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In the Mood for Love

Titolo originale: Fa yeung nin wah
  • 2000
  • T
  • 1h 38min
VALUTAZIONE IMDb
8,1/10
180.911
LA TUA VALUTAZIONE
POPOLARITÀ
680
48
Maggie Cheung and Tony Leung Chiu-wai in In the Mood for Love (2000)
Trailer 1
Riproduci trailer1:54
5 video
99+ foto
Dark romanceRomanticismo tragicoDrammaRomanticismo

Tra due vicini di casa si crea un forte legame quando entrambi cominciano a sospettare di attività extraconiugali dei rispettivi coniugi. Tuttavia, sono d'accordo nel mantenere il loro legam... Leggi tuttoTra due vicini di casa si crea un forte legame quando entrambi cominciano a sospettare di attività extraconiugali dei rispettivi coniugi. Tuttavia, sono d'accordo nel mantenere il loro legame platonico per non commettere lo stesso errore.Tra due vicini di casa si crea un forte legame quando entrambi cominciano a sospettare di attività extraconiugali dei rispettivi coniugi. Tuttavia, sono d'accordo nel mantenere il loro legame platonico per non commettere lo stesso errore.

  • Regia
    • Wong Kar-Wai
  • Sceneggiatura
    • Wong Kar-Wai
  • Star
    • Maggie Cheung
    • Tony Leung Chiu-wai
    • Ping-Lam Siu
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    8,1/10
    180.911
    LA TUA VALUTAZIONE
    POPOLARITÀ
    680
    48
    • Regia
      • Wong Kar-Wai
    • Sceneggiatura
      • Wong Kar-Wai
    • Star
      • Maggie Cheung
      • Tony Leung Chiu-wai
      • Ping-Lam Siu
    • 552Recensioni degli utenti
    • 66Recensioni della critica
    • 87Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Nominato ai 1 BAFTA Award
      • 45 vittorie e 50 candidature totali

    Video5

    In the Mood for Love
    Trailer 1:54
    In the Mood for Love
    In The Mood For Love: The Criterion Collection [Blu-Ray]
    Trailer 1:23
    In The Mood For Love: The Criterion Collection [Blu-Ray]
    In The Mood For Love: The Criterion Collection [Blu-Ray]
    Trailer 1:23
    In The Mood For Love: The Criterion Collection [Blu-Ray]
    In The Mood For Love
    Trailer 1:23
    In The Mood For Love
    How 'Edge of Tomorrow' and Wong Kar-wai Inspired 'Madame Web'
    Clip 2:47
    How 'Edge of Tomorrow' and Wong Kar-wai Inspired 'Madame Web'
    How Marvel's Been Paving the Way for Shang-Chi
    Clip 3:54
    How Marvel's Been Paving the Way for Shang-Chi

    Foto861

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    + 854
    Visualizza poster

    Interpreti principali16

    Modifica
    Maggie Cheung
    Maggie Cheung
    • Su Li-zhen - Mrs. Chan
    Tony Leung Chiu-wai
    Tony Leung Chiu-wai
    • Chow Mo-wan
    • (as Tony Chiu Wai Leung)
    Ping-Lam Siu
    • Ah Ping
    Tung Cho 'Joe' Cheung
    Tung Cho 'Joe' Cheung
    • Man living in Mr. Koo's apartment
    • (as Tung Joe Cheung)
    Rebecca Pan
    Rebecca Pan
    • Mrs. Suen
    Kelly Lai Chen
    Kelly Lai Chen
    • Mr. Ho
    • (as Lai Chen)
    Man-Lei Chan
    Man-Lei Chan
    • Mr. Koo
    Kam-Wah Koo
    Chien Szu-Ying
    Chien Szu-Ying
    • Amah
    • (as Tsi-Ang Chin)
    Paulyn Sun
    Paulyn Sun
    • Mrs. Chow
    • (voce)
    • (as Jia-Jun Sun)
    Roy Cheung
    Roy Cheung
    • Mr. Chan
    • (voce)
    Po-chun Chow
    Hsien Yu
    Julien Carbon
    • French tourist
    • (non citato nei titoli originali)
    Laurent Courtiaud
    • French reporter
    • (non citato nei titoli originali)
    Charles de Gaulle
    Charles de Gaulle
    • Self (1966 visit to Cambodia)
    • (filmato d'archivio)
    • (non citato nei titoli originali)
    • Regia
      • Wong Kar-Wai
    • Sceneggiatura
      • Wong Kar-Wai
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti552

    8,1180.9K
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    Recensioni in evidenza

    8brooke-25

    In the Mood for a Lovely Film

    Beautiful film set in 1962 Hong Kong about a man (Mr. Chow) and woman (Mrs. Chan) who become close friends when they suspect their spouses are having an affair. Stylistically, the film is also beautiful. Wong Kar-Wai uses a lot of slow motion and close-ups on parts of the body (feet, hands, waist). The film itself has a reticence and properness that suggests its time period. It's sexy without showing everything. Wong Kar-Wai also doesn't allow the audience to see what the spouses look like, suggesting that Mr. Chow and Mrs. Chan should be together. Smoking is even made to look elegant with close-ups of the curls of smoke. A really lovely film. Just prepare yourself for the ending.
    10mikecalla

    Beautiful, Elegant and Restrained

    I won't bore you with story and plot lines, as they have been presented many times already on this page, so… It's been along time coming since I have seen such a film. Beautiful, elegant and restrained, with a narrative pace to match. A film with sensitivity and understated qualities that is rare in these times of clichéd plots. The beautifully subdued photography, saturated in rich luxurious colors, and for lack of better words, each frame is filled with an air of tension. The settings and locations are used repeatedly but the film manages to breath new life into them each time they featured, there always seems to be a key prop, light fixture, or set piece to slightly clue the audience as to where we are in the characters world.

    The acting reminds me of the "The Bicycle Thief", not the style, but the fact that you forget that you are watching two actors engaged in their craft. There is meaning behind every gesture and almost every movement has assigned significance to explain the inside world of the characters, the relationship, the feelings, and situation of the two lovers. The dialogue is sparse but like the rest of the movie, is imbued with meaning. Speaking of meaning, the soundtrack is infectious. Used here it becomes a story telling device. And although the film is of Chinese origins, even a song sung in Spanish by Nat King Cole imparts the film with subtle meaning. The orchestrated soundtrack is repetitive, but the repetition is what makes it comfortable. It is used in conjunction with the story, and not just a means to put music to action, or to cue the audience to feel a certain way at a certain plot point.

    I would not recommend this film to anybody, I fear most people would be jaded by the calm flow of the story, but I would recommend it to someone who is looking for an alternative to the romantic schlock that fills the multiplexes on our side of the world. I must say that I was completely taken by this film, and continued to watch it night after night. The story takes time to present itself and bears repeated viewings as very few films in this genre are open to such a broad interpretation. A very beautiful movie.
    9lilaqueen

    what a poetic way to make a film....

    When I fist watched the movie, I said to myself, "so a film can be made like this." Wong Kar Wai's gorgeous poetic love story captured me throughout and even after the film. I must admit this is one of the best love movies, maybe the best of all, I have ever watched. The content and the form overlaps perfectly. As watching the secret love we see the characters in bounded frames that limits their movements as well as their feelings. Beautiful camera angles and the lighting makes the feelings and the blues even touchable. I want to congratulate Christopher Doyle and Pin Bing Lee for their fantastic cinematography which creates the mood for love. Also the music defines the sadness of the love which plays along the beautiful slow motion frames and shows the characters in despairing moods. And of course the performances of the actors which makes the love so real. Eventually, all the elements in the film combined in a perfect way under the direction of WKW and give the audience the feeling called love.
    8claudio_carvalho

    A Beautiful, Melancholic and Romantic Love Story

    In Hong Kong, 1962, the editor Chow Mo-wan (Tony Leung Chiu Wai) and his wife, and the secretary Su Li-Zhen Chan (Maggie Cheung) and her husband simultaneously move to an old building. Each couple has just rented a room in apartments on the same floor. Their wife and husband stay most of the time away from home, and Chow and Li-Zhen have the same habits: they like kung-fu stories and noodles and soap from a restaurant nearby the building. Their close contact becomes friendship and a sort of platonic and repressed love. Later they realize that their mates are having an affair, Chow falls in love with Li-Zhen, but her shyness and probably repressed condition of married woman keeps her love in a platonic level. 'In the Mood for Love' is a very slow, beautiful, melancholic and romantic love story, with a wonderful photography and soundtrack and a very unusual edition. The film had not had a screenplay, and the actors were never sure about what they would be shooting. Later, the director edited his story based on the footages. When Chow moves to Singapore, there is a gap of many years in the story until 1966, when its conclusion is intentionally open and not well defined, leaving questions such as who is the boy with Li-Zhen. My vote is eight.

    Title (Brazil): 'Amor À Flor da Pele' ('Love on the Surface of the Skin')
    10seandchoi

    Nostalgic, elegiac tale of doomed romance

    I think that New York Times film critic Elvis Mitchell wrote the best one line review of In the Mood for Love when he said that it is "dizzy with a romantic spirit that's been missing from the cinema forever." How true those words are! Truly romantic films are so rare these days, while films that include plenty of sex and nudity (which are often portrayed in a smutty and gratuitous manner) abound. So, given this cinematic climate, Wong Kar-wai's latest film feels like a much needed breath of fresh air. In the Mood for Love is about the doomed romance between two neighbors ("Mr. Chow," played by Tony Leung and "Mrs. Chan," played by Maggie Cheung), whose spouses are having an illicit affair, as they try "not to be like them." But after hanging out with each other on lonely nights (while their spouses are away "on business"/"taking care of a sick mother"), they fall madly in love, and must resist the temptation of going too far.

    Several factors are responsible for making In the Mood for Love a new classic among "romantic melodramas," in the best sense of that term. First, the specific period of the film (i.e. 1960's Hong Kong) is faithfully recreated to an astonishing degree of detail. The clothes (including Maggie Cheung's lovely dresses), the music (e.g. Nat King Cole), and the overall atmosphere of this film evokes a nostalgia for that specific period. Second, Christopher Doyle's award-winning, breathtakingly beautiful cinematography creates an environment which not only envelopes its two main characters, but seems to ooze with romantic longing in every one of its sumptuous, meticulously composed frame. Make no mistake about it: In the Mood for Love was the most gorgeous film of 2001. (It should also be mentioned that Wong Kar-wai's usual hyper-kinetic visual style is (understandably) toned down for this film, although his pallet remain just as colorful.) Third, there is the haunting score by Michael Galasso, which is accompanied by slow motion sequences of, e.g. Chan walking in her elegant dresses, Chan and Chow "glancing" at each other as they pass one another on the stairs, and other beautiful scenes which etch themselves into one's memory. The main score--which makes its instruments sound as though they're literally crying--is heard eight times throughout various points in the film and it serves to highlight the sadness and the longing which the two main characters feel. Fourth, Tony Leung and Maggie Cheung both deliver wonderful performances (Leung won the prize for best actor at Cannes) and they manage to generate real chemistry on screen.

    The above elements coalesce and work so nicely together to create a film that feels timeless, "dizzyingly romantic," and, in a word, magical. In the Mood for Love, perhaps more than any other film of 2001, reminded me why it is that I love "going to the movies." And I guess that is about the highest compliment that I can pay to a film.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Director Wong Kar-Wai was shooting the ending and editing the film a little over a week before its debut at Cannes.
    • Blooper
      When Mr. Chow is waiting with Mrs. Chan for the rain to stop, he is suddenly completely dry despite running through the rain only moments earlier.
    • Citazioni

      [last lines]

      Caption: He remembers those vanished years. As though looking through a dusty window pane, the past is something he could see, but not touch. And everything he sees is blurred and indistinct.

    • Versioni alternative
      32 minutes was cut off the end of the film by Wong before release. These additional scenes take place in years subsequent to the film's original ending in 1966, extending into the 1970s, where Mr. Chow and Mrs. Chan meet again several times. The scenes have been included on Criterion's DVD release of the film in 4 bonus tracks, and are available for streaming on the Criterion Channel. The scenes are as follows: Room 2046 (8:05), Postcards (8:27), The Seventies (9:00), A Last Encounter (7:53).
    • Connessioni
      Featured in Siskel & Ebert & the Movies: Mission: Impossible II/Running Free/Passion of Mind/Big Momma's House (2000)
    • Colonne sonore
      Yumeji's Theme
      Composed and recorded by Shigeru Umebayashi (as Umebayashi Shigeru)

      Courtesy of Emotion Music Co., Ltd.

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    Dettagli

    Modifica
    • Data di uscita
      • 27 ottobre 2000 (Italia)
    • Paesi di origine
      • Hong Kong
      • Francia
    • Sito ufficiale
      • Criterion (United States)
    • Lingue
      • Catonese
      • Shanghainese
      • Francese
      • Spagnolo
    • Celebre anche come
      • Deseando amar
    • Luoghi delle riprese
      • Thailandia
    • Aziende produttrici
      • Jet Tone Production
      • Block 2 Pictures
      • Paradis Films
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Lordo Stati Uniti e Canada
      • 3.457.742 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 113.280 USD
      • 4 feb 2001
    • Lordo in tutto il mondo
      • 16.534.730 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h 38min(98 min)
    • Colore
      • Color
    • Mix di suoni
      • Dolby Digital
    • Proporzioni
      • 1.66 : 1(original aspect ratio & theatrical release)

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