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IMDbPro

Un lupo mannaro americano a Parigi

Titolo originale: An American Werewolf in Paris
  • 1997
  • VM14
  • 1h 38min
VALUTAZIONE IMDb
5,1/10
28.382
LA TUA VALUTAZIONE
Un lupo mannaro americano a Parigi (1997)
An American man unwittingly gets involved with French werewolves who have developed a serum allowing them to transform at will.
Riproduci trailer1: 42
1 video
99+ foto
CommediaCommedia darkDark fantasyFantasiaHorror con licantropiOrroreOrrore corporeoThriller

Un uomo americano viene inconsapevolmente coinvolto con i lupi mannari francesi che hanno sviluppato un siero che permette loro di trasformarsi a piacimento.Un uomo americano viene inconsapevolmente coinvolto con i lupi mannari francesi che hanno sviluppato un siero che permette loro di trasformarsi a piacimento.Un uomo americano viene inconsapevolmente coinvolto con i lupi mannari francesi che hanno sviluppato un siero che permette loro di trasformarsi a piacimento.

  • Regia
    • Anthony Waller
  • Sceneggiatura
    • John Landis
    • Tim Burns
    • Tom Stern
  • Star
    • Tom Everett Scott
    • Julie Delpy
    • Vince Vieluf
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    5,1/10
    28.382
    LA TUA VALUTAZIONE
    • Regia
      • Anthony Waller
    • Sceneggiatura
      • John Landis
      • Tim Burns
      • Tom Stern
    • Star
      • Tom Everett Scott
      • Julie Delpy
      • Vince Vieluf
    • 211Recensioni degli utenti
    • 46Recensioni della critica
    • 31Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 3 vittorie e 2 candidature totali

    Video1

    Official Trailer
    Trailer 1:42
    Official Trailer

    Foto765

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster

    Interpreti principali30

    Modifica
    Tom Everett Scott
    Tom Everett Scott
    • Andy McDermott
    Julie Delpy
    Julie Delpy
    • Serafine Pigot
    Vince Vieluf
    Vince Vieluf
    • Brad
    Phil Buckman
    Phil Buckman
    • Chris
    Julie Bowen
    Julie Bowen
    • Amy Finch
    Pierre Cosso
    Pierre Cosso
    • Claude
    Thierry Lhermitte
    Thierry Lhermitte
    • Dr. Thierry Pigot
    Tom Novembre
    • Inspector LeDuc
    Maria Machado
    Maria Machado
    • Chief Bonnet
    Ben Salem Bouabdallah
    • Detective Ben Bou
    Serge Basso
    • Officer with Flashlight
    Charles Maquignon
    Charles Maquignon
    • Bouncer
    Jochen Schneider
    • Lycanthrope
    Alan McKenna
    Alan McKenna
    • Lycanthrope
    Hervé Sogne
    • Lycanthrope
    Edgar Kohn
    • Lycanthrope
    Jean-Claude Deret
    • Professor Martin
    Isabelle Constantini
    • Serafine's Mom (Alex Price-Pigot)
    • Regia
      • Anthony Waller
    • Sceneggiatura
      • John Landis
      • Tim Burns
      • Tom Stern
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti211

    5,128.3K
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    Recensioni in evidenza

    jrb1802

    I quite Enjoyed it

    I enjoyed this movie. Its not in the same league as the Original (An American Werewolf in London), but fun all the same. I think a lot of the reviewers on here have gave it a bad write-up, because they were probably comparing it to the original too much.

    6 out of 10 ... It's worth watching.
    Bram-5

    better than you expect

    Whaddya want from a B horror flick? This movie is funny and silly and camp -- perfect. It's not as good as the original (duh) but certainly has its charms. I liked the joke about clamato juice. See it, if you're in the mood for a non-threatening, generally interesting, often funny good time.
    6lee_eisenberg

    So what next? "An American Werewolf in Athens"?

    OK, so I don't know why they decided to make another movie about a Yankee college student going to a European capital and becoming a lycanthrope. But still, "An American Werewolf in Paris" definitely has its moments. Some scenes were no doubt thrown in for comic relief, like "You can't just pop up and tell me what to do." I agree with a previous reviewer that people who slam this movie are comparing it too much to "An American Werewolf in London". Maybe there's a slight feeling of that one, but you have to take this one as something new - and rather campy - to really enjoy it. Tom Everett Scott and Julie Delpy do a pretty cool job. But either way, I think that I've had my fill of movies about US citizens becoming lycanthropes in the Old Continent.

    So what do YOU plan to do the next time that there's a full moon?
    Li-1

    An enjoyable enough timewaster.

    5.5 out of 10

    Werewolf movies are usually alarmingly bad, even though they should, in theory, make for more interesting villains than vampires, zombies, and slashers. But An American Werewolf in Paris is an exception, sort of. Tom Everett Scott stars as a daredevil who tours Europe with his buddies, performing outrageous stunts. During one particular escapade, he saves the life of a young woman (Julie Delpy) who tries to commite suicide. Thinking she's the girl of his dreams, little does he know what he's getting into.

    Paris tries to be a mixture of different genres: it wants to work as a horror film (to a mild extent), an action/adventure, and as a comedy. Dog Soldiers was definitely far superior at these aspects, but AAWIP's campy approach makes it a decent timewaster. There's not a single boring moment, though a lot of the material is admittedly very silly. Thankfully, none of it's taken very seriously, and some of the humor is actually very funny. Scott and Delpy (who's probably the third most beautiful French actress I've ever seen, behind only Mathilda May and Sophie Marceau) have good chemistry together, even if Scott's performance is a little on and off. The werewolf effects are obviously CGI, but more "serious" effects work would have ruined the campy mood.
    satyr_child

    Agreed... this movie stunk!

    I don't know why I get my hopes up for sequels... my hopes are always destroyed.

    This movie is no exception. For starters, it's important to note that An American Werewolf in London (AAWiL) will always have a special place in my heart as one of the first horror movies I remembers seeing on HBO as a kid.

    This movie lacked just about everything that AAWiL had: good acting, good special effects, a decent soundtrack, etc.

    Tom Everett Scott is a terrible actor... the kind of actor I see and wonder how he ever gets casted for anything. Julie Delpy is OK and I dig her accent. Everyone else was pretty much fluff and/or fodder. The effects were God awful. It's hard enough to pull off CGI monsters and hairy ones are even harder to make believable. When you are making a sequel for a movie that had effects that are still impressive by today's standards, some serious effort has to be made if the intent is to make a movie that rivals the original. This one isn't even in the same league as AAWiL. The music for AAWiL was also very well done. AAWiP had... Bush? Yeah, that's the route you want to go to create a timeless classic.

    Unlike other reviews I wouldn't even go so far as to say this movie would have good as a stand-alone (no connection to AAWiL), but I wouldn't even give it that much credit.

    It just sucked.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Julie Delpy now admits that the only reason she made the film was to pay her rent.
    • Blooper
      When Serafine transforms into a werewolf, her knees fold backwards to become the werewolf's hocks (the equivalent to the human ankle) and her upper leg bones bend forwards to become the werewolf's stifles (the equivalent to the human knee). However, humans and wolves have very similar leg structure, so there was no need for any of her joints to change, and she could have become a werewolf with just a lengthening of the bones from her ankles downwards. As it is, she will now have an extra joint in each leg.
    • Citazioni

      Andy McDermott: So... hey you guy's are werewolves too, huh? Super glad to know you.

      Claude: Andy, I don't think you have accepted the gift that has been given to you, or much less appreciated it. We have a mission, Andy. To purify the world that why we pick our victim's from the scum of society. The governments of the world spend billions on medicine, welfare, charity to what effect? It only keeps alive, the weak, the stupid, the lazy, who breathe and multiply, weakening the human race. All my men I have chosen for their loyalty their dedication to the coming age. But you... you were not to have been. You're an accident, an anomaly. I do not wish to kill you. I pray you will join is in our rise to become the new mankind. Pure free of disease free from the trappings of technological advance, will you join us... Andy?

      Andy McDermott: I don't know. You know that's a big decision. I'm gonna need some time to think about that.

      Claude: Sure.

    • Versioni alternative
      When first released on DVD in Australia, the film featured the werewolf baby ending. Subsequent Australian DVD releases feature the more widely seen Statue of Liberty ending.
    • Connessioni
      Edited into An American Werewolf in Paris: Alternate Ending (2017)
    • Colonne sonore
      Daphnis and Chloe
      Written by Maurice Ravel

      Performed by Koninklijk Concertgebouworkest (as The Royal Gebouw Concert Orchestra)

      Conducted by Riccardo Chailly (as Ricardo Chailly)

      Courtesy of Decca Record Company Limited/London Records

      By Arrangement with PolyGram Film & TV Licensing

      Under License from Arima Corp. and Editions Durand SA

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    Dettagli

    Modifica
    • Data di uscita
      • 16 gennaio 1998 (Italia)
    • Paesi di origine
      • Regno Unito
      • Paesi Bassi
      • Lussemburgo
      • Stati Uniti
      • Francia
      • Germania
    • Lingue
      • Inglese
      • Francese
      • Tedesco
    • Celebre anche come
      • Un hombre lobo americano en París
    • Luoghi delle riprese
      • Luxembourg, Lussemburgo
    • Aziende produttrici
      • Hollywood Pictures
      • J&M Entertainment
      • Cometstone Pictures
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 25.000.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 26.570.463 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 7.600.878 USD
      • 28 dic 1997
    • Lordo in tutto il mondo
      • 26.570.463 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 38 minuti
    • Colore
      • Color
    • Mix di suoni
      • Dolby Digital
    • Proporzioni
      • 1.85 : 1

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