Una troupe cinematografica "National Geographic" viene presa in ostaggio da un cacciatore pazzo, che li costringe nella sua ricerca per catturare il più grande - e mortale - serpente del mon... Leggi tuttoUna troupe cinematografica "National Geographic" viene presa in ostaggio da un cacciatore pazzo, che li costringe nella sua ricerca per catturare il più grande - e mortale - serpente del mondo.Una troupe cinematografica "National Geographic" viene presa in ostaggio da un cacciatore pazzo, che li costringe nella sua ricerca per catturare il più grande - e mortale - serpente del mondo.
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Reviewers say 'Anaconda' is often criticized for its clichéd plot, weak special effects, and inconsistent acting, with many finding its reliance on familiar monster movie tropes tiresome. Jon Voight's over-the-top performance is both a redeeming feature and a source of ridicule. While the film's atmosphere and tension are occasionally praised, these moments are overshadowed by its numerous flaws. Some appreciate it as a guilty pleasure or a fun, campy watch, while others find it disappointing and forgettable. Despite its commercial success, it receives generally negative critical reception.
Recensioni in evidenza
This is not as bad as some people say it is. Generally, it's pretty formulaic, but there are a few alterations on the monster movie format.
A crew making a documentary set sail down a tropical river, on their way losing their fuel and, you guessed it, bumping into a big snake. There are all the usual characters here: beautiful girl, villain, posh English bloke (there's always one!), working-class hero, etc. They gradually get picked off one-by-one - although guessing the next "victim" is so easy, it takes the fun out of it all.
There are a few oddities in the consistency of the plot. Most of the killing happen in the second half of the film with the first half devoted to boring sub-plots. Curiously, the customary "introduction shock" is not a snake death, but a suicide. We never really find out why this has happened - after all, there is still a lot of Jennifer Lopez to be shown - and this, I think, is one of the main problems with the film. Story lines are attempted but never completed and so the audience will never gain true satisfaction from the film.
Another interesting factor is Terri's boyfriend and his contribution to the story line. During a dive, he gets bitten and the crew manage to recover him. They save his life but he is still unconscious and remains so throughout most of the movie.
However, the weakest character of all is the snake. Sure, it's pretty ugly, but it will never be truly terrifying as the director doesn't play on our sense of fear. We may be surprised when the snake attacks but never truly shocked.
As I said before, this isn't too bad a movie (I've seen worse) - there are some moments of tension, the actors do their jobs and the special effects are far from laughable. You might want to watch this if it's shown of TV, but I wouldn't pay money to see it.
A crew making a documentary set sail down a tropical river, on their way losing their fuel and, you guessed it, bumping into a big snake. There are all the usual characters here: beautiful girl, villain, posh English bloke (there's always one!), working-class hero, etc. They gradually get picked off one-by-one - although guessing the next "victim" is so easy, it takes the fun out of it all.
There are a few oddities in the consistency of the plot. Most of the killing happen in the second half of the film with the first half devoted to boring sub-plots. Curiously, the customary "introduction shock" is not a snake death, but a suicide. We never really find out why this has happened - after all, there is still a lot of Jennifer Lopez to be shown - and this, I think, is one of the main problems with the film. Story lines are attempted but never completed and so the audience will never gain true satisfaction from the film.
Another interesting factor is Terri's boyfriend and his contribution to the story line. During a dive, he gets bitten and the crew manage to recover him. They save his life but he is still unconscious and remains so throughout most of the movie.
However, the weakest character of all is the snake. Sure, it's pretty ugly, but it will never be truly terrifying as the director doesn't play on our sense of fear. We may be surprised when the snake attacks but never truly shocked.
As I said before, this isn't too bad a movie (I've seen worse) - there are some moments of tension, the actors do their jobs and the special effects are far from laughable. You might want to watch this if it's shown of TV, but I wouldn't pay money to see it.
A guilty pleasure that's still fun & amusing, Anaconda was one of those famous B-movies that used to air a lot on TV when I was a kid and whenever I caught a glimpse of it while switching channels, I'd usually end up staying till the end. Creature feature was my go-to genre while growing up and this, along with Jurassic Park & Godzilla, were amongst my favorites.
Looking back today, it is difficult to ignore the multitudes of issues that plague this flick but back then, things like direction, screenplay, acting, plot structure, character arcs or themes etc didn't mean a thing to me. The only stuff that mattered was whether I'll be entertained or not. It was the only factor that decided the fate of any movie in my book. And in many ways, it still does.
Set in the Amazon jungles, the story of Anaconda follows a documentary film crew that comes across a stranded snake hunter and allow him to get on board. The atmosphere changes soon as the crew finds itself uncomfortable around the new guy who, after a series of tragedies, takes command of the boat & the crew and makes them help him in his quest to capture the world's largest & deadliest snake.
Directed by Luis Llosa, the first act is dull and it is only after the titular serpent surfaces that things get interesting. The script serves the bare serviceable minimum for a horror flick, dialogues are corny, characters are bland but its skillful camera-work & clever angles, in addition to its isolated setting, help in retaining an aura of suspense and is effective in bits n pieces.
The visual effects appear dated but it's still impressive in a few places. Everything about the anaconda is exaggerated to ridiculous proportions yet it adds to the fun & its campy tone. The film features a number of people who later went on to make a name for themselves in the Hollywood industry but it's Jon Voight who steals the show with his crazy, sinister & over-the-top rendition of the snake hunter.
On an overall scale, Anaconda exhibits all the ingredients that are responsible for bringing a film down yet it manages to stay afloat for the majority of its runtime. There are a few hiccups along the way but the ride is enjoyable for the most part and in the end, it is more satisfying & entertaining than other similar examples. An adventure that's not devoid of thrills & a horror that packs some good chills, Anaconda is well-deserving of its cult status. Worth a shot.
Looking back today, it is difficult to ignore the multitudes of issues that plague this flick but back then, things like direction, screenplay, acting, plot structure, character arcs or themes etc didn't mean a thing to me. The only stuff that mattered was whether I'll be entertained or not. It was the only factor that decided the fate of any movie in my book. And in many ways, it still does.
Set in the Amazon jungles, the story of Anaconda follows a documentary film crew that comes across a stranded snake hunter and allow him to get on board. The atmosphere changes soon as the crew finds itself uncomfortable around the new guy who, after a series of tragedies, takes command of the boat & the crew and makes them help him in his quest to capture the world's largest & deadliest snake.
Directed by Luis Llosa, the first act is dull and it is only after the titular serpent surfaces that things get interesting. The script serves the bare serviceable minimum for a horror flick, dialogues are corny, characters are bland but its skillful camera-work & clever angles, in addition to its isolated setting, help in retaining an aura of suspense and is effective in bits n pieces.
The visual effects appear dated but it's still impressive in a few places. Everything about the anaconda is exaggerated to ridiculous proportions yet it adds to the fun & its campy tone. The film features a number of people who later went on to make a name for themselves in the Hollywood industry but it's Jon Voight who steals the show with his crazy, sinister & over-the-top rendition of the snake hunter.
On an overall scale, Anaconda exhibits all the ingredients that are responsible for bringing a film down yet it manages to stay afloat for the majority of its runtime. There are a few hiccups along the way but the ride is enjoyable for the most part and in the end, it is more satisfying & entertaining than other similar examples. An adventure that's not devoid of thrills & a horror that packs some good chills, Anaconda is well-deserving of its cult status. Worth a shot.
Before there was "Snakes on a Plane," there was "Anaconda," a Hollywood B-movie from the late 90's that is as notorious for its mixed bag of actors as it is for the gruesome snakes that populate its plot. In the film, a group of documentary film-makers traveling through the Amazon jungle picks up a mysterious man who inadvertently becomes their tour-guide on an unexpected detour. It seems the man is totally crazy and intends to capture one of the Amazon's most notorious and deadliest inhabitants: The Anaconda.
Despite some bad looking CGI-snakes (not bad in a good way) and a horribly mis-matched cast (J-Lo and Eric Stolz? Really?) "Anaconda" is simply a good, dumb time. Without a doubt, it's an utterly ridiculous film that can be insulting to your intelligence, but thankfully it knows not to overstay its welcome and the 90 minutes it takes up makes for a harmless and amusing ride. Ice Cube plays Ice Cube as he always does, while J-Lo turns in one of her more likable roles. You'll also catch Owen Wilson in one of his earliest roles, and John Voight is a pleasure to watch as he eats up the scenery. But face it, this movie is about snakes, and the titular character is the true star here. Surely, the actors on hand have done much worse, and as far as horror/b-movies about snakes, you could pick up much worse yourself. If you enjoy watching giant snakes (who inexplicably scream) stalk rappers, pop-stars and Angelina Jolie's dad, this is the flick for you. Those seeking genuine thrills, however, may find the film coming up a bit short.
Despite some bad looking CGI-snakes (not bad in a good way) and a horribly mis-matched cast (J-Lo and Eric Stolz? Really?) "Anaconda" is simply a good, dumb time. Without a doubt, it's an utterly ridiculous film that can be insulting to your intelligence, but thankfully it knows not to overstay its welcome and the 90 minutes it takes up makes for a harmless and amusing ride. Ice Cube plays Ice Cube as he always does, while J-Lo turns in one of her more likable roles. You'll also catch Owen Wilson in one of his earliest roles, and John Voight is a pleasure to watch as he eats up the scenery. But face it, this movie is about snakes, and the titular character is the true star here. Surely, the actors on hand have done much worse, and as far as horror/b-movies about snakes, you could pick up much worse yourself. If you enjoy watching giant snakes (who inexplicably scream) stalk rappers, pop-stars and Angelina Jolie's dad, this is the flick for you. Those seeking genuine thrills, however, may find the film coming up a bit short.
Let me tell you about a little film called Anaconda.
I watched this film a dozen times as a kid, I loved monster flicks. Anaconda was bad, it was utterly bad, yet I've seen it more times than I want to admit. Now we visit it again, years later, so we can laugh at how ridiculous this film is.
We open with Danny Trejo, for some reason they dubbed his lines. He doesn't speak English, but the voice the use is so much higher than what we all know to be the gravel voice of Trejo. Just something that I found funny.
The monster effects are laughably bad at times and worse at others. When the snake is animatronic, the obviousness of it all makes it seems like a bad ride at universal. Then we have the CGI effects, which make the snake seem like it doesn't even belong on the screen. The first attack on a human, the entire thing looks like one giant blur. The first time we see the snake in general isn't with some Jaws like reveal, it's simply the thing slithering around in the jungle before it attacks a puma. No big reveal, no slow reveal...just the damn snake out in the open.
In Ebert's review of the film, which is enthusiastically gave a thumbs up, he claims Jon Voight delivers a brave and slimy performance. That I can agree with, but I wouldn't necessarily call it a great performance. It's without a doubt, memorable, but in the campy way. He glares at almost everyone on the screen, his skin is slimy like a snake and immediately untrustworthy. No one else seems to think they are in a bad movie here. Voight seems to know this from the get go. Watch this film and then watch The Room and tell me the performances from them are not almost identical. Is he doing DeNiro? Is he doing Brando? Who the hell knows. It's one wacky performance, that much is a guarantee.
This was one of the early Jennifer Lopez films that probably helped launch her career. Why? I don't know, she doesn't offer anything interesting here. Ice Cube and Owen Wilson play against their usual type, I don't think we've seen either of them in a monster flick since this one,
Suffice to say, Anaconda is a bad film that boarders on being highly enjoyable. Sit back, laugh and enjoy the absurdity of Anaconda. If you take this film seriously...at all, even for one second, then you will utterly hate it.
I watched this film a dozen times as a kid, I loved monster flicks. Anaconda was bad, it was utterly bad, yet I've seen it more times than I want to admit. Now we visit it again, years later, so we can laugh at how ridiculous this film is.
We open with Danny Trejo, for some reason they dubbed his lines. He doesn't speak English, but the voice the use is so much higher than what we all know to be the gravel voice of Trejo. Just something that I found funny.
The monster effects are laughably bad at times and worse at others. When the snake is animatronic, the obviousness of it all makes it seems like a bad ride at universal. Then we have the CGI effects, which make the snake seem like it doesn't even belong on the screen. The first attack on a human, the entire thing looks like one giant blur. The first time we see the snake in general isn't with some Jaws like reveal, it's simply the thing slithering around in the jungle before it attacks a puma. No big reveal, no slow reveal...just the damn snake out in the open.
In Ebert's review of the film, which is enthusiastically gave a thumbs up, he claims Jon Voight delivers a brave and slimy performance. That I can agree with, but I wouldn't necessarily call it a great performance. It's without a doubt, memorable, but in the campy way. He glares at almost everyone on the screen, his skin is slimy like a snake and immediately untrustworthy. No one else seems to think they are in a bad movie here. Voight seems to know this from the get go. Watch this film and then watch The Room and tell me the performances from them are not almost identical. Is he doing DeNiro? Is he doing Brando? Who the hell knows. It's one wacky performance, that much is a guarantee.
This was one of the early Jennifer Lopez films that probably helped launch her career. Why? I don't know, she doesn't offer anything interesting here. Ice Cube and Owen Wilson play against their usual type, I don't think we've seen either of them in a monster flick since this one,
Suffice to say, Anaconda is a bad film that boarders on being highly enjoyable. Sit back, laugh and enjoy the absurdity of Anaconda. If you take this film seriously...at all, even for one second, then you will utterly hate it.
It's a stupid B-Movie with enough quality to fly by, and enough camp charm to get away with such cinematic crimes. The cast play it straight, apart from Voight. I'm pretty sure he was drunk during the shooting, coming out with an inexplicable accent and a look reminiscent of Hannibal Lecter. It's ridiculous fun, with hokey CGI and animatronics. The animatronics are great and make me miss the 90s. It's a big snake shaped tube and goes from slow robotic motions, to super fast CGI. Cube and Hyde manage some, at times, adorable dialogue. Voight's presence also unites the rest of the cast, and each character gets their own heroic captain moment. Fun filled and just plain bad. I loved it.
Lo sapevi?
- QuizDuring the filming of one scene, the controls for the animatronic anaconda shorted out, causing it to completely lose control. Some of the footage is included in the movie.
- BlooperIt's stated in the movie that anacondas have heat pits. They don't.
- Citazioni
Paul Serone: Never look in the eyes, of those you kill. They will haunt you forever. I know.
- Versioni alternativeThe version shown on the Sci-fi channel has several scenes added, including Westrige complaining about his room, Cale musing that the monkeys are acting like they sense a predator nearby, and a dinner scene where Westrige expresses reservations about Sarone.
- ConnessioniEdited into Gioco nella tempesta (2002)
- Colonne sonoreTipsy Dazy
Written by Stephen Marley
Performed by Ziggy Marley and the Melody Makers
Courtesy of Elektra Entertaiment Group
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Trăn Khổng Lồ
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 45.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 65.885.767 USD
- Fine settimana di apertura Stati Uniti e Canada
- 16.620.887 USD
- 13 apr 1997
- Lordo in tutto il mondo
- 136.885.767 USD
- Tempo di esecuzione1 ora 29 minuti
- Colore
- Proporzioni
- 2.39 : 1
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