms of the "simple life" in the country (which now costs much more than most of us can afford).
I think both Jessica Lange and Gweneth Paltrow handled their roles with aplomb. Anyone who's seen Lange in "Blue Sky" with Tommy Lee Jones will not be a bit surprised at her ability to successfully carry off a full-on lunatic.
I think people may be a little put off by the happy ending from a lower budget, non-mainstream film, but what do I know?
Well, I know I liked it more than it's rated on here, and I'd recommend it to friends. A masterpiece, it isn't, but I'd consider it entertaining and worthy of your time if you like mystery/thrillers set mostly in beautiful country surroundings with good acting.
Lo sapevi?
- QuizMany scenes in the trailer did not make the final cut because they re-shot the movie almost two years after it was first finished. The original version had, among other changes, a climatic fight between the two ladies with one dying. It was re-shot following bad feedback from test audiences.
- BlooperMartha attempts to induce Helen's labor by spiking a cake with Oxytocin. We see Helen eat the cake, and then several hours later go into labor. The problem is that Oxytocin is broken down in the gastrointestinal tract and rendered ineffective. It needs to be injected or inhaled to work.
- Citazioni
Alice Baring: There's something I've always wanted to tell you. You smell like horseshit.
- Colonne sonoreHush Little Baby Don't You Cry
Composer unknown
Played during the opening credits
Variations played throughout as part of the score
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Dettagli
Botteghino
- Budget
- 21.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 13.583.690 USD
- Fine settimana di apertura Stati Uniti e Canada
- 5.742.431 USD
- 8 mar 1998
- Lordo in tutto il mondo
- 13.605.304 USD
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