All Over Me

Dreaming of becoming a rock star and hanging out, Claude (Alison Folland) is just like any other fifteen year-old girl. Almost. As the school year nears an end, she finds her relationship with Ellen (Tara Subkoff) strained. And a new friend, Luke, enters her life.

Ellen is suddenly caught up in her new boyfriend, (Cole Hauser). However, Claude doesn't feel the same way about guys. Claude is attracted to girls. To be specific, she's fallen in love with Ellen. And all that happens is Ellen gets closer and closer to Mark.

When Ellen begins a downward spiral into drugs, alcohol, and late-night partying, Claude has to make a decision. Will she be there for Ellen when she needs her most? Or will she stop letting Ellen use her? To complicate things more, a new love interest enters Claude's life and another friend makes an exit.

Claude is forced to weigh the importance of her relationship with Ellen against her conscience. In the end she has to do the right thing and deal with her best friend hating her. In a matter of days, Claude loses two friends, gains one, and also gains a love. And in the end there is no looking back.

This film is the ideal indie movie. Subkoff and Folland shine along with the rest of the excellent cast. Superb writing and cinematography combined with a hip urban soundtrack make this a must see.

I just watched this film on IFC and was really impressed with how well done it was, the acting is really fantastic as well. This one was a sweet story and had real depth of the people we watched in the film. Bravo all around!

Claude (Alison Folland) and Ellen (Tara Subkoff) are best friends in New York. Claude is struggling with her sexuality. Luke is a gay musician who moves into Claude's building. Jesse (Wilson Cruz) is a local gay teen. Ellen spends time with volatile boyfriend Mark (Cole Hauser). His friend Gus (Shawn Hatosy) keeps hitting on Claude. Luke gets into an argument with Mark and then Luke is later found murdered. Claude falls for indie musician Lucy (Leisha Hailey). Mark pushes Ellen into drugs as her friendship with Claude cracks under the pressure.

It's a coming-of-age drama with a bit of bite. Folland's performance is naturalistic. Hauser and Subkoff show their acting skills. The filmmaking is raw for newcomer Sichel sisters. It is amateurish at times but the story and the actors are compelling enough to maintain focus. This deals with many edgy subject matters but it keeps it within Claude's struggle for love. That makes this a more touching exercise than other tougher contemporary indies.

The setting is Hell's Kitchen, the time the 90s, the lead characters, some confused, angst-ridden teens.

There's not much plot here, nor much character development. Just a brief walk on the wild side of big city life.

Focusing on a sensually ambivalent girl and her off and on lovers and acquaintances, there are very good performances and atmospheric details to savor.

Competently directed, with a rich rock track, these short vignettes explore a feminine teen scene rarely depicted in films. Make no mistake, though, this journey is definitely not for everyone, and only those who have the energy, stamina and interest in examining tough urban life from a young feminine perspective, will be rewarded.

New York -1990s. Claude is a teenager of our time, daughter of a divorced mother who let her face the challenges of teenage alone. Not quite alone though, since her best friend Hellen is never very far. As different in temperament as they are in appearance, sturdy, self-effacing Claude and fragile, volatile Ellen have long been at the center of each other's universe. In fact, Claude loves Hellen but does not know quite yet how to express her homosexuality. Anyway, Hellen is not gay. But with school almost over and summer in the air, Claude and Ellen have begun to discover more of the world outside Claude's room. Claude has met people like Jesse, Luke and Lucy, who seem to understand her much better than Ellen does. Meanwhile, Ellen has a new boyfriend, a macho neighborhood guy who shows signs of being violent. So much so that he participates in the murder of Luke. Over the course of a few days, events lead Claude to question, for the first time ever, her friendship with Ellen. Will she have to let go of the person she loves most in order to be happy and true to herself? Tough times, where urban teenagers become adults if they are lucky, or else end up in drugs, in prison, or dead… The type of movie we would like to believe is a horror fiction, rather than a picture of our nice so-called 'civilized' society.