Where's Marlowe?

I was near to enter to the realm of Morpheus, when I got this flick

on the cable. At first, I don't want to see this movie because in the

guide was advertised like a documentary. Wrong!

It is a movie who pretends to be a documentary, but who cares!

Because once I started seeing this film, I found it thought

provoking, interesting, and overall hilarious. There is a `killer'

scene near the end that made me laugh so strong that hurts.

Nice acting by one of my favorite actor from TV and movies, great

job Miguel!

The premise: Two young documentary filmmakers set out to make a film about a two-man detective agency in Los Angeles, led by Miguel Ferrer as John Boone. But things fall apart, and they get involved in the story, losing professional distance and objectivity, with hilarious results.

This is an absolutely marvelous film, and the mockumentary format lends an odd feel to it that's hard to explain. You'll just have to go see it.

This practically undistributed movie deconstructs the deeply hilarious American Private Dude archetype MUCH more sagely/gently/smartly/straightly than the also amusing, if brazenly campy/overcooked/dumbed-down, "The Big Lebowski". Commercial media wizards reject complexity, especially comic complexity (anything not BROADLY slapstick/satiric?) BEFORE it can come to market? Apparently. Wonderful stuff. Rent/buy it if you can find it. You might be charmed. You might even wonder WHY our professional masters consider us so uniform? Or plumb stupid? If we want ONLY movies that wash over us sensationally, WAVES of light/sound, we don't need ANY movies that ask for our attention, our thoughtful participation. Of course. If, on the other hand...

To say this is a noir curiosity is to say The Bible has some colorful characters and quaint storytelling. Takes a good half hour to get going, but for those who keep faith, some serious plot twists and rather impressive surprises are in store, including one which takes the basic brilliant twist of CHINATOWN and goes it one better. It's very difficult to discuss this movie without spoiling things, however, so suffice to say there is more going on than meets the eye (frankly too much), and the filmmakers set out a challenging premise and very nearly pull off the impossible resolution. That they finally don't quite do it is almost more of a relief than a surprise, because given the dollar fifty budget and clear guerilla student filmmaking style which permeates this apparent vanity project for Ferrer, it would have been embarrassing had they actually hit a home run for about 1/10,000th of the cost of a typical low budget studio noir.

However, this is enough of a near-miss that anyone who is interested in noir (especially the iconic detective stuff personified by Mitchum and Bogart and Powell and Montgomery) would probably benefit from a look. The tone uneasily shifts between mockumentary and b-movie gumshoe melodrama, but occasionally succeeds at both just enough that the excursion is worth it for fans. Those who aren't patient will probably just scratch their head, but I'd guess if you've read this far, you are one of those who would enjoy it. Ferrer makes the most of his ample screentime. The rest of the cast are unknown to me; the black cameraman cum private eye has a few amusing moments, including the mugging of a few rather familiar lines of dialogue. 7.5 / 10

I rented this movie last night without any idea of what it was, but even though it might have been rated as a one star movie, strangely I enjoyed it. It really flip-flopped around a lot and it was hard to keep track of the characters at times, but it was really pretty funny as a satire of P.I. movies. I got to rent it for a dollar, and it was surely worth that price. Miguel Ferrer was great as always. Even if a movie is so so, his acting is always first class.

If you are at the video store, and nothing else looks good, try this one.