Aggiungi una trama nella tua linguaIn 1933 Texas, a schoolteacher and aspiring writer meets a pulp fiction writer, and a relationship soon develops between the two, but it is doomed by his slavishly devotion to his ailing mot... Leggi tuttoIn 1933 Texas, a schoolteacher and aspiring writer meets a pulp fiction writer, and a relationship soon develops between the two, but it is doomed by his slavishly devotion to his ailing mother and insistence on his freedom.In 1933 Texas, a schoolteacher and aspiring writer meets a pulp fiction writer, and a relationship soon develops between the two, but it is doomed by his slavishly devotion to his ailing mother and insistence on his freedom.
- Regia
- Sceneggiatura
- Star
- Premi
- 6 vittorie e 7 candidature totali
- Ethel
- (as Leslie Berger)
- Mrs. Hemphill
- (as Dell F. Aldrich)
Recensioni in evidenza
Based on the memoir by Novalyn Price about her relationship with pulp writer Bob Howard, the film does an excellent job of showing the on-and-off romance between grade-school teacher Novalyn and full-time writer Bob from both sides. Novalyn truly likes Bob, even loves him at one point, but Bob rides her off, saying "he can't be tied down." But once Novalyn starts dating Truett Benson, Bob's friend, Bob suddenly realizes what a special person Novalyn is and that he can't live without her. He tries several attempts to win her back, but all end either in tears or a fight. Every time Novalyn tries to give him a second chance to prove he loves her, he goes and spends all his time caring for his sick mother, not leaving her for a second. I know you're saying, "What's wrong with that? It just means he loved his mama." But as Novalyn points out, Bob is a grown man who should be leading his own life and being able to let go of his mother and get out once in awhile.
While most movies like these just go on and on about how one person can't live without the other, this one has you wondering if the two will really end up together. And unlike most romances where you're waiting for them to unlock lips, "Wide World" takes many twists and turns in the romance department;you may think you know what's going to happen, but you really don't [unless you already know the complete full story of Howard's life].
The performances by the two leads alone make the movie worth watching;anyone who appreciates good acting should definitely check this one out. Vincent D'Nofrio is amazing, in a performance that would make the real Bob Howard proud I'm sure. He was really overlooked and should have gotten way more recognition for this role. If his other movies are as good as this, it's really sad he doesn't have a more well-known career. There is some justice in the world though, because Renee Zellweger has gone on to become a major star after this part, as she should have. She has a warmth and sincerity that comes across in her acting and makes you root for her the whole time. You often forget she's acting because her delivery is so natural, and she has several emotional scenes to show her depth. I;m a big fan of hers, and this movie didn't disappoint. It's too bad this movie didn't get more recognition, but do yourself a favor and catch it the next time it's on TV. You won't be sorry.
Howard (played by Vincent D'Onofrio) was a real loner who found himself in love; an impossible situation for any recluse, let alone a perhaps misunderstood misanthropic one. Price (played by Rene Zellweger), carries the other hard end of the bargain, a sociable yet independent single woman in 1930's Texas who's burden of loving him is even more unimaginable to bear, but not in any of the trite ways one might think. Most of us cower from those who do not "behave" as society dictates, or to be more blunt, as our loved ones dictate; Price does and doesn't, in a classy yet grounded blend of grace. Both characters are surprising and totally human. Shot in only 24 days, this "little" movie is a buy-to-own keeper. No wonder Zellweger went on to movie stardom after this role.
To quote Rene, her performance is in part "Many thanks to Vincent". An amazing portrait of the best of both actor's range of talent. Recommended highly.
The story is simple enough. Vincent D'Onofrio plays Robert E. Howard, arguably the greatest pulp magazine writer of all time. He is the creator of the Conan series of magazine and movie fame. Howard falls in love with Novalyn Price, a woman who wants to be an author, but has no talent. She is played by Renn' Zellweger, who brings fire to this "mousey" character. Price realizes her destiny lays in teaching and pursues that course in her life. Zellweger's performance is exceptional as her 5'5" frame faces down the 6'4" frame of D'Onofrio.
D'Onofrio's performance in this film is beyond exceptional. He kept me emotionally attached to the character of Howard through out the film. I cried at the end.
As one of the producers of this film, D'Onofrio was able to keep the film on track. But something tells me that he believed so much in the film that he took on the problems himself and protected the project. I loved the Greyhound bus, by the way. It was one of his additions.
This film was Dan Ireland's first major film and he did exceptionally well. He knew the caliber of actors he was working with and let them do their job. The actors also let him do his job as well. Surprisingly in the commentary I could tell that he watched his stars and learned from them
Like I said, I can't say enough about this film. I rented it from Netflix and have watched it several times. It is definitely a keeper and my order on Amazon is already in the works.
Lo sapevi?
- QuizRenée Zellweger, upon receiving her Oscar for Ritorno a Cold Mountain (2003), thanked Vincent D'Onofrio for teaching her how to act, referring to her experiences in this movie.
- BlooperThe door of the car that won't start shuts itself.
- Citazioni
Robert E. 'Bob' Howard: Hey girl. Take a look at the sunset that I ordered for you.
- Curiosità sui creditiDuring her interview on "Inside the Actor's Studio", Renee Zellweger revealed that the end credit for Woofgang Zellweger was an inside reference to her dog, "Woof."
- Colonne sonoreDepression Blues
Composed by Peter Cork (as P. Cork)
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- The Whole Wide World
- Luoghi delle riprese
- Paramount Theatre - 713 Congress, Austin, Texas, Stati Uniti(exterior and interior)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 1.300.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 375.757 USD
- Fine settimana di apertura Stati Uniti e Canada
- 3316 USD
- 22 dic 1996
- Lordo in tutto il mondo
- 375.757 USD