Touching Evil

This was one of my favorite "Mystery!" series. This was something of a precursor to shows like "CSI" and "Without a Trace," and ten times better. Robson Greene is DI Dave Creegan, a workaholic who works in a fictional British unit called Organized Serial Crime (OSC). Creegan received a bullet in the head some time back, and was brought back to life through the miracle of medicine, now walking a tightrope on the edge of sanity as the semi-suicidal detective hunts down serial killers and other perps through his gift for thinking like they do. Creegan's partner, DI Susan Taylor, is a no-nonsense type whose method for solving cases is quite the opposite of Creegans. DC Mark Rivers, also a key player, is as far removed from Creegan as possible, a by-the-book detective who is just as content to wait for back-up as jump into the fire. There were some excellent shows, but the first season is by far the best, starting off with a perverted and villainous suspect portrayed by Ian McDiarmid, of "Star Wars" fame.

Perhaps this show lacks some of the class that made earlier shows such as "Prime Suspect" such a treat, but the only thing on "Mystery!" to match it as of yet is probably the most recent American-produced Tony Hillerman adaptations.

I actually saw part of this series while in London, and about a year later, PBS's Mystery! series picked it up (thank God) and was lucky enough to see all of the "Touching Evil" movies. While I only caught part of it in London, I was immediately compelled by what I saw -- gritty and dark storylines, pushed by characters that were convincing in that you really felt like they witnessed some of the most vicious aspects of human nature. The plots orbit around Robson Green's portrayal of cop Dave Creegan and his serial crime investigation unit as they barrel through London, tracking down serial killers. It's easy enough to say he's the archetypal anti-hero -- he's just gone back on the job from a near-death gunshot wound to the head (he's got a little scar), his family life's gone down the crapper (wife and kids left him), and he really is married to his work. But he's the anti-anti-hero; a Dirty Harry who's a real person. He struggles with his personal life as he tries to be emotionally supportive of his ex-wife's new life (what a concept, eh?), and you can see the pain on his face as he watches his small children with first-hand knowledge of the real evil out in the world. All the "Touching Evil" movies are well-done; each story is unique in its serial killer's modus operandi -- all very macabre. The moody filming adds to the bleakness. The deadpan cold moodiness is very similar to that "X-Files" ennui, and its gritty perspective of policework is very "Prime Suspect". The characters are all believable -- serious, professional, and very real. No ex-Playmates or pretty-boy faces, just compelling acting against some pretty grisly storylines.

I watched this series when it was first out in 1997 (god that long ago, I just realised I was quite young when I got hooked on Touching Evil no wonder my mum didn't really approve!) and I still think it's a bloody good series.

Personally, I was disappointed by Series 3, which they probably shouldn't have made but the first two series are so good, I just try to forget they sunk a little with the last series! What Touching Evil has, is a great mixture of entertaining and surprising story lines, humour and broken, life like characters (anti-heroes are always more interesting to watch). It revels in the darkness of human nature, without sensualising it, though it deals with all sorts of hard issues they never depress enough to make you stop watching, in fact this thriller had me on the edge of my seat for two seasons.

Robson Green has a nice mix of Lethal Weapon madness and pure genius with Creegan and humour (which I think is what he does best) doesn't ever make his character less believable if fact the opposite. He's an odd ball. But Creegan's been through a lot (being brought back from death after a gun shot to the head) and he doesn't do anything he's told by his superiors…Oh and he's always right! Green is backed up nicely by Nicola Walker and Shaun Dingwall, both of which work very well with Creegan's humour and darkness, from the beginning they are a very interesting and likable team and easy to watch. Green's Creegan does dominate the first series (nothing wrong with that) but I must admit I did prefer it when by the second series Walker and Dingwall also got some meatier bits too! I'm not saying this is an easy watch, because it's not Harry Potter. But Touching Evil still remains a clever, energetic and fast paced drama, with rounded, emotionally loaded characters.

Just make sure you have a cushion to hide behind, 'cos sometimes it's a little gory!

Recommended! But I've deducted a point for Season 3... Really you can do without it!

The other commenter was correct in saying that it's not a show for the kiddies, and yes, I don't know how PBS managed to broadcast it without the FCC stomping their heads in, but it's a fantastic show, so hurrah for them!

And as for the comparison to "Prime Suspect," it's apples and oranges. "Touching Evil" is more stylized and less procedural. The title is apt, as its focus is less on the evil itself or the process of combating it, and more on the damage it does to those who touch and are touched by it. The protagonists grow harder, more detached, more despairing, and more absorbed by the horrors their occupation revolves around, and the grief of the victims is almost palpable.

If it suffers from the occasional bout of unrealism, I didn't notice. I was too absorbed by the atmosphere and the pathos. It's superbly done and well worth watching. The acting is stupendous, the characters intriguing, and the production brilliant. It's one of the finest crime dramas I've ever seen.

I stumbled over this one on a Sunday afternoon during a top-ot-the-hour channel surf. Readjusting my American viewing apparatus to accept a cop drama that was cut at less than 10 edits a minute, this baby snared me hard. I drooled until I was able to catch the rest of the episodes, and I found myself moving through the day hungering to answer the phone, "D.I Creegan..."

This show rocks in that the viewer is REQUIRED TO WORK to figure out the details of the backstory, relationships that existed before, and to hang onto a storyline that is not concerned with over-explaining; you need to keep up with the pace. This story is real and happening, transferring a realistic impression of copwork from the inside, tempered with just enough "X-Files" in their "Elite Special Ops Force (or whatever it's called)" to be convincing not in the fantastic/horrific, but in The REALITY. No passivity in attention here; snooze=loose.

Think the complex, multi-episodicness of "The Prisoner" with the acting/directing savvy of "NYPD Blue" and the cinematic re-par-te of, say, John Sayles if he were to shoot contemporary London. (The EXT. - NIGHT's are a little too blue for me, but hell, I ain't the shooter...)

"Touching" is pretty dang good, guv-nuh, as hard-boiled as you'll get across the Pond.