Quando eravamo re

Leon Gast's documentary about the 1974 "rumble in the jungle" championship fight between George Foreman and Muhammad Ali is...

Well, is it even about that, or is it about Ali? I incline to the view that it is the latter. Foreman is not much seen before the fight, and never speaks. Ali is all over the place, talking about his strategy, his love for Africa. We hear celebrities of the day, and boxing commentators. Foreman remains a brooding, fear-inspiring, mysterious opponent, who plans to corner Ali and beat him to death.

Of course, that's not the way it happened, and when this Oscar-winning film came out, more than two decades after the fight, everyone knew it then. So are the film makers trying to evoke the tension in the Ali camp at the time, that he was going to get himself beaten to death for half the $10,000,000 purse, or just to make the story better? Or a combination of the two? Probably the combination. Whichever it is, it's a well told story, and put together very well with talking heads and clips of the time edited together very well.

This film won a slew of critical praise (as well as quite a few awards) and it deserves all of them. Muhammad Ali is the most amazing athelete of the twentieth century and perhaps the most beloved boxer of all time. A public poll once showed that people all over the world recognized him more then the President of the United States. Maybe its because he is such an ill, tragic figure today that this film is so important because it shows him in all his glory when he was not just a magnificent boxer but a ringing voice of social conscience as well. This film shows him again in all his glory when he took on the seemingly invincible giant George Foreman. George is such a beloved figure now that people have forgotten that when he first won the Heavywieght Crown from Joe Frazier in 1973, that he was as dreaded and feared as Sonny Liston was in his heyday. Howard Cosell was one of Ali's most ardent supporters (he was one of the first to call him by that name and support him in his opposition of the draft) and yet even Cosell said that he didn't think that Ali could beat George Foreman. Ali had lost to Joe Frazier and Ken Norton and had barely won rematches with them, and Foreman knocked both of them silly in less then two rounds. Ali was almost 33 years old and considered all washed up and yet he showed no fear against this man. He told the public "You think you were shocked when Nixon resigned, wait till I whip George Foreman's behind!!!" This film brings that time and place in Zaire, Africa to life. Don King is a despicable character and yet he was a genius in promoting this fight in Africa. He said it was like from slaveship to championship. The symbolism was just tremendous. Norman Mailer and the late George Plimpton are two of the writers who most observed Ali and they both offer wonderful insights during the course of this film. They are especially good when they talk about the fight itself and how they both had a ringside seat. George Plimpton saw Bobby Kennedy shot and yet I don't think he was much more astounded when he saw what happened in that ring when Ali pulled off an amazing upset and knocked out Foreman to begin another glorious championship rein. It is almost comical when they show their shocked faces as Ali delivered the knockout blow. The best part of the film is where they play the song "When We Were Kings" at the end and show a montage of Ali's fights during his amazing career. You will look at these and realize how awesome this man truly was!!!

A testament to the greatness of the man, the myth & the legend, When We Were Kings documents the build-up to arguably the greatest sporting event of the 20th century and follows the 32-year old Muhammad Ali as he starts training for the historic boxing bout against the undefeated world heavyweight champion George Foreman which was held in Congo in 1974 and was billed as "Rumble in the Jungle".

Directed by Leon Gast, it may have taken him 22 years to bring this documentary to cinematic life but it still packs a hard-hitting knockout punch that can floor its viewers. The film not only takes into account the preparation of both fighters but also delves into Ali's beliefs, political stance & powerful connection with the African crowd before heading into the memorable match that left the world shell-shocked to its core.

It also provides a brief overview of Congo's (then known as Zaire) history, its ruthless dictator, its music & rich culture. Also present are many interviews with reporters or journalists who had rather strong opinions about Ali. The fight in itself, though not shown in its entirety, is riveting from start to finish. It shows how quick, tactical & inventive Ali was with both his hands & his mind as he takes on a younger, unbeaten champion in his prime.

Overall, When We Were Kings is one of the best sports documentaries out there, and certainly makes for a welcome tribute to the Greatest whose cocky attitude, larger-than-life aura, strong voice & gifted in-ring ability made him an enduring icon of the sport with a legacy that still has no equals. Packed with adrenaline & burning with passion, this Academy Award-winning documentary is entertaining, inspiring & rewarding in more ways than one and comes highly recommended.

I watched this movie last night on CBC, my third viewing. It keeps getting better. As fascinating a story as one would ever hope to see in any movie. In case anyone does not know why Muhammed Ali was widely named as the athlete of the century by many in 1999. This film will explain.

Ironically, the long delay in finishing and releasing this film may have improved the finished product. The increased perspective of more than a decade may have sharpened the editing choices. Not a method I would recommend as it is rather hard on the artist, but we benefit in this case.

It is important to recognize that whatever this film started out as, it became a study of Ali. And what a subject for study. What an athlete, what a man.

It goes nearly without saying that Ali is a transcendent figure of his generation. For those currently in their twenties who did not grow up in Ali era, this film is a glimpse at why the world choked up upon seeing Ali light the flame at the Atlanta Olympiad.

While Gast's footage of Ali in Kinshasa is sparse, interview segments with Plimpton, Mailer and Lee, and a pulsing soundtrack fill in the blanks to tell a surprisingly complete tale. The characters are fascinating: A young Don King, who had not yet made his name; a sullen, menacing George Foreman bearing no resemblance to the huckster we see today; the creepy Mobutu, who is rarely seen though his presence is felt, and Howard Cosell, who appears briefly to predict the defeat of the man who practically created him. Far, FAR superior to Michael Mann's Ali, which lifted huge pieces from this documentary. While Mann's film provides much more for the eye, Gast's "Kings" is a superior example of pure storytelling.