Aggiungi una trama nella tua linguaAt the end of the First World War, the Bannerman family reopened the Grand Hôtel after a long closure and costly renovation.At the end of the First World War, the Bannerman family reopened the Grand Hôtel after a long closure and costly renovation.At the end of the First World War, the Bannerman family reopened the Grand Hôtel after a long closure and costly renovation.
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British period soap opera in the `Duchess of Duke Street' tradition set in a high-class Manchester hotel in the nineteen-twenties. A remarkably well preserved Susan Hampshire plays an aging courtesan to the gentry, Tim Healey is excellent as Jacob, the all-seeing Hall Porter with principles and Mark McGann is perfect casting as devious, supercilious hotel proprietor Marcus Bannerman.
However, a couple of cast changes to major characters cause confusion and some of the storylines, especially the surrogate baby issue, become extremely far-fetched.
Watch out for spunky little chambermaid Kate. She's played by Rebecca Callard, daughter of Beverley who was the lovely Liz Macdonald in the legendary `Coronation Street'. A soap dynasty in the making?
Typical English attention to production values by way of sets & costumes makes this undemanding entertainment.
However, a couple of cast changes to major characters cause confusion and some of the storylines, especially the surrogate baby issue, become extremely far-fetched.
Watch out for spunky little chambermaid Kate. She's played by Rebecca Callard, daughter of Beverley who was the lovely Liz Macdonald in the legendary `Coronation Street'. A soap dynasty in the making?
Typical English attention to production values by way of sets & costumes makes this undemanding entertainment.
I must confess I shop at bargain outlets and the best kept secrets are the DVD sections. Once you weed past the hundreds over produced fitness disks, you may just come upon a little gem marked $3.99. Such was the case with The Grand, Series Two. We were disappointed not to be able to find Series One in the stack, but have made it a quest. The costumes are beautiful and the characters little vignettes of humanity both good and bad. You endear the sweet characters and loathe the ones twisting a black mustache and plotting their next evil move. The Series does not pretend to paint a pretty picture. It promises "Secrets, Betrayal, Romance, Revenge and Danger." It delivers on each of these promises! The twenties were often seen as a wild and fun time, but they were a precursor for political disaster on a worldwide scale and I believe the series captured this well.
This series had me hooked from the first episode. The period stuff was done well, in the English tradition, and the acting and writing were first-rate. Yes, the majority of the characters are reprehensible, but they are human, and yes, justice does prevail for them. All of the actors are good, with the magnificent Susan Hampshire a stand-out in a well-modulated performance as a Madam with a heart-of-gold. The characters change from season one to season two, but the interest never wanes. I do not understand the negative reviews that I have seen for this series, but I really enjoyed it. Further, this series had a most satisfactory conclusion which really left me feeling uplifted.
I rented the DVDs and started watching this series with great interest and high expectations, particularly due to the writer, and the presence of Susan Hampshire. Very rapidly I became turned off by the whole thing, and quit half-way through the second episode, I just couldn't take it any more. I found the characters somehow rather repellent, and felt that the writing was just awful, particularly the extremely heavy-handed emphasis on the leering "evil brother and his nefarious deeds"; I wondered why the producers hadn't given him a long mustache to twirl! I don't mind melodrama, but this one pushed the concept over the cliff for me.
My wife and I thoroughly enjoyed The Grand. The other review on this page is accurate in all of it's particulars but does not capture the feeling of opulence and grandeur that the series brings to the small screen. Contrary to the other comments, one does care about the characters from the original Bannerman's to the quintessential bad guy, Marcus. The writing, though smattered with some convenient dramatic plot devices, is terrific. The single best episode, when Clive goes home to see his father, is a masterpiece of writing, with compassion for someone "different", the ultimate outsider among so many others in this cast of characters. The unexpected turn at the end is marvelous. We are watching "Duchess of Duke Street" concomitantly with "TG" and the acting is so much better and deeper, the characters so much more filled out and the story lines so much better, that there is no comparison. We highly recommend that you stick with it. You will be rewarded. Incidentally, we got this out of our public library on VHS, so look for it there.
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