The Grand

This series had me hooked from the first episode. The period stuff was done well, in the English tradition, and the acting and writing were first-rate. Yes, the majority of the characters are reprehensible, but they are human, and yes, justice does prevail for them. All of the actors are good, with the magnificent Susan Hampshire a stand-out in a well-modulated performance as a Madam with a heart-of-gold. The characters change from season one to season two, but the interest never wanes. I do not understand the negative reviews that I have seen for this series, but I really enjoyed it. Further, this series had a most satisfactory conclusion which really left me feeling uplifted.

Of the many extended series from England, I think this is the best conceived & written. 3 dimensional, complex characters, rejection of obvious, feel good, wrap-it-up-neatly plot lines make it the most fascinating of classy soap operas. Flawless acting, direction. Engrossing.

There are two DVD box sets to the collection -- the first features eight episodes that introduce you to THE GRAND, the hotel and the owners, brothers John and Marcus Bannerman, and the hard-working staff. The second series features 10 episodes on three DVDs.

This is engaging and entertaining fare, and some of the storyline is repetitive and derivative, but the acting is very good and the sets and costumes are wonderful and convincing. There are some notable episodes that really stand out. One is on the second series and centers on Clive and his experience as deputy.

For the second series, the characters of Ruth and Stephen have been replaced with different actors who give slightly different edges to the characters (Ruth is more unstable rather than cold and stoic, and Stephen is more immature, albeit just as emotional).

There seems to be a consistent message present and that is that sheer luck can take you out of your social stratsophere, and no matter how well meaning or how hard you work, it's not bloody likely that you'll be able to successfully live in the world of another class.

"The Grand" is nothing like "Upstairs, Downstairs" or "The Duchess of Duke Street", or even like the original "Forsyte Saga" series. It doesn't possess their superlative qualities, their excellent, realistic production values. Those series had sympathetic characters, and by the time you were done watching them you felt like you were being wrenched away from beloved family members! There is no such feeling here with "The Grand" and its cast of largely unsavory characters.

It's actually a relief to STOP watching this series! All the characters, even the kindest one - Kate the servant girl - are out for Numero Uno, they are selfish to the core, and there is little feeling of bonding or real caring between them - and that is why one of their own ends up swinging from the gallows. In "Upstairs, Downstairs" we know that the aristocracy cares about their servants living below. In "The Grand" that feeling is almost completely lacking. Several times during the show long term servants are threatened to be fired, for example, and then almost immediately they are re-instated. "Oops, sorry." No one behaved that way back in 1920. Your "yes" meant "yes", and your "no" meant "no".

The writing is not cohesive or spellbinding enough to keep your attention going for long. Ridiculous mistakes were made in the scripts for these shows: for instance, why would the police arrive to arrest Monica the servant girl for murder in the public foyer of the hotel, without first going upstairs to look at the dead man and the evidence? Bizarre and extremely unrealistic. Who wrote this, a nine year old?

Then we have the smarmy situation of a man lusting after his brother's wife - for the entire part one and into part two of the series, and then the story line is just dropped abruptly like a hot potato, and it goes into other unrealistic directions - including black market baby selling and more prostitution stories! Who cares about these reprehensible characters?

It looked to me like the writer was just grasping at straws....what can I come up with next that's titillating enough to hold their attention? Then they change two major cast members at the start of series two, which disrupts the feeling of the entire show and its flow of events; in addition, since part two was made a year or so after part one, all the cast members who were kept on immediately looked older.

But the worst flaw in "The Grand" is one that seems to be common today for too many writers and producers and directors of historical series and films. That is they insist on applying modern cultural and societal mores to a time period which was much more conservative than our own, and which kept these issues - if they even came up at all - private and between families. Not broadcast to an entire hotel filled with strangers. Again, doing this does not endear an intelligent audience to a vintage period story, because it is artificial and forced, almost as if someone is trying to push their own immoral agenda on their audience.

Skip it.

British period soap opera in the `Duchess of Duke Street' tradition set in a high-class Manchester hotel in the nineteen-twenties. A remarkably well preserved Susan Hampshire plays an aging courtesan to the gentry, Tim Healey is excellent as Jacob, the all-seeing Hall Porter with principles and Mark McGann is perfect casting as devious, supercilious hotel proprietor Marcus Bannerman.

However, a couple of cast changes to major characters cause confusion and some of the storylines, especially the surrogate baby issue, become extremely far-fetched.

Watch out for spunky little chambermaid Kate. She's played by Rebecca Callard, daughter of Beverley who was the lovely Liz Macdonald in the legendary `Coronation Street'. A soap dynasty in the making?

Typical English attention to production values by way of sets & costumes makes this undemanding entertainment.