Affliction

With Paul Schrader coming back and making well-made movies with First Reformed and Card Counter. I think looking back on it, Affliction is forgotten way too much when we talk about Paul Schrader.

Nick Nolte is absolutely out of this world in this movie. And it reminds me that Nick Nolte is also forgotten way too much when we talk about "great actors". He came back with "Warrior", we talked about him again, then we forgot about him again. But in this film he portrays this character like no one else would or can, slightly out of it, he accurately portrays this character who slowly loses his mind right in front of us. And he wasn't exactly all there, to begin with.

And can we talk about how the setting for this film being so perfect? A great filmmaker is not only one of course someone who can make a great film but realizes that making a great film is all in the details, even the ones that are overlooked like locations. Locations can impact the mood and atmosphere of a film, and sometimes even can become a character in the movie. And Paul Schrader recognizes that which is why he perfectly placed Affliction, First Reformed, and Card Counter in the exact locations they should be in.

This film is a near-masterpiece but I rarely see it even mentioned among the greats from the '90s. There are films out there that can be referred to as "Lost to Time". And this is definitely one of them.

Wade Whitehouse is a policeman in a snowy New Hampshire hamlet. Divorced, depressed and nursing a burgeoning drinking problem, he isn't what one would call mentally stable. He lives in the shadow of his abusive father, Glen, a brutal arch-manipulator who makes it his business to belittle Wade at every turn. As Wade investigates a supposedly accidental shooting, he becomes obsessively convinced that there is more to the crime than meets the eye. As the case intensifies- and his father's cruelty continues to erode his sanity- Wade falls into a violent spiral of madness from which he can never return.

Written and directed by Paul Schrader- and based on the novel of the same name by Russell Banks- 'Affliction' is a tense, tough psychological thriller that examines the devastating effects of abuse on the psyche. The film shows in subtle detail how years of disparagement and violence can destroy someone mentally, leading to psychosis and an inevitable breakdown. The characters involved are routinely believable, both in terms of writing and performance, and Schrader never resorts to sensationalism to further the narrative. It is a stark piece of realism in many respects, giving credo to Shakespeare's line that "the sins of the father are to be laid upon the children."

'Affliction' is a visually striking, heavily atmospheric venture boasting fine cinematography from Paul Sarossy. He shoots the landscape to heighten its drabness- its never-ending scope- in a manner most effective. At times it is reminiscent of 'Fargo,' with the snow- pervasive and claustrophobic- covering everything in sight, obscuring the dangers lurking 'neath the surface. Sarossy's utilization of space in interior shots is arresting, and the way he captures a pivotal scene involving a tooth and a pliers is intensely visceral, uncomfortable and unforgettable.

Unforgettable too are the performances from the cast. Nick Nolte stars as Wade, giving an intense performance that ranks alongside his very best. Brooding and fidgety, he is a bundle of insecurities and impulses, a complicated man if ever there was one. Nolte brings this character to life in a way that is terrifically understated, yet undeniably powerful; never resorting to theatrics or verging into overacting. Just as Dennis Hopper was Frank Booth or De Niro Travis Bickle, so too is Nick Nolte Wade Whitehouse- no-one could be better for the role.

The same can be said for James Coburn, co-starring as Glen- he is pitch-perfect. Coburn has never been so frightening on screen and, like a mad tsar, he revels in his depravity. Clearly having the time of his life, he delivers what may be his finest on-screen performance, creating in Glen a man so insidious and vile watching him may make your skin actually crawl. He and Nolte work together brilliantly and you don't doubt for a minute that they share a complicated, dark history. Coburn rightly won the Oscar for his performance- it is a true tour-de-force.

Also starring are Sissy Spacek and Willem Dafoe, as Wade's girlfriend Margie and his brother Rolfe, respectively. Spacek has never given a bad performance on screen, and creates in Margie a kind, considerate and (above all else) patient woman- the only source of goodness in Wade's cold world. She is marvelous, consistently underplaying it and leaving an indelible impression on the viewer. Dafoe too is excellent, though his character is underutilized and- arguably- a little underwritten. He doesn't have enough screen time to make something interesting out of Rolfe; but does fine work nevertheless.

Paul Schrader's 'Affliction' is a brilliant, sinister thriller, dealing with mature themes in an interesting, subtle way. Boasting a fascinatingly intense central performance from Nick Nolte, as well as a career best one from co-star James Coburn, it is a film that will have you on the edge of your seat throughout its run. Tense, violent and unpredictable, 'Affliction' is a shockingly raw and naturalistic portrait of a man's descent into madness that one cannot recommend more highly.

This is a movie which rewards at many levels. Its characters are fleshed out human beings capable of good and evil and in the grips of intense suffering, not the formulaic cardboard creations which populate so many recent Hollywood productions. The movie's atmosphere and mood are thick and the bleakness of the New Hampshire winter comes alongside its beauty and majesty. Paul Schrader achieves here what has eluded the Coen brothers in Fargo. The photography of Paul Sarossy is of a rare beauty and his compositions are breathtaking. Think of the scene of the two brothers in the barn lit by light sneaking in through the slits in the wood exterior, the beauty of the snow covered New Hampshire chalets, the camera receding from the barn fire until we get to watch it through a slightly off-center picture-window from the main house, and finally think of the snow in its serenity, its menace, its domination. The two stories are so naturally intertwined that one can spend most of the time convinced one is watching a thriller, until in the end this thriller dissolves into the main story which explores the violent undercurrents of human love and bonding. This whole is as thick and rich as cream.

I am in awe of Nick Nolte's spectacular performance. It is honest, complex and totally convincing. Nolte is ably supported by James Coburn and others. This is moviemaking at its best.

For what is considered a small, independent film, this movie is packed with brilliant performances by two great actors. James Coburn is the dark, angry patriarch of an abusive household, whose abuse and anger are inherited by his son(Nolte). The story is told by the youngest brother (played mainly in voice-over and a small cameo by Willem Dafoe), and traces the events of a small town murder investigation that leads to the mental collapse of Nolte's cop character. The film weaves us through a buffet of sub-plots and bit characters (including a nice appearance by Sissy Spacek), which is at times whish-washed. However the tone and style of the film are quite fresh and unique.

Penned and directed by Paul Schrader, who will probably always be known for writing "Taxi Driver", the film is a stylish take of what is most likely a much better novel. The tone is cold and dark, and serves as the perfect backdrop for the anger and isolation of the two "male" characters. In my opinion, the voice-over narration takes away from the feeling the picture leaves, basically serving the purpose to tell us what to feel. The images and performances on the screen do a fine job in dong that on it's own, without re-enforcment. On a whole, the film is powerful and moving, and is a great look into the heart and soul of lives that are truely tortured. I would recommend this film if for no other reason than to see the brilliant performances of James Coburn (Oscar winner) and Nick Nolte (Oscar nominee).

"Affliction" doesn't have an immediate plot. It's mostly a delve into a man's (Nick Nolte) psyche, a divorced alcoholic man who was abused as a child by his drunken father (James Coburn). He tries to cope, he tries to make something of himself by attempting to solve a hunting accident which he thinks is really a murder. He claims that after this, everyone will remember him as a hero.

Luckily the audience isn't made to believe Nolte's cause, to us he looks just as mad as he does to the characters around them. This is well done, because it could've been presented as some big twist at the end.

Anyway, the "mystery" element to the film isn't that important. It's mostly about how hard - and almost impossible - it is to prevent an emotionally abused man to make the same mistakes his father made. This idea is presented well, but by the end it just feels so thick and depressing that it's hard to take anything from the film, because you don't want to remember it.

Acting-wise the movie is quite good. Nolte delivers what I think is his best performance here, with a quiet desperation wonderfully put out by his eyes, voice, face, and so on. James Coburn does his usual well, but I have to question just why he won an Oscar for this. Don't get me wrong, he was a terrific actor and his performance in this is great, but he's not in many scenes, and the scenes he is in are mostly just a variation of the same thing: Coburn drunkenly and violently mumbles at his sons and eventually starts to yell and thrash. This is all well and good, but his scenes never go beyond that, except for (maybe) at the end when he spews his own sort of twisted philosophy to Nolte.

Other great performances come from Sissy Spacek as Nolte's increasingly uneasy girlfriend. Also Willem Dafoe as Nolte's brother who is so concerned with being quiet and not problematic that he cant prevent the build-up of violence and abuse in his family. I'd say that this performance is more Oscar worthy than Coburn's.

This is a good movie with a great message, but it doesn't put enough on the table, 7/10.