VALUTAZIONE IMDb
6,4/10
8362
LA TUA VALUTAZIONE
Nel mondo dopo l'apocalisse del Nevada degli anni '60, un samurai rock 'n' roll diretto a Lost Vegas, prende un giovane orfano sotto la sua protezione mentre la Morte e i suoi cavalieri meta... Leggi tuttoNel mondo dopo l'apocalisse del Nevada degli anni '60, un samurai rock 'n' roll diretto a Lost Vegas, prende un giovane orfano sotto la sua protezione mentre la Morte e i suoi cavalieri metallari li inseguono.Nel mondo dopo l'apocalisse del Nevada degli anni '60, un samurai rock 'n' roll diretto a Lost Vegas, prende un giovane orfano sotto la sua protezione mentre la Morte e i suoi cavalieri metallari li inseguono.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie e 2 candidature totali
Jefferson Zuma Jay Wagner
- Car Guy
- (as Zuma Jay)
Recensioni in evidenza
First, the bad stuff. The film will not appeal to people who can't deal with camp, with pure Lynch-like strangeness, or people who demand a big budget production.
However, those who are willing to give an oddball film a chance will find this to be a real gem of an indie flick. Imagine if you will Buddy Holly, Mad Max, and Jet Li bundled into one character, fighting across a desolate warped postapocalyptic Nevada. The dynamics in the movie are all about conflict... Rock & Roll against Metal, Communism against Capitalism, bravery versus despair. Mix that in with "Weird West" touches, demented nuclear families, and warriors who duel with both blade and guitar. There is even a hint of the manga, "Lone Wolf and Cub" thrown in. That and some excellent Russian-influenced rockabilly.
Some of the scenes fall flat, sure... but few movies try to reach for such imaginative and demented heights... and few succeed to this extend on a shoestring budget. Despite its shortcomings, the action sequences are exciting and well-done, and one really sees an American Apocalypse which never was -- but in some ways happened, in our heads, at least.
However, those who are willing to give an oddball film a chance will find this to be a real gem of an indie flick. Imagine if you will Buddy Holly, Mad Max, and Jet Li bundled into one character, fighting across a desolate warped postapocalyptic Nevada. The dynamics in the movie are all about conflict... Rock & Roll against Metal, Communism against Capitalism, bravery versus despair. Mix that in with "Weird West" touches, demented nuclear families, and warriors who duel with both blade and guitar. There is even a hint of the manga, "Lone Wolf and Cub" thrown in. That and some excellent Russian-influenced rockabilly.
Some of the scenes fall flat, sure... but few movies try to reach for such imaginative and demented heights... and few succeed to this extend on a shoestring budget. Despite its shortcomings, the action sequences are exciting and well-done, and one really sees an American Apocalypse which never was -- but in some ways happened, in our heads, at least.
I have read a lot of comments regarding this film. All I have to say is, this movie is great. I never heard of it, but saw it in West Coast Video, and thought the cover was way cool. I was not disappointed. It seems that those who do not like this film consider Steven Segal a master of martial art films.
This is not a mainstream movie. How can you accurately describe this? You just can't! I just tell people that if the like post apocalyptic/samurai/rock & roll movies, this is the one to see. From the moment that first sword fight broke out, I knew that I was going to enjoy this flick. And when the prostitute approaches him in the cantina, I laughed until it hurt.
Bottom line, if you like movies that are a little (or possibly a lot) off-beat, you have to watch this one. I give it 8.5 out of 10 stars.
This is not a mainstream movie. How can you accurately describe this? You just can't! I just tell people that if the like post apocalyptic/samurai/rock & roll movies, this is the one to see. From the moment that first sword fight broke out, I knew that I was going to enjoy this flick. And when the prostitute approaches him in the cantina, I laughed until it hurt.
Bottom line, if you like movies that are a little (or possibly a lot) off-beat, you have to watch this one. I give it 8.5 out of 10 stars.
10spazette
...if you like rock-a-billie and love a campy adventure in a post-apocalyptic world were Elvis, the KING, has just died and there's a guitar-strumming race across the desert to Las Vegas to see who will be the next King crowned - you'll love this bizarre piece of comic book fiction brought to life. Our hero & his sidekick are chased across the desert by Death(a cross between Tom Petty & Slash) and his archer henchmen. Our Hero slashes his way through one unbelievable fight scene after another. Falcon is truly amazing. The fight choreography alone is reason enough to watch this peculiar piece of cinema. The climax is a duel between our Hero(Rock-n-Roll) and Death(Heavy Metal). Who becomes the King? Watch it & love it.
I love strange and unique movies that create a bizarre world and invite you in to visit. Movies like 'Faster, Pussycat! Kill! Kill!', 'El Topo', 'Eraserhead' and 'Repo Man' for example. As profoundly odd as those movies are, they feel natural to me, not contrived attempts at making a "cult movie" ala Troma. I don't like Troma's output much and can think of very few of those kind of self consciously quirky movies that I actually like ('The Adventures Of Buckaroo Banzai' is one, 'Killer Klowns From Outer Space' is another). 'Six-String Samurai' for me is closer to the contrived Troma approach than the naturally strange Russ Meyer/Coen brothers one. It's the kind of movie that is more fun to describe to someone else than to actually sit through yourself. Now it isn't a complete failure, far from it. I did enjoy parts of it a lot, but it kinda dragged on, and for me just didn't live up to its potential. The initial premise was good, but the script needed a lot more work. As it stands it would have made a neat 50-60 minute short. Jeffrey Falcon plays Buddy, a guitar slingin' samurai who is on a journey to Lost Vegas to become the new King of rock'n'roll. In this America you see, the Russians took over after they dropped the Bomb in the 50s. Buddy encounters lots of oddballs along the way, reluctantly looks after The Kid (Justin McGuire) , and ends up having a showdown with Death (Stephane Gauger). 'Six-String Samurai' deliberately echoes 'El Mariachi', 'Mad Max 2' and the Lone Wolf and Cub series, but never reaches the heights of its inspirations. I always like to encourage low budget film makers trying to push the envelope. 'Six-String Samurai' doesn't quite do it for me, but I hope Lance Mungia and Jeffrey Falcon continue to make movies. Who knows, guys, maybe next time?
Yes, this film does have it's faults. Most low budget films do. But the overall theme of this work is a multi-layered spoof of many genres. The Hong Kong fantasy samurai film, end-of-the-world pictures, rock and roll musicals, and the obsession with Las Vegas.
I had the fortune to see this film at a multiplex in Las Vegas, and was not disappointed. Buddy is a bad-ass rock'n'roller with a katana hidden in his guitar with his sights set on being the next king of Las Vegas. "The Kid" is annoying and has a ear-splitting shriek (Why wouldn't he? No playmates, no cartoons, just empty land and not a Gymboree or video arcade in sight!), and the various bad guys (loved the evil bald bowlers) come in just about every shape and size.
Elements of "Wizard of Oz", "El Topo", "Mad Max", Sam Peckenpah, and God knows how many Kung Fu/Samurai films are in this, seasoned with a handful of self-conscious humor.
Living in the Las Vegas area, I'm familiar with most of the scenes featured (The bombed out gas station is the ghost town of Rhyolite, Nevada), so it was a kick seeing some of those places in a film.
It isn't for everyone, and some will dislike it, mostly for it's campiness, but this is a film that doesn't take itself too seriously...and neither should you.
I had the fortune to see this film at a multiplex in Las Vegas, and was not disappointed. Buddy is a bad-ass rock'n'roller with a katana hidden in his guitar with his sights set on being the next king of Las Vegas. "The Kid" is annoying and has a ear-splitting shriek (Why wouldn't he? No playmates, no cartoons, just empty land and not a Gymboree or video arcade in sight!), and the various bad guys (loved the evil bald bowlers) come in just about every shape and size.
Elements of "Wizard of Oz", "El Topo", "Mad Max", Sam Peckenpah, and God knows how many Kung Fu/Samurai films are in this, seasoned with a handful of self-conscious humor.
Living in the Las Vegas area, I'm familiar with most of the scenes featured (The bombed out gas station is the ghost town of Rhyolite, Nevada), so it was a kick seeing some of those places in a film.
It isn't for everyone, and some will dislike it, mostly for it's campiness, but this is a film that doesn't take itself too seriously...and neither should you.
Lo sapevi?
- QuizIntended to be the first installment of a trilogy, which never came to be.
- BlooperWhen the Ritchie Valens character charges Buddy his shoes fall off very obviously, but they are suddenly back on his feet in the very next shot.
- Curiosità sui creditiOne of the "Red Elvises", Zhenya Kolykhanov, is miscredited as Zhenga Kolykhanov
- ConnessioniFeatured in Siskel & Ebert & the Movies: 'Cult' Movies (2000)
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- The Blade
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 2.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 146.125 USD
- Fine settimana di apertura Stati Uniti e Canada
- 36.896 USD
- 20 set 1998
- Lordo in tutto il mondo
- 146.125 USD
- Tempo di esecuzione
- 1h 31min(91 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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