Austin Powers - Il controspione

I didn't see this original Austin Powers movie until a year after I saw the sequel, "...The Spy Who Shagged Me." Both involve suspended animation through cryogenics, and set both in the 1960s and the 1990s. In each, Mike Myers plays both the British spy Austin Powers, a spoof of James Bond, and also plays the evil and funny Dr Evil. In both films, some of the funnier scenes are between Dr Evil and his back-talking son.

This movie spoofs lots of different things, has many subtle sexual references, but in the hands (and delivery) of Mike Myers they always come out funny. One of the references, however is not a spoof. The "bad teeth" of the British. They really do have bad teeth! Otherwise, this is not a movie to be taken seriously, just silly entertainment, and there it succeeds almost perfectly.

However, as pretty as she is, Elizabeth Hurley, in this film, is not nearly as entertaining as is Heather Graham in the latter Austin Powers film. Hurley just does not have the comic timing nor the natural "playfulness" that is demanded for the female role. Heather Graham does, and she is even prettier!!

Some day, when they sell a two DVD set of Austin Powers films, I'd like to buy the set.

Aside from it's overwhelmingly raunchy humor,I consider this to be a great spoof of the spy genre and 60's culture.Mike Myers has created yet two more endearing characters in Powers and his nemisis,Dr.Evil.When certain characters inspire imitation (and who hasn't at least heard imitations of these two,or perhaps even Robert Wagner's character, Number 2 and others),then you have done something right.This movie is good for it's amusing characters and good story line,but again I think it would have worked without so much vulgar humor.Worth a look.

When he made Austin Powers: International Man Of Mystery Mike Myers aspired to comic greatness, the kind we had not seen on the screen since Peter Sellers. Only Sellers and Alec Guinness could create so many believable characters in the same film and make them work the way Myers does with Austin Powers and his perennial nemesis Doctor Evil.

Hard to believe, but back in the swinging London of the Sixties, the British kids really did dress like Austin Powers. The key to Powers character is that whether he's in the Sixties or the Nineties, he's still an overgrown kid.

The film is like the old Batman TV series where the Gotham City Police Department is good enough at dealing with ordinary criminals. But when exotic types like the Joker or the Penguin threaten the law and order of Gotham City, Commissioner Gordon reaches for the Batphone and Adam West and Burt Ward start doing their thing in tights.

Powers is on the verge of nabbing Doctor Evil back in the day when the doctor takes off in a rocketship and cryogenically freezes himself. It's also some rocketship if I do say so. Not to be outdone, British Intelligence cryogenically freezes Austin Powers because he's the only man capable of dealing with Evil in their service.

Both men have to adapt to a culture shock. Doctor Evil has mixed feelings about the test tube baby son he fathered in Seth Green. As for Powers, he's not quite fathoming the fact that his Emma Peel like partner Mimi Rogers from back in the day has a daughter in Elizabeth Hurley doing her bit in the family spy business.

Michael York as the M character and Powers boss and Robert Wagner as Number 2 in the Evil Empire both look like they're having a really good time hamming up their parts. There's also a nice unbilled part by Tom Arnold as a cowboy in the men's room with Powers when one of the Evil assassins tries to get him.

A lot of good laughs in this first Austin Powers film, I do so hope Mike Myers does make still another one.

In this hilarious spoof of 60's spy flicks, a swinging secret agent is thawed out of his cryogenic state in order to combat his old nemesis. The laughs never stop as Myers entertains in two pivotal roles. Hurley is sexy as Austin's partner and love interest. Robert Wagner finds ways to make fun of his "It Takes a Thief" character and is very entertaining in the process. A quickly paced film that generates constant laughs with each viewing. A sequel is soon to be released...Yeah, baby!

Yeah, it's dumb, yeah it's goofy, but it knows it. Almost everyone in this movie is self-aware of the kind of tropes it is making fun of. It drags out its humor, to a degree that is almost irritating, but it works. It works because of the meta-humor, because of the acknowledgment of the insanity. That makes it that much more fun to watch and hilarious. It's pure laughs and clever writing all through.