Nikita

I loved this show and never missed an episode. I thought it was suspenseful and well written. I was fully involved in this program. It will be sorely missed.

I cannot understand why we don't even get re-runs. I think the acting was well done and the characters detailed. I think the relationship between Nikita and Michael was intense and riveting. I have seen repeated episodes of garbage shows on television and I do not understand why no network thinks this show is worth repeating. I was hoping they would make another movie perhaps letting us know what happened after wards. I guess the actors have moved on. I think the original movie was very good and think the television show was a testament to it.

It seems that one genre of film has rarely been successfully translated to tv: The spy film. Can't think of one off the top of my head--except the cartoons like Lancelot Link and Danger Mouse. I suppose in the sixties--Man From Uncle, Mission Impossible.

But here comes La Femme Nikita, a very stylish show, no question, with a certain ruthlessness about it that seems cold and dangerous. Everyone in it seems to adequately convey the sense of dangling over a precipice, waiting for the stark harsh powers to send them to their doom. But until then, they combat various and sundry international terrorists.

While the acting never really rises above adequate--the dialogue really doesn't allow it, the characterizations themselves are rather enjoyable. Megalomaniac Operations, icy Madelaine, zombie like Michael, etc. There's a certain menace that hangs in the air, as if even humanistic Nikita wouldn't hesitate to put a bullet in you were the situation to require it.

I'm not suprised this show draws a devoted following--probably some who put it in the same late nineties genre of women wandering around beating the hell out big bad men (see VIP, Xena, Buffy, etc) But it's rather a bit more than that, the plots are routinely more complex than most spy movies--the last few James Bond movies in particular, maybe they could donate a few writers to the cause in bringing some life in that series.

The endless maneuvering for advantage, the incredible withering amorality, the sudden violence ... and don't forget the clothes, all give this a pretty slick, sexy feel to it. Like a very shiny, glistening new gun--lethal, but undeniably attractive.

Get ready for a series that is a class act. This is top notch entertainment at it's best. I only hope to see a series as good as this again in my life. Bravo! Roy Dupuis has made his own that which is hidden in the core of all human beings but discernible in few actors to this degree. This man is connected interiorly in a way that makes him beautiful to watch: beauty in motion. Some actors acrobatics of technique without depth, leave me feeling flat and uninspired. They lack a digested understanding of who they are. Roy Dupuis is the antithesis of this. Deeply connected to himself, an almost unspoken spirituality is conveyed through his eyes. Without saying a word this actor has the power to deeply effect you. A humble strength emerges from a deep inner awareness of who he is mixed with a humility that has to be owned before it can be acted. And to the viewer understood before it can be seen. Anyone writing this actor off as not noteworthy is probably also walking by the perfume of roses, saying there is no beauty or heavenly fragrance left anywhere. Roy Dupuis is an enormous boon to the best series I've ever seen in my life. What is so captivating about this show is that it fills that human need to see who we are in the fullness of our humanity when that very thing is stripped of us and not allowed to be. At first glance it may appear all the key players in Section One are ruthless, uncaring human beings. However, the reality is these actors, especially Roy, (because of his choice of characterization) have had to shut down and hide their humanity in order to survive the Section, while still letting us see who they are. Cloaked in his "dark" Euro-slick wardrobe Michael is cool incarnate. How cool? It's never been this cool. There is a reason there is such a demand for this series. When life and death hang in the balance moment by moment, and still you see Michael and Nikita willing to die for each other, you feel your own humanity touched a little, and you want more of this series that takes you a little deeper than the rest of what's on the market for our viewing. Like I said, get ready for a series that is a class act. This is top notch entertainment at it's best. Bravo!

This series is unique. Unlike the banal witty dialog in all of today's action series...this one was quite different and pleasing. Finely emotionally nuanced so that communication takes place by a glance or a turn of the head. This series is the antidote for all other series where everything is conveyed via dialog and nothing by character development. An organization dedicated to public good, but using evil techniques. Are its principals evil themselves or simply amoral? Characters have everything money can buy, but freedom or individual destiny. Nikita herself flourishes at Section, and is redeemed from a meaningless life on the streets..but is this redemption worth it? Does she lose herself or find herself? The moral contradictions alone are spellbinding. I recommend following director Joel Surnow's work for similar treatment of new series.

When "La Femme Nikita" premiered I thought the show would be a typically cheesey USA show: no plot, lots of naked women. To my surprise I genuinely think the show is among the best on TV.

The show's plots are complex and well-thought, taking the usual conventions of the action genre and turning them on their head. Even Peta Wilson, who looked like she was originally cast in the title role solely on her looks, has turned out to be a talented actress. She lends an emotional depth to the role of Nikita that is surprising.

Very good.