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Codice omicidio 187

Titolo originale: One Eight Seven
  • 1997
  • VM14
  • 1h 59min
VALUTAZIONE IMDb
6,6/10
26.413
LA TUA VALUTAZIONE
Samuel L. Jackson and Clifton Collins Jr. in Codice omicidio 187 (1997)
Home Video Trailer from Warner Home Video
Riproduci trailer0:31
1 video
26 foto
Dramma psicologicoThriller psicologicoTragediaDrammaThriller

Un docente di scuola superiore perde la propria passione per l'insegnamento quando affronta una dura battaglia contro gli studenti che sono più interessati alle lotte di gruppo che all'istru... Leggi tuttoUn docente di scuola superiore perde la propria passione per l'insegnamento quando affronta una dura battaglia contro gli studenti che sono più interessati alle lotte di gruppo che all'istruzione.Un docente di scuola superiore perde la propria passione per l'insegnamento quando affronta una dura battaglia contro gli studenti che sono più interessati alle lotte di gruppo che all'istruzione.

  • Regia
    • Kevin Reynolds
  • Sceneggiatura
    • Scott Yagemann
  • Star
    • Samuel L. Jackson
    • John Heard
    • Kelly Rowan
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,6/10
    26.413
    LA TUA VALUTAZIONE
    • Regia
      • Kevin Reynolds
    • Sceneggiatura
      • Scott Yagemann
    • Star
      • Samuel L. Jackson
      • John Heard
      • Kelly Rowan
    • 119Recensioni degli utenti
    • 36Recensioni della critica
    • 41Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 1 vittoria e 1 candidatura in totale

    Video1

    187
    Trailer 0:31
    187

    Foto26

    Visualizza poster
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    + 18
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    Interpreti principali40

    Modifica
    Samuel L. Jackson
    Samuel L. Jackson
    • Trevor Garfield
    John Heard
    John Heard
    • Dave Childress
    Kelly Rowan
    Kelly Rowan
    • Ellen Henry
    Clifton Collins Jr.
    Clifton Collins Jr.
    • Cesar Sanchez
    • (as Clifton Gonzalez Gonzalez)
    Tony Plana
    Tony Plana
    • Principal Garcia
    Karina Arroyave
    Karina Arroyave
    • Rita Martinez
    Lobo Sebastian
    Lobo Sebastian
    • Benny Chacon
    Jack Kehler
    Jack Kehler
    • Larry Hyland
    Jonah Rooney
    • Stevie Littleton
    Demetrius Navarro
    Demetrius Navarro
    • Paco
    Ebony Monique Solomon
    • Lakesia
    Jonny Bogris
    • Barsek
    • (as Yannis Bogris)
    Dominic Hoffman
    Dominic Hoffman
    • Victor
    Martha Velez
    • Mrs. Chacon
    Method Man
    Method Man
    • Dennis Broadway
    Sage Allen
    • Teacher
    Kathryn Leigh Scott
    Kathryn Leigh Scott
    • Anglo Woman
    Donal Gibson
    Donal Gibson
    • Animal Regulation Officer
    • Regia
      • Kevin Reynolds
    • Sceneggiatura
      • Scott Yagemann
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti119

    6,626.4K
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    Recensioni in evidenza

    7ereinion

    Violence breeds violence

    This movie offers good insight into the culture of violence that is prevalent in cities like Los Angeles, especially its eastern part. Samuel Jackson plays a teacher who survived a brutal stabbing in a NY school and moves to L.A. in order to start again in a new place, trying to get away from the traumatic memories connected to his old working place. But it turns out to be just the beginning of a new nightmare for him: he gets the worst class imaginable, where some of the students are real thugs and hoodlums. The worst of them are Benny Chacon (played by an unknown actor) and Cesar Sanchez, played by Clifton Collins Jr in one of his first major roles. After Chacon kills a graffiti artist for spoiling one of his "masterpieces", he goes on the run and is later found dead. Garfield (Jackson) is left to deal with Sanchez, who proves to be enough for him to handle.

    This shows how violence, psychological violence itself, can make a non-violent individual get more violent and retort to violence in order to solve a problem. Jackson's Trevor Garfield is a traumatised veteran who gets pushed too far by the school bullies and starts bullying back, in his own way. At the same time, this film also lays the blame on the school itself, its principal's tolerance for the bullies' antics and lack of understanding or sympathy for Garfield's plight clearly underscores that. The gangbangers get their way more often than not and Garfield has to fight a lone battle, one which also changes his personality.

    It is a pretty strong film which has a sort of sleepy film-noir quality, reminiscent of some older films. Samuel Jackson makes a very good performance, same as Collins Jr and the beautiful Kelly Rowan and John Heard make good supporting performances. Rowan's character seems to be the only one which is "clean" in all this mess. Her role is that of a moral guardian who questions Jackson's actions when he retaliates against the bullies. Other characters are all pretty much despicable, except for Rita, who is just a victim of her own environment. This is the gangland, where only law is the law of the strongest and the most intimidating. It shows how hard it is to fight against this law.
    Cowman

    A nice, thoughtful alternative to all those countless DANGEROUS MINDS clones made during the time.

    Kevin Reynolds' 187, although billed as another "straight-laced-teacher-turns-troubled-urban-highschool-teens-into-well-rounded-individuals" movie, goes above and beyond this tired premise. The provocative story (which was apparently written by an actual highschool teacher) breathes new life into the otherwise stale highschool-drama subgenre.

    Samuel L. Jackson's performance as Trevor Garfield is fantastic, and his many emotional scenes and powerfully delivered lines of dialogue work well at allowing the audience to sympathize with the disenchanted Garfield and relate to his humdrum life. Also, the characters are much more dynamic and developed here than in most movies of this kind. The student as well as the faculty roles are all given unique personalities, backgrounds, and adequate motivation for their actions, which is a refreshing departure from the typical "the reason they're bad kids is because they grew up in the 'hood"-style characterizations.

    Although a few of the supporting performances are somewhat stilted (mainly because they are overshadowed by Jackson's excellence), the highly original story is clever enough keep anyone's interest piqued until the heartrending (although arguably contrived) ending. 187, aside from being smart, touching, and one-of-a-kind, really shows off Reynolds' ability to successfully convert a good, solid screenplay into a good, solid film. And since this movie was made directly after his abominable WATER WORLD, we should all by doubly impressed by his efforts!
    7coldwaterpdh

    Slice of 90's L.A. that still looks good.

    In the world of 'teacher takes revenge' flicks, we have tons of flops. I think "187" is certainly not one of those flops. It is a film that has held up well since its release in 1997.

    Samuel L. Jackson turns in one of his good performances here. The setting is perfect: a hazy, smoggy east Los Angeles in the 90's. Films like "American Me" and "Falling Down" also captured that 'L.A. thing' well. "187" does that. It makes you feel like you are there.

    Some of it definitely plays like an after school special, but most of the plot here is gritty and believable...this is no "Class of 1984." Awesome soundtrack with lots of good Massive Attack too.

    7 out of 10, kids.
    DJ Inferno

    A review on "187"

    Samuel L. Jackson is not only one of the coolest guys alive, he´s also a great character actor what this film shows very impressively. I don´t know how bad the circumstances at some American schools really are, but I think "187" is much more realistic than liars like "Dangerous Minds". Kevin Reynolds also did a great job as director. In the whole film there are no spectacular things happening, but it is suspense-packed and dramatic from beginning till the end. Also the photography and the score are excellent, because they reflect the depressive and hopeless situation perfectly. The "Deer Hunter"-like showdown and the desperate speech of Rita at the end will keep you sitting on the chair, left deep impressed and considering, while the whole film is already over for a long time. (9/10)
    7planktonrules

    I liked this film until the end...which was tough to watch...and not all that satisfying.

    I am an ex-school teacher and while the school I taught in was NOT as rough as the ones you see in the film, the movie does highlight the biggest problem I see in public schools today. The bad kids, essentially, run things and there's no accountability. As is often the case, teachers are never told about students' criminal records I had students who were convicted sex offenders and I was never informed of this and only found out later. A friend of mine taught a student who paralyzed a previous teacher by stabbing her...and the teachers were never notified! I understand about the right to privacy, but this is insane...especially since these kids pose a serious risk to others. I mention all this because I have my own biases about this film...your reaction might be different.

    When the story begins, Mr. Garfield (Samuel L. Jackson) is working as a substitute in New York City. One of his students has a record of stabbing folks...and because Garfield wasn't prepared AND the kid was not appropriate for this school, tragedy strikes. Garfield is stabbed many times from behind by this sociopath...and it's shocking he didn't die. And, there was no warning.

    Fifteen months have passed. While it's not surprising Garfield moved to another part of the country, he didn't pick well as now instead of the roughest and out of control New York City schools, he's now substitute teaching in one of the tougher inner city schools in Los Angeles. Now instead of a few budding criminals in his classes, the classes are filled with punk gang members who seem to have nothing to lose if they attack him or anyone else. So what's next? Well, it won't be good! See the film and find out for yourself.

    While I generally liked the film, the ending is ROUGH. I didn't love it though I did understand it....and I can only assume most won't love the ending as well. It's a real downer. Had the ending been a bit less awful, I am sure I could have scored this one an 8 or even 9.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Scott Yagemann, who wrote the story and screenplay for this film, worked as high school substitute teacher in the Los Angeles area for seven years. Yagemann claimed that 90% of the film's material is based on incidents that had either happened to him or to other teachers in real life.
    • Blooper
      In the beginning of the film, Mr. Garfield does a demonstration with a bicycle wheel in order to teach 'centripetal' force. The demonstration is actually used to demonstrate 'conservation of angular momentum'.
    • Citazioni

      Trevor Garfield: Your whole way of life is bullshit! Macho is bullshit!

      Cesar: It's all I got!

    • Curiosità sui crediti
      A teacher wrote this movie.
    • Versioni alternative
      When aired on USA Network, the scene where Rita is topless uses different camera angles to avoid nudity.
    • Connessioni
      Featured in Siskel & Ebert & the Movies: Air Force One/Good Burger/Cafe Society/In the Company of Men/Box of Moonlight (1997)
    • Colonne sonore
      Slack Hands
      Written by Dominic Oakenfull, Robert Bernard Gallagher and Valerie Etienne

      Performed by Galliano

      Courtesy of Slack Records UK/Talkin' Loud/Mercury Records Limited

      By Arrangement with PolyGram Film & TV Licensing

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    Domande frequenti20

    • How long is One Eight Seven?Powered by Alexa

    Dettagli

    Modifica
    • Data di uscita
      • 17 luglio 1998 (Italia)
    • Paese di origine
      • Stati Uniti
    • Lingue
      • Inglese
      • Spagnolo
    • Celebre anche come
      • 187
    • Luoghi delle riprese
      • Verdugo Hills High School - 10625 Plainview Avenue, Tujunga, Los Angeles, California, Stati Uniti
    • Aziende produttrici
      • Icon Entertainment International
      • Icon Productions
      • R U Dun Productions
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 20.000.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 5.727.130 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 2.222.984 USD
      • 3 ago 1997
    • Lordo in tutto il mondo
      • 5.727.130 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h 59min(119 min)
    • Colore
      • Color
    • Mix di suoni
      • DTS
      • Dolby Digital
      • SDDS
    • Proporzioni
      • 1.85 : 1

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