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IMDbPro

Amistad

  • 1997
  • T
  • 2h 35min
VALUTAZIONE IMDb
7,3/10
85.499
LA TUA VALUTAZIONE
POPOLARITÀ
4124
319
Djimon Hounsou in Amistad (1997)
Theatrical Trailer from Dreamworks
Riproduci trailer2: 32
2 video
99+ foto
DocudramaPeriod DramaBiographyDramaHistory

Nel 1839, la rivolta dei prigionieri Mende a bordo di una nave spagnola causa una grande controversia negli Stati Uniti quando viene catturata al largo della costa di Long Island. I tribunal... Leggi tuttoNel 1839, la rivolta dei prigionieri Mende a bordo di una nave spagnola causa una grande controversia negli Stati Uniti quando viene catturata al largo della costa di Long Island. I tribunali devono decidere se i sono schiavi o liberi.Nel 1839, la rivolta dei prigionieri Mende a bordo di una nave spagnola causa una grande controversia negli Stati Uniti quando viene catturata al largo della costa di Long Island. I tribunali devono decidere se i sono schiavi o liberi.

  • Regia
    • Steven Spielberg
  • Sceneggiatura
    • David Franzoni
  • Star
    • Djimon Hounsou
    • Matthew McConaughey
    • Anthony Hopkins
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,3/10
    85.499
    LA TUA VALUTAZIONE
    POPOLARITÀ
    4124
    319
    • Regia
      • Steven Spielberg
    • Sceneggiatura
      • David Franzoni
    • Star
      • Djimon Hounsou
      • Matthew McConaughey
      • Anthony Hopkins
    • 271Recensioni degli utenti
    • 84Recensioni della critica
    • 64Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Candidato a 4 Oscar
      • 11 vittorie e 44 candidature totali

    Video2

    Amistad
    Trailer 2:32
    Amistad
    What Are Scorsese and Spike Lee Really Like on Set? Anna Paquin Knows Best
    Video 2:02
    What Are Scorsese and Spike Lee Really Like on Set? Anna Paquin Knows Best
    What Are Scorsese and Spike Lee Really Like on Set? Anna Paquin Knows Best
    Video 2:02
    What Are Scorsese and Spike Lee Really Like on Set? Anna Paquin Knows Best

    Foto187

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    + 181
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    Interpreti principali99+

    Modifica
    Djimon Hounsou
    Djimon Hounsou
    • Cinque
    Matthew McConaughey
    Matthew McConaughey
    • Roger Sherman Baldwin
    Anthony Hopkins
    Anthony Hopkins
    • John Quincy Adams
    Morgan Freeman
    Morgan Freeman
    • Theodore Joadson
    Nigel Hawthorne
    Nigel Hawthorne
    • Martin Van Buren
    David Paymer
    David Paymer
    • Secretary John Forsyth
    Pete Postlethwaite
    Pete Postlethwaite
    • Holabird
    Stellan Skarsgård
    Stellan Skarsgård
    • Tappan
    Razaaq Adoti
    Razaaq Adoti
    • Yamba
    Abu Bakaar Fofanah
    • Fala
    Anna Paquin
    Anna Paquin
    • Queen Isabella
    Tomas Milian
    Tomas Milian
    • Calderon
    Chiwetel Ejiofor
    Chiwetel Ejiofor
    • Ensign Covey
    Derrick N. Ashong
    • Buakei
    Geno Silva
    Geno Silva
    • Ruiz
    John Ortiz
    John Ortiz
    • Montes
    Ralph Brown
    Ralph Brown
    • Lieutenant Gedney
    Darren E. Burrows
    Darren E. Burrows
    • Lieutenant Meade
    • (as Darren Burrows)
    • Regia
      • Steven Spielberg
    • Sceneggiatura
      • David Franzoni
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti271

    7,385.4K
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    Recensioni in evidenza

    7excalibur107

    The glossy horrors of Amistad

    Beautifully told, it also made me go back to History books to double check or to confirm. That's what good movies also do, they provoke you into wanting to know more. I loved Djimon Hounsou - a sensational film presence and his soulfulness permeates the whole journey. Anthony Hopkins is a remarkable John Quincy Adams. The great Steven Spielberg doesn't shy away from the horrors and some of it is truly harrowing but even then the preciousness of the image protects you from excesses. I don't know if that is a flaw or just a grand commercial concession. I couldn't help trying to imagine, this story even the same script in the hands of an Arthur Penn for instance. After all of that, let me say I enjoyed it, I was moved and I will see it again.
    8mstomaso

    Whoever tells the best story wins

    Amistad is a very well crafted, well acted, and well told story. It is also mostly true to the history of events surrounding the Amistad 'mutiny', and the defense of the Africans responsible for it by John Quincy Adams and a young lawyer named Baldwin. I put the word mutiny in quotes because it is absurd to think of people fighting against murder, enslavement and rape as any form of crime. The film is unabashed about showing us the brutality and outrageousness of the covertly institutionalized slave trade that haunted one of America's darkest, most retrograde periods, and pulls no punches about the cultural differences between its victims, its culprits, and those who felt that it was not their problem.

    Amistad ranks as one of McConaughey's finest performances, perhaps his best. But nearly the entire cast is blown off the screen by the passionate, sensitive and profound performance of Djimon Hounsou. Hopkins is good as Adams, but what else is new? Though the film does not have a literary feel - it is pure cinema - it is a truly great story featuring bold characters and a deep and simple emotionality which draws its audience in. Alistad has a spirit that can only be described as truthfulness.

    Despite his detractors, Spielburg proves again and again that morally decent films with positive messages can be entertaining and artfully crafted.

    Highly recommended.
    7slightlymad22

    I Got This Wrong

    Continuing my plan to watch every Steven Spielberg movie in order, I come to Amistad.

    I hold my hands up, and say I was totally wrong on this movie. It did nothing for me the first time I watched it. Yet, when I rewatched it I was blown away. It's not perfect, its historically inaccurate and Morgan Freeman is surprisingly under used. We get a lot of shots of him looking on, but not actually doing a lot.

    All the cast are great, and Spielberg knows how to tug on the heartstrings.

    Amistad was mostly ignored by cinemagoers upon its release the 50th highest grossing movie of 1997. With a $44 million dollar domestic gross.
    8Barky44

    Powerful for Images of Slavery, but Only a Fair Portrayal of Legal Battle

    I am a fan of historically-based dramas. I enjoy the genre, and Amistad did not disappoint me. It is well shot, the look and feel is quite right, and it pulls no punches in its cruel depiction of the slave trade.

    Amistad shows this terrible business better than any other film I've ever seen. It portrays all the horrors: the capture of Africans at the hands of rival tribes; the abusive loading of slaves onto ships; the deplorable conditions; the murder and violence conducted in the name of economics; the hopelessness of the slaves' position; the crass indifference felt by the traders, auctioneers, owners and passers-by. Spielberg pulled few punches, only darkening the worst scenes to keep it from degenerating into some Rob Zombie horror film (thereby retaining an audience).

    The film also does a good job with the portrayal of the heroes, the slaves who fought for their freedom aboard the schooner Amistad. You can really feel their anger, confusion, and frustration as the events unfold. They are a people pushed from one holding cell to another, subjected to trials and procedures incomprehensible to them (both for language barriers and for the inanity of it all).

    One part the filmmakers did a fine job with was the communication barrier. Some of the best scenes involve the ignorance of the Connecticut gentry as they stare blankly at the Africans as they speak their tongue; incompetent linguists stating the obvious and disguising it as "science"; lawyers trying to figure out the slaves' stories; and finally the leader of the escaped Africans declaring "Give us free!" That part really stood out for me.

    There are a few criticisms I can lay upon this film, however. Firstly, they didn't do that great of a job in portraying courtroom drama. Filmed in '97, this film predates some great television courtroom dramas (Law & Order, The Practice). Much of what happens in court is either boring or confusing or pointless. I think if Spielberg was able to study some of these great courtroom dramas, these parts would have had a lot more "punch". Having said that, Anthony Hopkins did some fine delivery as John Quincy Adams...

    Another element I disliked was the clumsy interweaving of the "Big Slavery Picture" elements. There's a scene at President Van Buren's state dinner where Senator John Calhoun of South Carolina shows up and makes threats of civil war. The scene was really just thrown in there to try to put in some jeopardy, but the film was doing just fine without that. The intrigue between Van Buren and the Spanish girl queen was really nice, however (a very young Anna Paquin!).

    The last element that didn't work too well was Morgan Freeman's character, Joadson. He really comes across as little more than an extra. He's such a fine actor, the script doesn't do him justice.

    For the most part, this is a fine, and important, film. It just misses a few marks that would have made it a great film.

    8 out of 10.
    8philip_vanderveken

    Another historic masterpiece from one of the greatest directors ever

    There is one thing that I've never understood about Hollywood. When it comes to historic and realistic movies, they have used about every possible subject. Think of the American Civil War, the Hollocaust, the Second World War, the Vietnam war,... Each of these historic subjects has been used in a movie at least once. And there is absolutely nothing wrong with that, as long as it is done properly and accurately, because these movies are often the only source of new knowledge for a lot of people once they have left school (and even at school they hate history classes because they don't seem to understand the importance of it). But why aren't there so many movies about the slave trade and the plantations? Are the studios afraid of that subject or are they so racist, that they have never been able to come to terms with the abolishment of slavery?

    "Amistad" tells the story of a group of Africans who start a revolt against the crew of the slave ship La Amistad and get adrift for several weeks after this horrible event. Then they are discovered by some American marine officers, who bring the ship into harbor and hand over the slaves to the local authorities. Soon they have to stand trial for this revolt and the fact that they have murdered the crew. But a couple of honorable men, who want to end the slavery in the New World, will defend them with everything that is within their power ... even if that means that they will offend some other countries or start a civil war.

    At the same time it's very easy and very hard to say what I liked about this movie. I liked almost everything about it, but explaining why will take some time. Let me start with the story on itself. The fact that it hasn't been told at least a dozen times makes it original, but doesn't make it easy to compare it to other similar movies of course. Still, the quality was more than OK and had a lot of variation to offer. It's clearly well-written with a good eye for detail and even though I'm normally not a fan of court room drama's, I must say that it didn't even bother me that a court room was the place where the biggest part of this movie was set. What I also liked was the acting. From people like Morgan Freeman and Anthony Hopkins you can't expect anything else but a fine performance, but it was the rest of the cast that offered me a nice surprise. Djimon Hounsou for instance still isn't a house hold name, even though he has played in a few excellent movies like "Gladiator" and "In America", but once again he proves that he's a talented actor and I sure hope to see him in many more big productions soon.

    Even though a large part of this movie was shot in a court room, it also offered plenty of other sets. You'll get to see the fort in Sierra Leone where the slaves were brought together to be shipped to the New World, you'll see a nice representation of the American cities of those days, you'll see the ships of that time... And perhaps it's the slave boat and all the scenes on it that were the most incredible. I don't think the horror of the slave trade was more obvious as it was in those scenes. They certainly aren't suited for people who can't stand the sight of blood or very graphic violence, but excluding them from this movie would not only be a shame, it would harm the sense of reality. And it's that sense of reality that makes this movie so special. Of course Steven Spielberg knows exactly how to make a movie feel as real as possible. Think of "Schindler's List" and "Saving Private Ryan", both movies that will always be in my list of the best movies I've ever seen, but with this movie he has proved that he can do more than telling a story situated in WWII.

    In the end I can only say that this is a movie that every American and every European should see. The Americans should see it because the slaves ones were the reason why the plantations in the South prospered and the civil war was fought and the Europeans shouldn't miss it, for we should never forget that the slave trade will always be a dark page in our long history. This movie is for so many reasons worth to be seen (not once, but at least a couple of times), that it doesn't deserve anything less than an 8.5/10.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Sir Anthony Hopkins astounded the crew by delivering the entire seven-page courtroom speech in a single take. Steven Spielberg was so in awe, he couldn't bring himself to call him Tony, and insisted on addressing him as Sir Anthony throughout the shoot.
    • Blooper
      Martin Van Buren was never photographed while in office, and in 1839 photography was extremely new technology and not widespread. The first president to be photographed while in office was Van Buren's immediate successor William Henry Harrison in March 1841. Van Buren was photographed in 1845, well after he had left office, but he was not wearing a sash as depicted in the movie. Former Presidents John Quincy Adams and Andrew Jackson were also photographed that same year.
    • Citazioni

      John Quincy Adams: [to the Court] This man is black. We can all see that. But can we also see as easily that which is equally true: that he is the only true hero in this room? Now, if he were white, he wouldn't be standing before this court fighting for his life. If he were white and his enslavers were British, he wouldn't be standing, so heavy the weight of the medals and honors we would bestow upon him. Songs would be written about him. The great authors of our times would fill books about him. His story would be told and retold, in our classrooms. Our children, because we would make sure of it, would know his name as well as they know Patrick Henry's. Yet, if the South is right, what are we to do with that embarrassing, annoying document, The Declaration of Independence? What of its conceits? "All men created equal," "inalienable rights," "life, liberty," and so on and so forth? What on Earth are we to do with this? I have a modest suggestion.

      [tears papers in half]

    • Curiosità sui crediti
      The events depicted did not historically occur at Fort El Morro
    • Versioni alternative
      The board of film censors of Jamaica have excised the opening scenes, depicting a violent slave uprising on a ship, from all copies of the film released in Jamaican theatres.
    • Connessioni
      Featured in Siskel & Ebert & the Movies: Alien Resurrection/Welcome to Sarajevo/Flubber/Public Housing/Bent (1997)
    • Colonne sonore
      Andante From Quartet No. 2 In B Flat Major
      Written by Giovanni Battista Viotti

      Performed by Quartetto Aira

      Courtesy of Dynamic SRL.

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    Dettagli

    Modifica
    • Data di uscita
      • 13 marzo 1998 (Italia)
    • Paese di origine
      • Stati Uniti
    • Lingue
      • Inglese
      • Mende
      • Spagnolo
      • Portoghese
    • Celebre anche come
      • Chuyến Tàu Nô Lệ
    • Luoghi delle riprese
      • San Juan, Portorico
    • Aziende produttrici
      • Dreamworks Pictures
      • Home Box Office (HBO)
      • Amblin Entertainment
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 36.000.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 44.229.441 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 4.573.523 USD
      • 14 dic 1997
    • Lordo in tutto il mondo
      • 44.229.441 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      2 ore 35 minuti
    • Colore
      • Color
    • Mix di suoni
      • DTS
      • Dolby Digital
      • SDDS
    • Proporzioni
      • 1.85 : 1

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