Un alcolizzato in via di guarigione deve lottare con i demoni interni ed esteriori quando lui e la sua famiglia si trasferiscono come custode in un hotel infestato.Un alcolizzato in via di guarigione deve lottare con i demoni interni ed esteriori quando lui e la sua famiglia si trasferiscono come custode in un hotel infestato.Un alcolizzato in via di guarigione deve lottare con i demoni interni ed esteriori quando lui e la sua famiglia si trasferiscono come custode in un hotel infestato.
- Vincitore di 2 Primetime Emmy
- 15 vittorie e 10 candidature totali
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Recensioni in evidenza
I liked the fact that the film was more faithful to the book - one of my all-time favorite books, incidentally.
However, that's about the only thing that was better. This version was long, boring and the acting was absolutely horrid. I've never seen a movie where EVERYONE overacted. Elliot Gould as Stuart Ullman was terrifying- Gould tried way too hard, and his performance was wooden.
In fact, it seemed as if all the actors were reading from cue cards the entire time. If someone without any cinematic skills like me can notice this, couldn't the people involved with the film have noticed too? There's no way they wanted people to act like this.
OH well. I didn't think anything could make me think the original Shining was a great movie once I read the book, but I have to say, I'll take the "unfaithful" version anytime.
However, that's about the only thing that was better. This version was long, boring and the acting was absolutely horrid. I've never seen a movie where EVERYONE overacted. Elliot Gould as Stuart Ullman was terrifying- Gould tried way too hard, and his performance was wooden.
In fact, it seemed as if all the actors were reading from cue cards the entire time. If someone without any cinematic skills like me can notice this, couldn't the people involved with the film have noticed too? There's no way they wanted people to act like this.
OH well. I didn't think anything could make me think the original Shining was a great movie once I read the book, but I have to say, I'll take the "unfaithful" version anytime.
Let me say this right off the bat, the Kubrick version is the superior movie while the King/ Garris version is the superior adaptation.
What's wrong with the Kubrick version?
His misses out on certain very important plot elements. Jack seems to be crazy from the beginning. Jack's alcoholism is not as known as it should be. The Overlook only seems to be haunted in one or two scenes, the rest could be cabin fever. The breakdown of the family is not so clear, Jack and Danny don't seem to really love each other as much as they should. Differs greatly from the book.
What's right with Kubrick's version?
Superior directing. A very definitive style. Classic scenes ("Here's Johnny!"). Excellent acting. Danny seems to really be his age. Wendy really seems to be scared. Jack really does seem crazy when he's supposed to be. A very good horror movie in general. The hotel is much more imposing. Foreboding music helps to set mood. Differs greatly from the book (I'll explain why it's in both later).
What's wrong with the King/Garris version?
It suffers from many TV-Movie problems. The actors aren't quite as good. They use CGI when puppets, wires, or trick camera shooting could be equally effective. CGI looks out of place. Danny talks like a twenty-year old, although the same problem was in the book. Jack is fine when it comes to being Mr. Every Dad but he doesn't seem to be crazy when he's supposed to be. Jack's transformation doesn't seem so gradual as it should, Wendy says "You're old drinking habits have all come back" when the book shows each one pop up. It's the book, very little is changed so if you've read the book you pretty much know exactly what happens.
What's right with King/Garris' version?
It's not a remake of Kubrick's movie, it's a movie version's of King's book. It's the book, if you loved the book and are a die hard fan you'll love this. Very little is changed. Minor subplots are changed but movie works well without them. You get pretty much everything the Kubrick version left out.
Which one?
It depends. If you loved the book and are a die hard Stephan King fan then watch the Garris TV miniseries. If you are a regular movie fan or a Kubrick fan then watch the Kubrick version. Garris' is for the book fans. Kubrick's is for the non book fans.
Final Thoughts.
It's not really fair to compare the two movies. Each one has their own pros and cons. Kubrick's is more of a movie using the basic premise of the haunted hotel and the father who goes crazy. It's meant to be a movie that's not just a page by page adaptation of the book. Which you got to admire Kubrick for doing that. He did something that even those who memorized the book would be surprised and scared. But Garris did something that the die hard Stephan King fans can love. It depends on who you are. It is definitely not fair to compare the two since they are both very different from each other. Both are good in their own separate ways.
What's wrong with the Kubrick version?
His misses out on certain very important plot elements. Jack seems to be crazy from the beginning. Jack's alcoholism is not as known as it should be. The Overlook only seems to be haunted in one or two scenes, the rest could be cabin fever. The breakdown of the family is not so clear, Jack and Danny don't seem to really love each other as much as they should. Differs greatly from the book.
What's right with Kubrick's version?
Superior directing. A very definitive style. Classic scenes ("Here's Johnny!"). Excellent acting. Danny seems to really be his age. Wendy really seems to be scared. Jack really does seem crazy when he's supposed to be. A very good horror movie in general. The hotel is much more imposing. Foreboding music helps to set mood. Differs greatly from the book (I'll explain why it's in both later).
What's wrong with the King/Garris version?
It suffers from many TV-Movie problems. The actors aren't quite as good. They use CGI when puppets, wires, or trick camera shooting could be equally effective. CGI looks out of place. Danny talks like a twenty-year old, although the same problem was in the book. Jack is fine when it comes to being Mr. Every Dad but he doesn't seem to be crazy when he's supposed to be. Jack's transformation doesn't seem so gradual as it should, Wendy says "You're old drinking habits have all come back" when the book shows each one pop up. It's the book, very little is changed so if you've read the book you pretty much know exactly what happens.
What's right with King/Garris' version?
It's not a remake of Kubrick's movie, it's a movie version's of King's book. It's the book, if you loved the book and are a die hard fan you'll love this. Very little is changed. Minor subplots are changed but movie works well without them. You get pretty much everything the Kubrick version left out.
Which one?
It depends. If you loved the book and are a die hard Stephan King fan then watch the Garris TV miniseries. If you are a regular movie fan or a Kubrick fan then watch the Kubrick version. Garris' is for the book fans. Kubrick's is for the non book fans.
Final Thoughts.
It's not really fair to compare the two movies. Each one has their own pros and cons. Kubrick's is more of a movie using the basic premise of the haunted hotel and the father who goes crazy. It's meant to be a movie that's not just a page by page adaptation of the book. Which you got to admire Kubrick for doing that. He did something that even those who memorized the book would be surprised and scared. But Garris did something that the die hard Stephan King fans can love. It depends on who you are. It is definitely not fair to compare the two since they are both very different from each other. Both are good in their own separate ways.
I have loved Kubrik's interpretation of The Shining since the first time it scared me. But that's what it really is, an interpretation. It's well known how Kubrik did his work and the limited amount of input that King had in the original movie. This new interpretation stays closer to the book and you genuinely get the idea that it's the hotel that is evil, while I've always felt that Kubrik's design made it feel more like the Jack went mad. The final scene of Kubrik's version, where he pans over the photos and you see Jack in all of them, has always felt like an homage to what the true meaning was supposed to be. This new version filled me with chills and goosebumps the whole way through. In one scene, when all the chairs in the dining area slide from their tables to the floor, not only was I shivering but I actually jumped. I've read the book; I knew it was coming but it was so perfectly executed that the creepiness was sustained throughout the entire show. That kind of horror/suspense is so rare nowadays, especially for a television mini-series! I truly feel that both versions stand on their own and applaud King for showing the chutzpah to go back and show us another view of The Overlook.
Not great in the production department because it was made for tv and the acting is ok. But it follows the book way more than the popular Kubrick version and I appreciate that. King had a huge part in making this version and it shows. It was a little slow at times but overall I enjoyed it.
After reading the book I knew I wanted to watch this version. I feel like it did a service to the book and Steven Weber did a great Jack.
Lo sapevi?
- QuizStephen King: Author plays Gage Creed, the band conductor. Gage Creed is also the name of the 2-year-old boy played by Miko Hughes in Cimitero vivente (1989), also based on a book written by King. King also had a cameo in Pet Sematary.
- BlooperReflected in the Overlook's main doors, behind Watson.
- Citazioni
[Addressing the Overlook Hotel]
Dick Hallorann: Hello, you old bitch. You're just as ugly in wintertime as you are in summertime.
- Versioni alternativeDVD contains 11 deleted scenes:
- Danny at the doctor's office; they briefly discuss Tony.
- Brief scene with Danny and Jack conversing.
- A brief scene where the Torrences step outside the hotel and observe that they are snowed in.
- A scene which originally occurred after the "217 lady" scene. Jack says that Wendy and Danny can leave the hotel ASAP and that he will stay. He also shows Wendy the lipstick he found, and describes how he believes Danny's strangle wounds were self-inflicted.
- A fireside chat between Wendy and Danny, in which he tells her that he hears the ghosts in the hotel, talking, laughing, and screaming.
- Two scenes which originally occurred after Jack is locked inside the vault. Wendy leaves Danny to get some food, and Danny tells her that he called to Dick. Then a scene in which Wendy returns and Danny says that Dick may not have heard him.
- A brief scene showing Grady releasing Jack from the vault, and Jack exiting and grabbing the mallet.
- A brief scene in which Danny encounters a female ghost, and he tells her he isn't afraid of her, that only his father can hurt him now. The ghost vanishes, and Jack then appears to "punish" him.
- A climatic ballroom scene in which the "party guests" and the orchestra all melt in gruesome fashion.
- An outtake featuring orchestra conductor Gage Creed (played by Stephen King) melting in gruesome fashion.
- ConnessioniFeatured in The 49th Annual Primetime Emmy Awards (1997)
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- The Shining
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 31 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.33 : 1
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What is the Canadian French language plot outline for Stephen King's Shining (1997)?
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