Touching Evil

OK - Having just finished watching the second episode in the new run, I think I'm justified in saying that this has to be the best series yet. I had absolutely no idea which way the episode was going to go (a common trait with this series), and although you begin to piece things together, you never actually know how they're gonna get to the conclusion, that is assuming that there will be a nice conclusion, and that everyone will get there in one piece.

It's a show which isn't afraid of pulling the punches (stabbings, shootings or any other kind of dispatch method available to a crazed killer), but a strong stomach is required for some parts. However, it is a show which is very intelligent in its storylines, and the characters have enough depth to them to make you wonder how the writers managed to do this alongside a storyline. Plus the realism is enough to send you screaming for the teddybear you've had since you were a baby (I know it's around here somewhere....)

I watched this series when it was first out in 1997 (god that long ago, I just realised I was quite young when I got hooked on Touching Evil no wonder my mum didn't really approve!) and I still think it's a bloody good series.

Personally, I was disappointed by Series 3, which they probably shouldn't have made but the first two series are so good, I just try to forget they sunk a little with the last series! What Touching Evil has, is a great mixture of entertaining and surprising story lines, humour and broken, life like characters (anti-heroes are always more interesting to watch). It revels in the darkness of human nature, without sensualising it, though it deals with all sorts of hard issues they never depress enough to make you stop watching, in fact this thriller had me on the edge of my seat for two seasons.

Robson Green has a nice mix of Lethal Weapon madness and pure genius with Creegan and humour (which I think is what he does best) doesn't ever make his character less believable if fact the opposite. He's an odd ball. But Creegan's been through a lot (being brought back from death after a gun shot to the head) and he doesn't do anything he's told by his superiors…Oh and he's always right! Green is backed up nicely by Nicola Walker and Shaun Dingwall, both of which work very well with Creegan's humour and darkness, from the beginning they are a very interesting and likable team and easy to watch. Green's Creegan does dominate the first series (nothing wrong with that) but I must admit I did prefer it when by the second series Walker and Dingwall also got some meatier bits too! I'm not saying this is an easy watch, because it's not Harry Potter. But Touching Evil still remains a clever, energetic and fast paced drama, with rounded, emotionally loaded characters.

Just make sure you have a cushion to hide behind, 'cos sometimes it's a little gory!

Recommended! But I've deducted a point for Season 3... Really you can do without it!

This was one of my favorite "Mystery!" series. This was something of a precursor to shows like "CSI" and "Without a Trace," and ten times better. Robson Greene is DI Dave Creegan, a workaholic who works in a fictional British unit called Organized Serial Crime (OSC). Creegan received a bullet in the head some time back, and was brought back to life through the miracle of medicine, now walking a tightrope on the edge of sanity as the semi-suicidal detective hunts down serial killers and other perps through his gift for thinking like they do. Creegan's partner, DI Susan Taylor, is a no-nonsense type whose method for solving cases is quite the opposite of Creegans. DC Mark Rivers, also a key player, is as far removed from Creegan as possible, a by-the-book detective who is just as content to wait for back-up as jump into the fire. There were some excellent shows, but the first season is by far the best, starting off with a perverted and villainous suspect portrayed by Ian McDiarmid, of "Star Wars" fame.

Perhaps this show lacks some of the class that made earlier shows such as "Prime Suspect" such a treat, but the only thing on "Mystery!" to match it as of yet is probably the most recent American-produced Tony Hillerman adaptations.

"Touching Evil" is such a wonderful series, but sometimes it's difficult to watch. It's dark, gritty, atmospheric, sometimes sad, and sometimes heartbreaking. Bottom line: it's fantastic.

The series stars heartthrob Robson Green, a quirky, intense, sexy actor who, in his role as Dave Creegan. Creegan is a divorced man with two beautiful little girls; his wife is involved with someone else. Previous to the series, he was shot and had a near death experience, which has affected him deeply as well as leaving him with a physical scar.

When the series begins, he comes to work with the Organised & Serial Crime Unit, where he's teamed with Susan Taylor (Nicola Walker), an attractive, down to earth woman who realizes early on that Creegan is no typical detective. He works to get into the mind of the killer to figure out his next move.

The various episodes have dealt with child kidnapping, euthanasia, murders resulting from a web game, a serial killer who communicates with a reporter, and PTSD. At one point, Creegan realizes that he must take desperate measures to protect his ex-wife and his family.

Really excellent series, with absolutely no glamor, sometimes bizarrely photographed, dealing with Britain's underside. Highly recommended for the strong performances of all the actors, the charisma of Green, and the powerful stories.

I stumbled over this one on a Sunday afternoon during a top-ot-the-hour channel surf. Readjusting my American viewing apparatus to accept a cop drama that was cut at less than 10 edits a minute, this baby snared me hard. I drooled until I was able to catch the rest of the episodes, and I found myself moving through the day hungering to answer the phone, "D.I Creegan..."

This show rocks in that the viewer is REQUIRED TO WORK to figure out the details of the backstory, relationships that existed before, and to hang onto a storyline that is not concerned with over-explaining; you need to keep up with the pace. This story is real and happening, transferring a realistic impression of copwork from the inside, tempered with just enough "X-Files" in their "Elite Special Ops Force (or whatever it's called)" to be convincing not in the fantastic/horrific, but in The REALITY. No passivity in attention here; snooze=loose.

Think the complex, multi-episodicness of "The Prisoner" with the acting/directing savvy of "NYPD Blue" and the cinematic re-par-te of, say, John Sayles if he were to shoot contemporary London. (The EXT. - NIGHT's are a little too blue for me, but hell, I ain't the shooter...)

"Touching" is pretty dang good, guv-nuh, as hard-boiled as you'll get across the Pond.