Un'istruttrice di yoga dallo spirito libero trova il vero amore in un avvocato conservatore e si sposano al primo appuntamento. Sono opposti polari ma lui soddisfa il suo bisogno di stabilit... Leggi tuttoUn'istruttrice di yoga dallo spirito libero trova il vero amore in un avvocato conservatore e si sposano al primo appuntamento. Sono opposti polari ma lui soddisfa il suo bisogno di stabilità e lei soddisfa il suo bisogno di ottimismo.Un'istruttrice di yoga dallo spirito libero trova il vero amore in un avvocato conservatore e si sposano al primo appuntamento. Sono opposti polari ma lui soddisfa il suo bisogno di stabilità e lei soddisfa il suo bisogno di ottimismo.
- Candidato a 6 Primetime Emmy
- 11 vittorie e 40 candidature totali
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Recensioni in evidenza
Yes, there are parallels to "I Love Lucy," but with a degree of introspection which was impossible for TV in those days. I regard this show as one of the last of the US broadcast networks' "second golden age," which emerged at the end of the seventies.
The actors use their voices extremely well; their timing, phrasing and range of modulation are expertly refined and restrained, and amazingly accomplished for TV. There are very few essential sight gags; when replaying the (excellent quality) audio track alone, I am intrigued by how well it would have worked on radio.
I notice some don't seem to "get" the parents, seeing them as shallow stereotypes. But their roles were written and played with the winking insight that the characters have become quite well aware their lifestyles, values and belief systems were folly. With evident embarrassment, they pragmatically and self-consciously stick to their pretensions, as they provide the only structure they dare trust enough to hold their fragile self-identities and relationships together.
This is gently revealed in the dynamic between and among the folks. The kids may seem to be center stage, but having themselves already caught on, essentially play "straight man" together to the poignant unfolding of their parents' subdued realizations as they sail into the fading expectations of middle age.
The actors use their voices extremely well; their timing, phrasing and range of modulation are expertly refined and restrained, and amazingly accomplished for TV. There are very few essential sight gags; when replaying the (excellent quality) audio track alone, I am intrigued by how well it would have worked on radio.
I notice some don't seem to "get" the parents, seeing them as shallow stereotypes. But their roles were written and played with the winking insight that the characters have become quite well aware their lifestyles, values and belief systems were folly. With evident embarrassment, they pragmatically and self-consciously stick to their pretensions, as they provide the only structure they dare trust enough to hold their fragile self-identities and relationships together.
This is gently revealed in the dynamic between and among the folks. The kids may seem to be center stage, but having themselves already caught on, essentially play "straight man" together to the poignant unfolding of their parents' subdued realizations as they sail into the fading expectations of middle age.
In this excellent comedy series Dharma (Elfman) and Greg (Gibson) are a married couple and it's basically about what happens to them each week (a bit like "Friends" (1994). I would reccomend this TV Series to anyone who loves humour. The supporting characters are also a smash. Especially Susan Sullivan who plays the snobby rich housewife in the role of Gregs mother. She's fabulous. Watch Dharma and Greg. You'll love it.
You see sitcoms coming through that just aren't funny (ala Suddenly Susan, Jesse), but Dharma and Greg is hilarious. Dharma's free-spirited antics are hysterical, and both Greg's and Dharma's parents add something so special that no other shows have. In New Zealand, we are in our second season, and it rates very highly. In my opinion, the best sitcom on today. 9/10
"Dharma & Greg" is one of my favourite shows of recent years. It's cute and smart and I'm missing it already! I absolutely adore Jenna Elfman and I thought that the chemistry between herself and Thomas Gibson was absolutely infalliable. For the most part, the supporting cast were strong too, particularly the continuous bickering between Kitty and Edward (Susan Sullivan and Mitch Ryan) In the last series I missed my other favourite character, Jane (Shae D'Lyn), very much.
Let's face it Dharma and Greg is a wonderful show, funny,poignant, cute.......and on point. But the best single description of Dharma & Greg is "The Straight Will & Grace". I am sorry that D & G was taken off the air before it reached it's full potential
Lo sapevi?
- QuizThe vanity card at the end of the first episode (the producer has added a long text, visible for only a second, at the end of every episode, called a "vanity card") starts with "Thank you for videotaping "Dharma & Greg" and freeze-framing on my vanity card." Near the end, it says, "I believe that when ABC reads this, I'm gonna be in biiiig trouble."
- Curiosità sui creditiProducer Chuck Lorre ends each episode with what he calls a "vanity card" - At the top of the screen you see "Chuck Lorre Productions" and a different number followed by a big paragraph of quirky remarks. The card appears onscreen for less than 2 seconds, not enough time to read it. Each episode has a different card.
- Versioni alternativeThe version shown on Czechoslovakian TV contains no laugh track.
- ConnessioniFeatured in The 55th Annual Golden Globe Awards (1998)
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- 老公老婆不登對
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione30 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.33 : 1
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By what name was Dharma & Greg (1997) officially released in India in Hindi?
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