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Un lupo mannaro americano a Parigi

Titolo originale: An American Werewolf in Paris
  • 1997
  • VM14
  • 1h 38min
VALUTAZIONE IMDb
5,1/10
28.374
LA TUA VALUTAZIONE
Un lupo mannaro americano a Parigi (1997)
An American man unwittingly gets involved with French werewolves who have developed a serum allowing them to transform at will.
Riproduci trailer1: 42
1 video
99+ foto
CommediaCommedia darkDark fantasyFantasiaHorror con licantropiOrroreOrrore corporeoThriller

Un uomo americano viene inconsapevolmente coinvolto con i lupi mannari francesi che hanno sviluppato un siero che permette loro di trasformarsi a piacimento.Un uomo americano viene inconsapevolmente coinvolto con i lupi mannari francesi che hanno sviluppato un siero che permette loro di trasformarsi a piacimento.Un uomo americano viene inconsapevolmente coinvolto con i lupi mannari francesi che hanno sviluppato un siero che permette loro di trasformarsi a piacimento.

  • Regia
    • Anthony Waller
  • Sceneggiatura
    • John Landis
    • Tim Burns
    • Tom Stern
  • Star
    • Tom Everett Scott
    • Julie Delpy
    • Vince Vieluf
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    5,1/10
    28.374
    LA TUA VALUTAZIONE
    • Regia
      • Anthony Waller
    • Sceneggiatura
      • John Landis
      • Tim Burns
      • Tom Stern
    • Star
      • Tom Everett Scott
      • Julie Delpy
      • Vince Vieluf
    • 211Recensioni degli utenti
    • 46Recensioni della critica
    • 31Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 3 vittorie e 2 candidature totali

    Video1

    Official Trailer
    Trailer 1:42
    Official Trailer

    Foto765

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster

    Interpreti principali30

    Modifica
    Tom Everett Scott
    Tom Everett Scott
    • Andy McDermott
    Julie Delpy
    Julie Delpy
    • Serafine Pigot
    Vince Vieluf
    Vince Vieluf
    • Brad
    Phil Buckman
    Phil Buckman
    • Chris
    Julie Bowen
    Julie Bowen
    • Amy Finch
    Pierre Cosso
    Pierre Cosso
    • Claude
    Thierry Lhermitte
    Thierry Lhermitte
    • Dr. Thierry Pigot
    Tom Novembre
    • Inspector LeDuc
    Maria Machado
    Maria Machado
    • Chief Bonnet
    Ben Salem Bouabdallah
    • Detective Ben Bou
    Serge Basso
    • Officer with Flashlight
    Charles Maquignon
    Charles Maquignon
    • Bouncer
    Jochen Schneider
    • Lycanthrope
    Alan McKenna
    Alan McKenna
    • Lycanthrope
    Hervé Sogne
    • Lycanthrope
    Edgar Kohn
    • Lycanthrope
    Jean-Claude Deret
    • Professor Martin
    Isabelle Constantini
    • Serafine's Mom (Alex Price-Pigot)
    • Regia
      • Anthony Waller
    • Sceneggiatura
      • John Landis
      • Tim Burns
      • Tom Stern
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti211

    5,128.3K
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    Recensioni in evidenza

    BaronBl00d

    Don't Look at it as a Sequel

    As a sequel to An American Werewolf in London, this film is sure to disappoint many. It certainly doesn't have the talent that was involved on that one. No John Landis. No David Naughton. No Jenny Agutter and other more-than-competent actors. No Rick Baker and dazzling, innovative special effects. I could go on...and on. But if one distances themselves from seeing this film as a sequel(and really it is not a sequel at all...it doesn't have any of the same characters from the first film), this film is not that bad on its own. Sure it is relying on your memories of the London film to get fannies in the seats. Yep, it uses the same character TYPES and situations(dead victims talking and being funny comes to mind quickly). Other than that and the fact that werewolves are involved(and a romance of course), I found few other similarities. This film is definitely going for more laughs and takes itself even far less serious than An American Werewolf in London. The leads...Scott and Delpy are pretty good. The rest of the actors are pretty good too, with Julie Bowen as a slutty American and the guy playing Claude particularly good. I also loved all the French police and the gentle humour inherent in every line they said. The script has some genuine scares laced throughout the picture but always comes back to the humour. French werewolves enjoying feasting on Americans was a particular funny storyline. Director Anthony Waller creates a fast-paced film with some excellent sequences interspersed with some sophomoric plot strands. By no means is this a great film, or even a great horror film/spoof, but it is a film that should grab and hold your attention. Make you jump a few times and laugh out loud now and then.
    7angelboy-2

    Fun, fun, fun.

    I loved this movie, although it seems that many people hated it. Do they realise this is an obvious spoof? Yes the special effects were dodgy, yes the acting was laughable, that was the point! This movie is similar in style to starship troopers, not as good though. Lighten up and you'll enjoy this b-grade spoof on horror flicks.
    Li-1

    An enjoyable enough timewaster.

    5.5 out of 10

    Werewolf movies are usually alarmingly bad, even though they should, in theory, make for more interesting villains than vampires, zombies, and slashers. But An American Werewolf in Paris is an exception, sort of. Tom Everett Scott stars as a daredevil who tours Europe with his buddies, performing outrageous stunts. During one particular escapade, he saves the life of a young woman (Julie Delpy) who tries to commite suicide. Thinking she's the girl of his dreams, little does he know what he's getting into.

    Paris tries to be a mixture of different genres: it wants to work as a horror film (to a mild extent), an action/adventure, and as a comedy. Dog Soldiers was definitely far superior at these aspects, but AAWIP's campy approach makes it a decent timewaster. There's not a single boring moment, though a lot of the material is admittedly very silly. Thankfully, none of it's taken very seriously, and some of the humor is actually very funny. Scott and Delpy (who's probably the third most beautiful French actress I've ever seen, behind only Mathilda May and Sophie Marceau) have good chemistry together, even if Scott's performance is a little on and off. The werewolf effects are obviously CGI, but more "serious" effects work would have ruined the campy mood.
    bob the moo

    Not a sequel – more a cash-in title

    When a trio of American teens travel to Paris for a daredevil challenge they decide to bungee jump off the Eiffel Tower. During the jump Andy manages to save the life of a girl attempting suicide. However when he later tries to find her again he finds that she has something to hide. When he and his friends attend a party held by friends for hers they find they are trapped by werewolves. Andy gets bitten and becomes part of a world he wants no part of.

    This is a belated sequel to the 1980's classic `American Werewolf in London' and indeed it tries very hard to be just like it - the corpse black humour, the dreams within dreams sequences etc. However the story is different as it introduces a wider werewolf conspiracy idea to the plot. It actually works quite well - it's not better than many other creature features but it works OK.

    The main problem with it is that it is very much another teen horror movie - with a stupid rock soundtrack, valley girl style humour and dumb spectacle. It lacks the original's black humour and it isn't anywhere near as tense as `London'. The special effects are totally CGI and they don't work as well as `London's' - it all looks too computerised, and seeing everything takes the scare factor out of it.

    In fairness when you look at it as a stand-alone film it's not so bad even though it doesn't stand out from other teenage horror movies. But a sequel to `London'? - sorry but it's not a great addition to that piece of work. Tom Everett Scott looks like he's stepped out of American Pie into a horror movie! He's OK but he doesn't compare with Dunne all those years ago. Julie Delphy is actually quite good - she doesn't have much of a character but she carries herself well. The other characters are either rough French skinheads or American teens.

    Overall it's entertaining enough - but it pales terribly when compared to the original.
    6Fella_shibby

    Can someone pls tell me how Andy escaped from the morgue? Nonetheless this movie shows the best way to remain calm.

    I first saw this in the early 2k on a dvd which I own.

    Revisited it recently.

    This second installment is about Sérafine (Julie Delpy), daughter of David Kessler and Alex Price from the first part, staying in Paris with her stepfather who is on the verge of developing a cure for stopping the transformation of Sérafine. The cure has the opposite effect as it forces werewolves to immediately transform into their beast form which made Sérafine kill her mother n injure her stepfather.

    I liked the movie when i first saw but aft revisiting it, i didn't enjoy it.

    The effects are too cartoonish n the werewolves look more like demons with bad cgi.

    Most of the creature mayhem scenes are shot in flickering lights n there ain't any good transformation scene or gory moment.

    Nonetheless the beautiful Julie Delpy's nudity will calm all viewers.

    The dvd which i own has the ending of Andy visiting Serafine at a hospital, where she has given birth to a child, whose eyes shift to look like the werewolves.

    The version i saw recently has another ending where the couple are shown getting married on The Statue of Liberty n they both jump for an adrenaline rush cos the cure is adrenaline, which stops the transformation.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Julie Delpy now admits that the only reason she made the film was to pay her rent.
    • Blooper
      When Serafine transforms into a werewolf, her knees fold backwards to become the werewolf's hocks (the equivalent to the human ankle) and her upper leg bones bend forwards to become the werewolf's stifles (the equivalent to the human knee). However, humans and wolves have very similar leg structure, so there was no need for any of her joints to change, and she could have become a werewolf with just a lengthening of the bones from her ankles downwards. As it is, she will now have an extra joint in each leg.
    • Citazioni

      Andy McDermott: So... hey you guy's are werewolves too, huh? Super glad to know you.

      Claude: Andy, I don't think you have accepted the gift that has been given to you, or much less appreciated it. We have a mission, Andy. To purify the world that why we pick our victim's from the scum of society. The governments of the world spend billions on medicine, welfare, charity to what effect? It only keeps alive, the weak, the stupid, the lazy, who breathe and multiply, weakening the human race. All my men I have chosen for their loyalty their dedication to the coming age. But you... you were not to have been. You're an accident, an anomaly. I do not wish to kill you. I pray you will join is in our rise to become the new mankind. Pure free of disease free from the trappings of technological advance, will you join us... Andy?

      Andy McDermott: I don't know. You know that's a big decision. I'm gonna need some time to think about that.

      Claude: Sure.

    • Versioni alternative
      When first released on DVD in Australia, the film featured the werewolf baby ending. Subsequent Australian DVD releases feature the more widely seen Statue of Liberty ending.
    • Connessioni
      Edited into An American Werewolf in Paris: Alternate Ending (2017)
    • Colonne sonore
      Daphnis and Chloe
      Written by Maurice Ravel

      Performed by Koninklijk Concertgebouworkest (as The Royal Gebouw Concert Orchestra)

      Conducted by Riccardo Chailly (as Ricardo Chailly)

      Courtesy of Decca Record Company Limited/London Records

      By Arrangement with PolyGram Film & TV Licensing

      Under License from Arima Corp. and Editions Durand SA

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    Dettagli

    Modifica
    • Data di uscita
      • 16 gennaio 1998 (Italia)
    • Paesi di origine
      • Regno Unito
      • Paesi Bassi
      • Lussemburgo
      • Stati Uniti
      • Francia
      • Germania
    • Lingue
      • Inglese
      • Francese
      • Tedesco
    • Celebre anche come
      • Un hombre lobo americano en París
    • Luoghi delle riprese
      • Luxembourg, Lussemburgo
    • Aziende produttrici
      • Hollywood Pictures
      • J&M Entertainment
      • Cometstone Pictures
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 25.000.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 26.570.463 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 7.600.878 USD
      • 28 dic 1997
    • Lordo in tutto il mondo
      • 26.570.463 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 38 minuti
    • Colore
      • Color
    • Mix di suoni
      • Dolby Digital
    • Proporzioni
      • 1.85 : 1

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